The Pearl Character Analysis

Kino’s desire to gain wealth changes the pearl’s natural beauty and good luck, turning it from a symbol of hope and happiness into a symbol of bad and

To begin with, Kino’s songs are a sign of good and evil. In the Pearl, the Song of Evil is described as anything that threatens his family. “In his mind a new song had come, the Song of

In conclusion, Steinbeck’s novella demonstrates how innocence and hope is destroyed by greed and ambition. Kino seeks to gain wealth and status through the pearl. As he does so, he transforms from a happy father, who was content with his current life, to a greedy person, who can see no good in anything except for the pearl. The pearl, which originally represented Kino’s hope and innocence, is destroyed by

At the beginning of the story they both felt content and happy as show in this quote “Sometimes it rose to an aching chord that caught the throat, saying this is safety, this is warmth, this is the Whole.”. They did not even speak because their understanding was so great. But after Kino found the pearl his relationship steadily deteriorates as shown in this quote “"Kino," she said huskily, "I am afraid. A man can be killed. Let us throw the pearl back into the sea." "Hush," he said fiercely. "I am a man. Hush.”. That shows that as time goes by Kino is acting ruder and harshly to Juana all because of the greed the pearl caused. Another example is "This thing is evil," she cried harshly. "This pearl is like a sin! It will destroy us," and her voice rose shrilly. "Throw it away, Kino. Let us break it between stones. Let us bury it and forget the place. Let us throw it back into the sea. It has brought evil. Kino, my husband, it will destroy us." And in the firelight her lips and her eyes were alive with her fear. But Kino's face was set, and his mind and his will were set” this quote shows that Juana is becoming increasingly fearful yet Kino is sure this is the way and is willing to do whatever is necessary to become wealthy. This causes a strain between their relation. Finally the worst thing Kino commits is the act of attacked Juana. He is described as a snake hissing at her and hitting her that makes her fall. He even continues to kick her after she has fallen and she accepts it and knows he may even murder her. This shows that Kino has broken all limits of humanity and is being consumed by

Kino is beginning to realize how at first the pearl seemed to have brought fortune and good to his family, but it really had only brought evil to the family. By the end of the story, Kino and Juana have lost their son, Coyotito, and they wish things were back to the way they were before they found the pearl. Kino then throws the pearl back out into the ocean where he had found it: “And the music of the pearl drifted to a whisper and disappeared” (90). The music disappearing as the pearl sink back into the ocean symbolizes the evil leaving the family: now that the pearl has left, so has the evil. Kino now understands that their “wealth” has brought nothing but evil and has destroyed both himself as well as his family. Not only does Steinbeck use the motif of music to express the theme that good fortune, wealth, and prosperity steer even the most innocent of people towards a path of evil and corruption, but he also uses the motif of light and dark imagery.

News of the pearl travels quickly. when kino and juana return home people start to gather around them. kino starts making plans on what he is going to do with the money from the pearl. he tells everyone he is going to get married, going to buy new clothes for his family, buy a rifle and send coyotito to school. the priest comes to say that the church would need the pearl for repairs, juana respects the father’s words but kino was too busy on hearing the song of evil and the song of the pearl. when everyone leaves kino starts to think that everyone has it for the pearl and he is the only thing in their way. later the doctor and his servant come to kino’s home and he offers his services. he tells kino about the poison and he treats coyotito.

After discovering the pearl, however, Kino begins to dream of possibilities for his family, most importantly an education for his son, which was something he previously never thought of as he considered it absolutely out of reach. His dreams gradually start becoming more and more materialistic as he stares at the pearl’s surface. Consequently, he drifts apart from his culture and family customs, he escapes town and ends up killing a man, being inherently deceived by the pearl. When he returns to the village, wrecked by the death of his son, he first offers Juana the chance to throw the pearl into the sea. This indicates that he has learned to value her sense of judgement and is, in a sense, yielding to her. But she insists on Kinoo throwing the pearl into the sea instead and that shows that she remains faithful to their previous alignment of life and as always, seek and strives s to preserve

The pearl takes on many different forms throughout the novella, shape-shifting its way into people’s minds. “This thing is evil," she cried harshly. "This pearl is like a sin! It will destroy us," and her voice rose shrilly. "Throw it away, Kino. Let us break it between stones. Let us bury it and forget the place. Let us throw it back into the sea. It has brought evil. Kino, my husband, it will destroy us." And in the firelight her lips and her eyes were alive with her fear” (43-44). This shows that the pearl has turned Kino’s head, he wants more, and he needs more. Wanting more and needing more comes to a price and Kino is about to pay for it. The pearl has become my soul,” said Kino. “If I give it up I shall lose my soul…”(73). The pearl is not an entity or a spirit, it does not tell Kino what he should do. Kino has infatuated himself with the thought of a better life and he has lost control of his own. “And then Kino’s brain cleared from its red concentration and he knew the sound—the keening, moaning, rising hysterical cry from the little cave in the side of the stone mountain, the cry of

