The Performance Rights Organizations ( Pro )

BMI and ASCAP are both composers, songwriters, lyricists, and music publishers of every kind of music. To join BMI there is an application fee of $150, however the publisher fee is $250. BMI is associated with famous music artist such as, Legendary Toni Braxton, Kirk Franklin, Rihanna, Nicki Minaj, and Bryson Tiller. BMI offers Royalties and they include Radio, TV, and the internet. On the other hand over at ASCAP they a $50 writers processing fee and a $50 publisher processing fee. Their Royalties include TV, performances, and the radio. ASCAP is associated with talented people such as, The Weekend, Justin Bieber, Fetty Wap, and Adele. Both BMI and ASCAP are well known and work with famous, popular and talented people and offer reasonable,

Three major performing rights organizations exist in the United States: the American Society of Composers, Authors and Publishers (“ASCAP”); Broadcast Music, Inc. (“BMI”); and SESAC, Inc.

Both the radio and records have had significant impact on the development on rock n’ roll. Similarly, the radio and records gave musical artists an extended ability to stretch their audiences. Strongly intertwined, while they both gave listeners the ability to find artists they like, there are some clear differences between each the developments of the radio and that of records. In the years prior, the music industry was built on the “Tin Pan Alley” system that strictly controlled musicians and popular music (Schloss, Starr, and Waterman, p. 2-7). And much like the spirit of rock n’ roll itself, people within the industry eventually grew tired of conformity and no longer felt the need to follow the rules. Radio stations started forming separate licensing companies (BMI), which allowed them to play what they want (Schloss, Starr, and Waterman, p. 7). With an “open door” policy that allowed broadcasters to play music they wanted, radio stations had the important job of sharing a variety of music that could be heard all across the country. The radio began to function as a way of transporting records and genres of music all over the country from the traditional cultures they formed, which includes R&B, blues, and country. This reshaped the music industry by expanding its reach to new audiences. This, “allowed songwriters working outside of mainstream pop to claim royalties on the use of their songs on broadcasted

I believed the basic aim of these websites were to digitally respond reasonable to the technological changes of how music was conveyed to drive sales In a positive manner but musician ended up getting a small fraction of the income receive from streaming videos and audio songs as royalties. I can personally testify to this with my personal attitude towards many popular songs I downloaded for free online that I heard for the first time on radio. In his article published in the New York Times on January 2013, Ben Sisario commented on how online streaming has hurt the industry and partially reduced sales. According to him, Many consumers has greatly welcomed this system citing them as a smart way to save money since streaming saves them more money than buying the physical album. This will virtually hurt the artist survival unless they are engaged in an important side business for survival. ( Hartwig Masuch, chief executive officer of BMG rights

There went from being one major performing rights organization to becoming three major organizations. With the change from one to three organizations the way that the licensing process was occurring changed. It went from songwriters and publishers having no choice but to sing with ASCAP to having the ability to choose between either ASCAP or BMI or if invited SESAC to choose which organization would be best for them. Along with the copyright owners being effected, the different performance spaces were also affected. They now not only have to purchase licenses from one organization to not have any problems with music that they are playing but instead they have to purchase three different

Every day millions of Americans turn on their radios, IPods, or some other device which allows them to listen to their favorite musicians and have no idea that there is a union standing guard to ensure the rights of those very musicians. The average American may think their favorite musicians are rolling “dough” and not realize that for the past hundred and fourteen years the American Federation of Musicians, aka AFM, has worked to improve the professional lives of musicians across North America. (American Federation of Musicians, 2010) AFM attracts its members with a mission to unite professional musicians which states, “We can live and work in dignity; Our work will be fulfilling and compensated fairly; We will have a meaningful voice

Tin Pan Alley made its business of sheet music in their early years and with that made profit off each client, every time a copy of the song was sold. As Records began to become popular we begin to see more complex copyright agreements coming into play. On February 13th 1914, a group of well-known, creative music creators found ASCAP: The American Society of Composers, Authors and Publishers . The group's goal was to license and distribute earnings to artists as well as protect all rights to the creator and owner of the song.

