The Period Called Romanticism: Representations of Terror in Literature

After Horace Walpole redefined the term “Gothic” with his literary form that mixed history and fantasy in a way that was meant to create wonder and terror, the term developed to take a on many interconnected meanings. These meanings include “Goths/Visigoths” which Edward Gibbon describes as “a general appellation of rude and warlike barbarism”(Moreland, slide 29). It is also a Medieval style of architecture and an “unwritten” constitution which describes the “ traditional balance of power in British politics between the royalty and the people”(Moreland, slide 31). The final meaning is that of Gothic fiction whose characteristics include: strong emotion (mainly terror/horror), antiquity, haunting, isolation, obscurity/mystery and/or monstrousness/grotesquerie. Among the 18th and 19th century fiction that draw upon and foreground these meanings are Poe’s The Fall of the House of Usher and Stoker’s Dracula.

Fear is in the core of every person. It is the defense mechanism that keeps us from danger. It is an unpleasant emotion internally warning us that someone or something is dangerous, likely to cause us pain. In gothic literature fear is a topic that the genre is soaked in. It is one of the main elements. Authors use literary devices to make a reader feel, think, and react in a certain way. Mary Shelley and Ann Radcliffe are both prominent gothic writers, with the works Frankenstein and The Mysteries of Udolpho respectively. They are both works that are thought of as key reads in the genre and both have a pervasive theme of fear throughout. The two women portray these very well using literary devices. Both authors explore fear as a theme. Mary Shelley’s novel

The fear of the unknown is a common Gothic theme that is used to create fear and uncertainty in the responder. This is achieved through the use of a number of different techniques and conventions. The fear of the unknown is expressed through dark, uncertain and mysterious circumstances cause responders to feel vulnerable and fearful. In Bram Stoker’s Dracula the overpowering force of the sublime, the prominence of religion, death and use of darkness accompanied by typical Gothic techniques evoke a fear of the unknown in responders. This common Gothic themes can also be observed in The Road by Cormac McCarthy, in which the fear of the unknown is enhanced by the sublime, the prominence of religion, death and the use of darkness. Furthermore,

The period of Romanticism, occurring between the years 1800 and 1860, left a significant impact on not only the literature of that time, but the literature of today as well. Prior to romantic writings, the world focused on society and logic. Romanticism allowed people to start valuing individualism and to appeal to emotional responses. This new way of thinking brought new literary styles, themes, and genres that were never explored before and are still found today. The literature of Romanticism allowed people to escape the harshness of reality and enter a different world.

Romanticism was a period time 1750 to 1870 in Europe, Latin America and The United States. Romantic Movement didn’t reach to France until the 1820’s. Romanticism main spirit was against of rule, law and formulas that classicism the different characterized of general in 18th century. Imagination, Subjectivity of approach, freedom, Expression and the idealization of nature will be focused in movement of Romantic Literature. In this period industrial revolution with the social and political norms form as age of enlightenment and against of scientific rationalization of nature. Some Literature element of that period will be emotional, imagination and suspense. Romanticism movement brings some of different writes such as John Keats, Blake William, Wordsworth William and other. They came with the different illustrated, poetry that expresses the language, emotion and imagination. Romanticism is a phenomenon characterized by subjectivity of approach and reliance on the imagination, An Idealization of nature and freedom of though and expression.

In most Gothic literature stories, imagination plays a big role in creating fear that for the reader to feel. Both of the stories that were read in class, “The Fall of the House of Usher” and “House Taken Over” included elements of Gothic literature which made the reader use their mind and have a imagination. These short stories involve many examples of imagination conquering of reason.

