Jimmy Chung 500 415 174 MHR 711 Philosophy and Film First Film Analysis David Ciavatta March 20, 2015 When an employee is injured on the job the first thing that needs to be done is that the employee should first and foremost get medical attention. Since the worker suffered such a traumatic injury, it is imperative that the employer first check on the employee to check on the severity of the injury and upon assessment by a trained employee, either the correct medical procedure
The film Mulan is set in ancient China, in an undefined dynasty. The Huns have penetrated the Great Wall and have invaded China. The emperor orders that new soldiers be drafted. Mulan, a girl who recently humiliated her family by failing the Matchmaker’s assessment, in order to save her aging father from death at war, steals her father’s armor and masquerades as a soldier. Throughout the film, several historical inaccuracies, as well as accurate portrayals, become apparent, in such respects as religious
Live, is also the scriptwriter of Zhang Yimou’s film To Live, the philosophies of life in the novel and the film are apparently different. The most impressive part of the novel is the “excavation” of humanity: having experienced the loss of wealth, family and friends, Fugui is still attempting to live in this world. By telling the readers the miserable life of Fugui, the novel actually more wants to show the dark side of Chinese society. However, the film concentrates on elaborating the improvement of
structure, its method of storytelling is based on the characters perception of the truth, in film and television it is often referred to as the Rashomon effect. The visual style and symmetry are compelling proponents of the films symbolism, Kurosawa’s use of sunlight and dark shadows symbolizes the clarity of the story, an example would be the use of sunlight as good faith and the shadows as a dark impulse. The film tells the story of one event with four different accounts to it, each story is altered
continued to create his own films. Welles was noted for producing many films that fit in several musical styles; however, dramatic event, mystery/crime, love story, and film noir were his main writing styles. His radio program called The Orson Welles Show aired poetry, history, dramatic adaptations, music, comedy, and a commentary segment. Through these extensive genres, Welles made a brand of himself. He was known for playing in theaters, receiving the American Film Institute’s Lifetime Achievement
Daniel White Professor Skrabak Intro to Philosophy September 10, 2014 Philosophy through Film “Ferris Bueller’s Day Off I am hoping that this essay will expand my understanding of certain philosophical archetypes. In the film, I will recognize philosophical themes in scenes and within the characters. Once an understanding of the themes is achieved, then I will be able to categorize the film as a sufficient or insufficient example. In writing this paper, I hope to determine if “Ferris Bueller’s
it is feasible to argue that we are currently living in a computer simulation era and as such we too have descendants who will run a number of simulations in future. What is Issac Asimov’s theory of self-reflective awareness (hint: it is in the film, The Sandcastle of awareness). Issac Asimov’s theory of self-reflective awareness is that we are able to reverse engineer ourselves. Issac compares consciousness to a sandcastle. With the grains of sand we are able to build sandcastles, alter it again
Aristotle’s study of poetry mainly focused on the elements to a good tragedy. Some of his elements have been used in Greek tragedies and modern movies. The Greek play, Medea, and the modern movie, No Country for Old Men, use elements from Aristotle philosophy, while using similar and different techniques but both achieving an effective tragedy. In Aristotle’s book, Poetics, he defines tragedy as, “an imitation of an action that is serious, complete, and possessing magnitude; in embellished language
involved when making a film, the Auteur Theory focuses on the idea that the director is the true author, and creditable for the final look of the film. Auteur Theory is a philosophy of film created by Francois Truffaut, a film director and critic, in 1959. “Truffaut noted that ‘the directors are, and wish to be, responsible for the scenarios and dialogues that they illustrate.’” said in Society for Cinema & Media Studies by Donald E. Staples. Auteurism was considered to flow in film work from France to
to imagine the crime scene as well as the actual killing. It was not until the twentieth century, with the coming of films, that they could visually see the criminal’s deed as well as the carnage carried out. One film in particular, Rope, by Alfred Hitchcock, attempts to derive from the status quo of murder films and instead focuses on the ideals that drove the murderers. The film is loosely based on the murder case of Nathan Leopold and Richard Loeb, two young adults who murdered an affluent teenager