This service it’s surly the most Music streaming Service used in the World with over 75 Million active user every month tea qui 15 million user pay the subscription every month. (Adam Shepherd, 2015) http://www.cloudpro.co.uk/leadership/5577/what-is-spotify ) Spotify was funded in April 2006 by Daniel Ek and Martin Lorentzon and it was Lunched in in September 2008 in Sweden. With over 30 million song available to play Spotify has an huge success thanks to the capability of create playlist , Over 20.000 songs are added on Spotify every day, The playlist made on Spotify are 2 billion and 5 million are the playlist that get edited or created every single day. This is surly a stream service that people like to use infact The number average of hours that listen to Spotify is 20 billion

The Society of Composers, Authors and Music Publishers of Canada (SOCAN) is a non-profit organization that represents the Canadian performing rights of millions of music creators and publishers all over the world. Its predecessors have been in Canada since 1925 but was officially founded in 1990. In this paper, you will learn about SOCAN and how it operates, their goal and purpose, and how to become a member and how it will benefit you and even the rest of Canada. Eric Baptiste (CEO of SOCAN) is one of the most influential leaders in the music industry. With all his experience in the music industry it is no wonder why the organization has grown its membership base and increased the number of organizations licensed to use music to record-high

The Fair Labor Standards Act of 1938, as amended is also referred to as "the Act" or "FLSA". The Act provides for minimum standards for both wages and overtime entitlement, and spells out administrative procedures by which covered work time must be compensated. FLSA also include provisions related to child labor, equal pay, and portal-to-portal activities. A general overview of FLSA is that it establishes minimum wage, overtime pay, recordkeeping, and child labor standards affecting full-time and part-time workers in the private sector and in Federal, State, and local government. In 1974 the Fair Labor Standards Act began applying to employees of the United States Federal Government. ( para.1, 2,”

It is vital for a publishing company to register with all relevant collection societies, who would obtain royalties in the territory they operate in. In the United Kingdom, a music publisher will typically assign its rights to the Performing Right Society, who would collect all the public performance royalties on the publisher’s behalf. This is lucrative for publishers, as any space that is open to the public wanting to use music must acquire a public performance license.

The "business side of music is struggling to generate enough revenue because of the new technology" ("How the Internet Changed Music."). "Most of the people who are part of making a record are paid in royalties, and anytime music changes hands without money being involved, those royalties can’t be paid—which is why so much has been done in recent years to try and reduce music piracy"("How The Internet Changed Music."). iTunes and Amazon has helped by offering cheap downloads for single songs, which allows the customer to only purchase songs they like rather than the entire album ("How the Internet Changed Music."). Spotify and Pandora, who offer either ad-based or paid subscription streaming of their music libraries, are Internet radio stations which have also helped with the piracy problem ("How The Internet Changed

Establishing the target market is the focus of the case. There are different avenues they can venture down. The key is to figure out which will be generate sales more quickly and prove to be the most beneficial to the company. Polyphonic’s options are to market to the record labels, producers, or the unsigned artists.

In addition, the software doesn’t produce enough value for the artist segment. Suppose, HMI promotes specifically to this group and the members show enough enthusiasm resulting in satisfactory initial penetration. Once, the initial curiosity about the quality of her own performance is satisfied the artist won’t find any alternative use of the report. If the report says their song has enough potential to be a great hit, that conclusion does little for them because the record labels are not likely to acknowledge the credibility of the HMI report.

In addition, the software doesn’t produce enough value for the artist segment. Suppose, HMI promotes specifically to this group and the members show enough enthusiasm resulting in satisfactory initial penetration. Once, the initial curiosity about the quality of her own performance is satisfied the artist won’t find any alternative use of the report. If the report says their song has enough potential to be a great hit, that conclusion does little for them because the record labels are not likely to acknowledge the credibility of the HMI report.