While there is an intriguing “post-apocalyptic” thriller hidden somewhere within “PATRIOTS,” most of the dramatic tension is lost within its dry and dense text. The first 100 pages are dedicated to explicit detail of how the group stockpiled supplies and what type of gear they needed. The dramatic beats are sparsely thrown in between tactical procedures and equipment description, causing the text to read much more like a survivalist guidebook than a novel.
At times, the pacing of the events tacking place becomes stagnant and detracts from the overall flow of the story. Even during battle scenes, the author seems to be overly concerned with the strategic planning of the attack and most of the events are only depicts through second-hand debriefings, which drains most of the suspense from these events. Furthermore, throughout the first half of the novel, none of the group members ever seems to be in any real danger during these encounters, leaving the series of fights with looters and bandits to become repetitive.
The characters never really develop beyond what is written on the page. While the different backstories of how every one trained in the particular survival field and episodes of how each member of
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For example, the author spends thirty pages describing Matt and Chase Keane’s backstory and situation, but after page 130, we do not hear anything about them until Matt randomly shows up on page 384. Furthermore, while Matt mentions that both his parents were killed he does not mention anything about the whereabouts of Chase. Another example is when the author introduces a character named EDGAR then spends the entire next chapter explaining how his character perfected the radio intercepts for the militias in Idaho. These breaks in the action make it difficult for the reader to maintain engagement in the events taking
Penned during two distinctly disparate eras in American military history, both Erich Maria Remarque's bleak account of trench warfare during World War I, All Quiet on the Western Front, and Tim O'Brien's haunting elegy for a generation lost in the jungles of Vietnam, The Man I Killed, present readers with a stark reminder that beneath the veneer of glorious battle lies only suffering and death. Both authors imbue their work with a grim severity, presenting the reality of war as it truly exists. Men inflict grievous injuries on one another, breaking bodies and shattering lives, without ever truly knowing for what or whom they are fighting for. With their contributions to the genre of war literature, both Remarque and O'Brien have sought to lift the veil of vanity which, for so many wartime writers, perverts reality with patriotic fervor. In doing so, the authors manage to convey the true sacrifice of the conscripted soldier, the broken innocence which clouds a man's first kill, and the abandonment of one's identity which becomes necessary in order to kill again.
amongst the characters.The lack of sophisticated words and using strictly plot allows the story to
This book, unlike its predecessor, begins in the thick of things. There is no tearful farewell from the homeland, there is, in fact quite the opposite. While Harrison’s men head toward the harbour that will bring them away from home, McDougall’s men are heading toward a harbour that will lead to their enemy, which they will heroically engage in mortal combat. This heroism is shown exquisitely in “Private Jones’s martyrdom.” (Mason, 95).
This quote in the first chapter of the book sets the overall tone. The author Tim O’Brien uses his language through out the book in an extremely straightforward manner. He does not sugar coat the way going to war and being in a war is. He does not use stories of heroes,
The characters mainly spend their time in
Despite how quickly the story progresses, all the major elements
As a redcoat or a British man I was a soldier at the time of Paul Revere was running through towns and warning his people. We were headed on our way to seize ammunition. So we headed to Lexington and Concord. It's a horrible walk,ride and having to stay in formation all the time but it is a good life we get feed good we take over people's homes and stay. I'm Major Mitchel of the 5th regiment. At this point in we have caught up with what looks like people trying to dodge my regiment. We finally catch up with them.
Growing up, many young boys idolized the war heroes in movies such as Saving Private Ryan and American Sniper. However, the glorified heroism that is depicted in these films is far from the reality that is war. A more realistic rendition of war is seen in Tim O’Brien’s short story, The Things They Carried. Throughout the story, O’Brien uses metafictional characters to portray the physical and emotional burdens carried by American soldiers who were forced to conform to societal expectations upon being drafted for the Vietnam War. The literary elements O’Brien uses throughout the story to convey this theme are symbolism, imagery, tone, and inner conflict of the protagonist.
In this essay, I will discuss how Tim O’Brien’s works “The Things They Carried” and “If I Die in a Combat Zone” reveal the individual human stories that are lost in war. In “The Things They Carried” O’Brien reveals the war stories of Alpha Company and shows how human each soldier is. In “If I Die in a Combat Zone” O’Brien tells his story with clarity, little of the dreamlike quality of “Things They Carried” is in this earlier work, which uses more blunt language that doesn’t hold back. In “If I Die” O’Brien reveals his own personal journey through war and what he experienced. O’Brien’s works prove a point that men, humans fight wars, not ideas. Phil Klay’s novel “Redeployment” is another novel that attempts to humanize soldiers in war. “Redeployment” is an anthology series, each chapter attempts to let us in the head of a new character – set in Afghanistan or in the United States – that is struggling with the current troubles of war. With the help of Phil Klay’s novel I will show how O’Brien’s works illustrate and highlight each story that make a war.
The undefined characters of the story only seem to help accelerate the action of the story.
Paul Revere meandered along on his way to close up his silver shop. One of his boys - Rufus was it? - had ran to Elias and Judith Lewis's dwelling around the corner with a beautiful silver bowl. It had taken Paul all day to craft the stunning masterpiece - as a thank you for having him over for supper. Being a master silversmith did have its benefits; never having to worry about what to gift was one.
The author uses pacing throughout the story to help the reader connect to the story. In the story
How is one with Yankee Ingenuity escapes from being a prisoner of war living and surviving on the enemy's land? In Herman Melville’s Israel Potter, the protagonist represents Yankee Ingenuity because he always manages to escape from adversity. Melville exemplifies this throughout the novel on how the main character, Israel, faces and deals with adversity.
The first way the author creates suspense in the story is by foreshadowing. When Captain Torres walked into the barber’s shop, the barber, “Started to shake,” (Tellez 1) indicating that the barber felt instant fear, when his enemy approached. This foreshadows that the barber knows the man and that he will be deciding to kill him or not. Foreshadowing creates suspense because it is a clue given to the reader. It is the reader’s job to guess what is going to happen in the story and that is what makes it interesting. Without foreshadowing the reader won’t be able to prepare what is going to happen next. Another scene where the foreshadowing technique is used was when the barber came up with his reasons to not kill Captain Torres. The barber contemplated in his mind, “Don’t want to stain myself with blood. Just lather, and nothing else,” (Tellez 2) which foreshadows that the barber is not going to commit murder.
The story “The Things They Carried” by Tim O’Brien is an enormously detailed fictional account of a wartime scenario in which jimmy Cross (the story’s main character) grows as a person, and the emotional and physical baggage of wartime are brought to light. The most obvious and prominent feature of O’Brien’s writing is a repetition of detail. O’brien also passively analyzes the effects of wartime on the underdeveloped psyche by giving the reader close up insight into common tribulations of war, but not in a necessarily expositorial sense.. He takes us into the minds of mere kids as they cope with the unbelievable and under-talked-about effects or rationalizing