Monsters, those that are real and those that are fake, both have a habit of emitting the same feeling of dread that tends to linger in our minds and make us paranoid enough to look behind ourselves. The term monster, used throughout history and applied to animals and the animalistic behaviour of man, as a way of giving the general public what they want and what they have always wanted which is a ‘label’ as we believe them to be a menace that can’t be or is not worth being helped or rehabilitated. The term monster is also one that feeds the urges of the gothic, one of its many key contributors Mary Shelley, holds the title to what is the possibly the most well renowned pieces of gothic literature, ‘Frankenstein’, a piece of literature that alludes

The period of Romanticism, occurring between the years 1800 and 1860, left a significant impact on not only the literature of that time, but the literature of today as well. Prior to romantic writings, the world focused on society and logic. Romanticism allowed people to start valuing individualism and to appeal to emotional responses. This new way of thinking brought new literary styles, themes, and genres that were never explored before and are still found today. The literature of Romanticism allowed people to escape the harshness of reality and enter a different world.

In these gothic literature short stories regarding romanticism the authors often use many elements that pertain to fear however, the most prevalent themes in “The Black Cat” by Edgar Allan Poe, “Prey” by Richard Matheson, “The Devil and Tom Walker” by Washington Irving, and “The Feather Pillow” by Horacio Quiroga are grotesqueness and violence. The authors utilize grotesqueness and violence in order to furthermore portray a dismal mood, foreshadow events to come, and to further entice the reader

Gothic horror uses “the supernatural” to create a sense of fear – both real and imagined – in a reader. The protagonists in Stephen King’s The Shining and Edgar Allan Poe’s “The Cask of Amontillado” endure psychological turmoil as a result of the inanimate coming to life. For instance, the Overlook Hotel and catacombs drive both protagonists to self-destruction from the sense of confinement they produce. Similarly, alcohol is a driving force behind acts of murder. Finally, objects like the boiler in The Shining and the coat of arms in “The Cask of Amontillado” represent the character’s psychological undoing. As such, the inanimate foreshadows the main character’s eventual demise by facilitating their

All too often the gothic literature genre is reduced in its interpretation to gloomy weather and archaic haunted houses. These patterns do exist, but they do not define the genre. Gothic literature found its niche in the 18th and 19th centuries, and during the Victorian era it served a more nuanced purpose than simply to scare readers. Many gothic authors used a monster as a vessel to symbolize topics that the Victorian era sensibilities would label as “monstrous.” They are the incarnation of the taboo subjects society is trying to repress. In Bram Stoker’s Dracula and Edgar Allan Poe’s “A Tell-Tale Heart”, the authors use Freudian symbolism along with literary symbolism to demonstrate the repercussions of repressing “id” desires.

During the Romantic period, which began in the late 18th Century, and ended in the early 20th century, there were many political changes, such as the French Revolution, the Napoleonic Wars, repression and reform, pre-industrial economic changes. There were also many changes throughout literature and culture during this time. Poetry during this time often had strong themes of nature, internalization, subjectivity, and imagination. Three highly influential poets who were also often characterized as poets of the Imagination are William Wordsworth, Samuel Taylor Coleridge, and William Blake. Imagination is important to romantic poets because it was used as a healing tool for the writers’ troubles, using reason and emotion to relate to and participate in the world around them.

The Romantic Era was a period of that examined emotions and put them into words. Romantics abandoned the logical traditional Western World thought which believed that intelligence was the method used to understand the world. However, the Romantics opted to espouse imagination and feelings as a veritable approach to empathize the world. (James ,488)

Romanticism came to be in the 18th and 19th centuries which emphasized the imagination and emotions of romanticism. Many people viewed this type of literature as the quality or state of being impractical or unrealistic meaning romantic feelings or ideas. During this time many poets were encouraged to express their true colors and individual uniqueness. The Romantic Era expanded all throughout the world, and reached poets such as Keats, Byron, Shelley, and Wordsworth.

One of the most popular themes for Romantic poetry in England was nature and an appreciation for natural beauty. The English Romantic poets were generally concerned with the human imagination as a counter to the rise of science. The growing intellectual movement of the 18th and 19th centuries placed scientific thought in the forefront of all knowledge, basing reality in material objects. The Romantics found this form of world view to be restrictive. They felt that imagination was crucial to individual happiness. The imagination also provides a common human bond; a means of sympathy, of identification. However, the absence of imagination, the Romantics felt, would lead