The Philosophy And Art Of The Service Of Growing And Struggling Life

Suffering is an obstacle that everyone has to confront at all times in their life. Most of time, suffering is painful. However, if people consider it as a chance for learning, they can gain a broader appreciation of life and success. They will grow one step further in the process of overcoming and stepping out from the disincentive. However, confronting suffering is not necessarily drawing the beneficial consequences: sometimes, suffering seems ultimately pointless. It may ruin people devastatingly and even lead them to the dehumanization by drawing out their negative hidden traits. A Long Way Gone--a book of Ishmael’s dreadful memories of being a boy soldier and the atrocious truth of the war--and Othello--a tragedy of jealousy, vengeance, and love--indicate those two

Often thought of as the epitome of Romanticism, Goethe’s Faust details the adventures of It’s hero that can be thought of to represent the turmoil that was grasping European society in the years of late eighteenth and early nineteenth centuries. Faust can be viewed as a romantic hero because of his attitude and the progression of his character throughout the story and runs nearly parallel with what was happening around Europe at the time Goethe transpired this play. Faust offers a transition from the cold realization of the Enlightenment to a warm comfort that came to be described as Romanticism. Faust shows a way to express how he deals with morals and all the learning along the way in order to feel fulfillment or belonging, while also shadowing a mindset that European society was struggling to deal with after their world found reason to no longer be a spark for their overall culture of life.

Sacrificed the truth, beauty and the right to think, happiness and comfort is just indulgent, it is the discomfort brought by the misery, responsibility and the bonding give us the weight of life. The world is full of people who try hard to gain happiness, and we all have at least one time the idea of living in a perfect world, a world without pain, without misery, without getting old and without cancers. We always ignored the importance and the beauty of uncomfortableness, just as a quote in this book said, “Stability isn’t nearly so spectacular as instability. And being contented has none of the glamour of a good fight against misfortune, none of the picturesqueness of a struggle with temptation, or a fatal overthrow by passion or doubt. Happiness is never grand”. After read this book, I started to be more objective at those bad things I used to hate, to understand the significance of art and to be grateful to this imperfect world we are

others’ distress together with a desire to alleviate it.” My precept is that it lies at the heart of all

The Romantic movement throughout Europe was in response to the rationalism and Enlightenment movement of the 18th century. This time period was seen as a Segway between two time periods, the Enlightenment and the Romantic movement, creating a conflict between cultures. Whereas most of Europe was transitioning into a time of Romanticism, German culture didn’t accept the movement until later 1790’s, due to the thought that it was undermining the national identity. It wasn’t until a new generation decided to break away from established tendencies in the culture and focus on the unique experiences of the individual. Goethe previously encourages the movement in the development of the Faust figure which in many ways reflects change and Romanticism. The new modern age of the Romantics distrusted the Enlightenment views of reason as the supreme guiding force of human action and they sensed a new age was dawning.

This piece represents the very tenets of Buddhism at its most extreme. Those that wish to evade the suffering of the human existence should remove themselves from the materialism of it to the fullest extent possible. This is one of the

Imagine a candle-lit dinner on a starry night in Paris, the Eiffel Tower just in view with dazzling lights shining into the night. This image is probably what you think of when you hear the word “romantic,” correct. However, this image is a stumbling block when people think of the “Romanticism Period” in literature. Where “romantic” means having a lovely time with the person you love the most, “Romanticism” is a piece of literature written with key themes in mind. Those themes tend to be a strong emotion, imagery or worship of nature, and individuality and subjectivity. The peak of inspiration for these pieces was in the years 1800-1850, and there are famous poems that are well loved today from this period. Many of the poets that you enjoy reading and know are, in actuality, Romanticism writers, and instill the themes above in our minds.

a) “ What are its courses and inescapable consequences? Is it philosophy? Is there a philosophy of indifference conceivable? Can one possibly view indifference as a virtue? Is it necessary at times to practice to simply keep one’s sanity, live normally and enjoy a fine meal and a glass of wine as the world around us experiences harrowing upheavals?” (444).

The political activist and mystic Simone Weil saw mysticism as deeply engaged in the “real world” and not in the private domain. Despite having great insight into Christian mysticism Simone Weil was never baptized. After her death, her various letters and essays were comprised and formed the book which is entitled Waiting for God. In the essay The Love of God and Affliction, Weil believes people can find God in the affliction which she defines as a “physical suffering” and an “uprooting of life” that results in “social degradation of the fear of it in some form or another”. (67-68) Generally speaking, affliction is a type of severe suffering that a person can experience that is so extreme that people tend to socially exclude them due to their

Our experiences of suffering may also help us in our moral conduct as an experience of suffering serves to make us sympathetic to the trials of others. We learn to a) help the afflicted (through consolation and relief) and to B) not inflict harm on others, having experienced suffering ourselves. Furthermore, many spiritual seekers in the past have felt that suffering and spiritual progress are inexorably linked, pointing to St Teresa of Avila and St Francis of AssisiI as examples . I believe that if we can learn from our

Central to any study of the humanities is the human condition – our nature, which has historically shown that it is equally capable of both good and evil deeds – and the problem that arises from it; specifically, why do humans suffer? Many philosophies and religions have their own account for this aspect of humanity, and we find that what the accounts have in common is each explains the human condition in terms that are similar to how that institution of thought explains the true nature of reality.

"Extinguishing all forms of clinging and attachment… Suffering can be overcome through human activity simply by removing the cause of suffering" (The Big View).

Romanticism can be used to describe a time period when poets, painters, essayists and composers increasingly came to view nature itself as the greatest teacher (Sayre 177). Romantic artist believed that the past Classical values of dominance were over. Romanticism believed by a new way of living one where emotion and feeling can into play. Romantics had a very deep and passionate feeling for the beauty of nature and how it corresponds to life. The emotion of the new view of an individual creator, whose creative spirit is more important than strict adherence to formal rules and traditional procedures in romanticism (Britannica). I feel that people felt a time of relief when painting they did not need to feel like they were subject to a certain

In reaction to The Enlightenment, the period of Romanticism rises in the nineteenth century; with its major influences in the arts. Romantics focused on the individual and emotion over reason. Nature is their biggest influence. Through nature romantics could be closer to a supreme being. When it came it religion, the romantics were drawn to Christianity, but did not consider themselves Christians. In her essay “Defence of Poetry,” Percy Shelley describes the characteristics of Romanticism, when describing poetry. She uses phrases like “the expression of the imagination,” to describe poetry. (Percy Shelley, Defence of Poetry). In her essay Shelley describes what true poetry is and consists of. Her descriptions resemble the ones of Romanticism. Thus, what is Romanticism? It is one of the hardest periods to define as Hobsbawm states, “As a style, a school, an era in the arts, nothing is harder to define or even describe in terms of formal analysis…” (The Age of Revolution, 257). Even though Romanticism can be described as undefinable, its presence could be felt throughout Europe.

Romanticism is an artistic revolt that originated in Europe in the 18th century. It rejected the rationalism, logical thinking, and societal norms associated with the Age of Enlightenment. Rather, it embraced ideals that came out of the French Revolution. The works of art focused on promoting free-thinking and provoking feeling from its viewers. To further explain Romanticism, poet and critic Charles Baudelaire once wrote that "romanticism is precisely situated neither in choice of subject nor in exact truth, but in way of feeling." Various paintings throughout the 18th and 19th century helped to define this time in art history. During the Romanticism era, it was through the emphasis on emotion, freedom, and the everyday life that the Romantic principles of the sublime and the picturesque were expressed.