The pearl's evil infects Kino like a ravaged disease and consumes his mind. He starts off with good intentions, but they become twisted. He wants to sell the pearl and use the money to better his family's lifestyle. He has dreams and goals that each depends on the pearl selling for a good price. Juana sensing the evil and greed coming from Kino attempts to destroy it. Kino beats her unmercifully. "He struck her in the face and she fell among the boulders, and he kicked her in the side...He hissed at her like a snake and she stared at him with wide unfrightened eyes, like a sheep before a butcher." Juana sees through the outer beauty of the pearl and knew it would destroy Kino and herself. Kino's vision from the soul becomes blurred by the possible prosperity the pearl will bring. The evil invades Kino's life as well as everyone he knows and loves.

This quote shows the greed in Kino is getting greater and greater. The reader can tell this because Kino is willing to hurt the person who he loves the most, and who loves him the most, just to keep his pearl safe.

In The Pearl, Kino caused the tragedies his family experienced because he only cared about the pearl and therefore put every other concern second. For example, as Kino regained his consciousness after an attack during an attempted robbery, his first

After fighting battles with himself, Kino began to lose his ability to control himself because he was set on his plan for his family that he once saw in the pearl. “He struck her in the face with his clenched fist and she fell among the boulders and he kicked her in the side.” (Steinbeck 59). Multiple instances have occured since Kino first got the pearl, including two attacks to steal it during the night, as well as thousands of eyes that have stared through him and looked into his soul full of secrets, making him feel scared throughout the day and night, worried that those eyes would turn into attacks on his pearl, which holds the future for his family. After Juana, Kino’s wife had enough jealous stares and greedy attacks, she took the pearl and boldly planned to throw it into the water, for it to drown with the wealth and the struggles attached to it. But, as Kino was constantly aware of everything occurring with the pearl, he didn't care whether it was his wife or a stranger, because he knew he had to attack and prevent the loss of the pearl, especially since he has such a close connection to it. “The pearl has become my soul. If I give it up, I shall lose my soul.” (Steinbeck 67). Kino cannot live without the pearl and as everyday goes by, his connection with the pearl grows stronger, and his

Kino a loving father and husband whom had dreams for his family, as shown in steinbeck’s The Pearl. But fate led him to a pearl of exqwizit magnificence. This pearl assured the dreams he wanted for his family, to marry ied to his wife Juana, and for his son Coyotito to get a proper education. But because of Kino’s obsessive attitude over the pearl it doomed his family to a different path, one with fear, death, and corruption. Juana his loving wife whom was spectacle of what Kino was doing and questioned him “Who do you fear?” (35) Kino answered with “Everyone”(36). You may argue that Kino’s actions are being based on greed therefore greed is responsible for the death of Coyotito and the destruction of the family, I invalidate that argument because greed is an emotion. Greed, is an emotion and emotions cannot control you, you have the ability control your emotions. DO NOT READ THE RED “In my target essay, I argued that emotions can be controlled, in the sense that we can shape or influence which emotions we have, when we have them, and how we experience and express these emotions.”

In literature, a tragic hero is a character of noble birth with heroic qualities. This character is usually fated by some supernatural force to great suffering, destruction, and even doom. Often, the hero struggles mightily against this fate and in the process, wins the admiration of the reader. The character of Kino in John Steinbeck’s novella, The Pearl, while not of “noble birth,” is indeed a tragic hero. He suffers from the tragic flaw of greed after he finds a pearl of great value. Steinbeck, through the use of an omniscient narrator, reveals the human weakness of Kino’s actions in order to teach a moral lesson. At the same time, however, the narrator often shows a certain respect and admiration for the fact that Kino strives to realize his ambitions. He will stop at nothing to make sure he gets a fair price for

The music in Kino?s head represents his conscience in the real world. It warns him of bad by the Song of Evil, it makes him feel good by the Song of the Family, and the Song of the Pearl reminds him of all the things the pearl brought him. In the end, the irony of the story is that even a good person can be lead off course by his feeling of inner responsibility to provide for his family. Kino?s actions are being motivated to raise Coyotito in greatness, which eventually leads to the death of Coyotito (Kino?s greatest loss). Many desires in life can lead to disaster.