The Photographic Portrait Of Art

Two sculptures, among others, lie in the outskirts of the Franklin D. Murphy Sculpture Garden at UCLA. One of them, The Walking Man, is a bronze sculpture created by French sculptor Auguste Rodin in 1905. The other, made more than 100 years later, is T.E.U.C.L.A., a large scale steel sculpture made by minimalist sculptor Richard Serra. Although it may seem like these works have more differences than similarities, both emphasize the processes of their creation and are major movements away from the classical tradition of sculpture. However, The Walking Man and T.E.U.C.L.A. also differ in several aspects that reflect their respective artists’ personal portrayals of modern sculpture. These aspects include: mode of production, composition and the arrangement of volumes, the play of light and shadow, and visual experience. Together these elements of formal organization work together to convey meaning in both of these works. Rodin’s deliberate rejection of refinement and disregard for the direct translation of the unformed to formed in The Walking Man represent the process and spontaneity of reality, while Serra’s use of curvature and aperture in T.E.U.C.L.A. models the spaces people move through and the perceptive skills they use in life and nature.

Identity is a central concern of contemporary life. Identity plays a large part in societies and individuals lives; however it has not just become a central concern. For the last couple of hundred years identity has been a central concern. This central concern of identity is and has been portrayed, explored and discussed through art. In contemporary art there are multiple different art techniques, styles, codes, conventions and forms of art which explore and express identity. In the classical era of art the privilege of having a self-portrait created by

Man Ray like many other artists did not care to have his personal life shown in his art. He wanted to be viewed and recognized for his work which included sculptures, paintings, and photography. Man Ray was mostly influenced by Stieglitz's photographs. Man Ray used a similar style to Stieglitz. He captured images that created an unvarnished look at the photos' subject. Man Ray discovered a new way to create his photos; by accident in his work room he discovered how to manipulate objects in his photos on pieces of photosensitive paper.

Practiced by thousands who shared no common tradition or training from the earliest days of taking photos, the first photographers were disciplined and united by no academy or guild, who considered their medium variously as a trade, a science, an art, or an entertainment, and who often were unaware of each other’s work. Exactly as it sounds photography means photo-graphing. The word photography comes from two Greek words, photo, or “light”, and graphos, or drawing and from the start of photography; the history of the aforementioned has been debated. The idea of taking pictures started some thirty-one thousand years ago when strikingly sophisticated images of bears, rhinoceroses, bison, horses and many other types of creators were

Form of "afterlife insurance" in order to trick the soul into staying alive in the event of the body's destruction

In Grandview Boulevard, completed in 1974 CE, the artist utilizes painterly brushstrokes. The shadows of the trees that are painted dark purple appear to have more painterly aspects than the rest of the composition. From far away, the painting seems smooth and sleek, but up close, the individual thick brushstrokes can be seen. The implied texture of the leaves in the painting is sturdy and prickly, and the texture of the yellowed grass appears to be dry and coarse, however, the actual texture of the painting itself is smooth. The artist also uses both curvilinear and geometric lines. In looking at the trees in the painting, they are composed of primarily geometric lines (excluding the leafy top) that run in a

Before photography was considered a medium of personal art, it was used for the sole purpose of portraiture. Carte de visites, daguerreotypes, and even tintypes were all used as a way to convey a person’s physical appearance into a print. As camera technology evolved, so to did the way photographers take portraits. It skipped from a stale faced man behind a backdrop to colorful and interesting photographs taken of people from all walks of life. Three of the innovators of modern portraiture are Robert Mapplethorpe, Irving Penn and Diane Arbus. These photographers changed the public appearance or ordinary people and celebities while integrating their own original ideas.

In our Unit 2 reading, it explains the art of photography and how it has really complimented paintings an artwork from painters such as Paul Delaroche. As many artists thought that “arts of painting” and “arts of photography” would leave little room for the creative representations painters and photographers provide. However, it turned out that Delaroche and many other were wrong and paintings and photos still thrive.

Most often, the function of the portrait determined the status of portraits. For instance, when a portrait was a likeness of an important historical figure, it was thought to be of higher status. If a portrait was of a funerary nature, its status would probably be considered to be lower because its subject could be considered to be of less importance. During the Renaissance and the years that followed, the portrait’s status became less highly regarded as this led to a democratization of portraits. Before this, it was far less common for those with low income or rank to be able to sit for a portrait. As artists began to focus on simply being portraitists, it allowed for more people to be able to have their portraits

A breeze quietly swept by. I opened my eyes and looked up into the cloudless sky. Blue water surrounded us in all directions. There was the sound of waves crashing, birds chirping, the sound of stones we were skipping; it was blissful. We were on our own private peninsula. Sean sat down next to me, lit up a cigar, looked at me and said “Eric, life is going to get better. I know things are tough right now. Just watch. We’re going to make it big. Then, we will come back here to reminisce on all the good times we’ve had.” I ponder on this for a moment. “I’m sure we will dude. The problem is, right now things are horrible. Every time things start going my way, they immediately fall out of my reach.” He takes a drag of his cigar and says

Each artist is an individual with a unique style, and although these styles can be similar in practice – the individuality of the artist often proves the discriminating factor for a successful artwork. Self-portraits are beneficial when looking at the individuality of the artist as there are two aspects to look at – the artist’s style, and the artist’s view of him/herself. The latter can provide a brief insight into the mental situation of the artist as well as any apparent influencing factors of the artwork. This view can often also include fragmental insights into the society and culture of the time. Rembrandt van Rijn and Vincent van Gogh are 2 artists of whom are well represented by this statement.

Graham Clarke, in his book “The Photograph as Fine Art”, states that “photography can be considered as fine art”; which is a statement that I entirely agree with. People all over the world take photos everyday, so why is someone considered an artist while the other is just a person taking photographs? A lot of characteristics differentiate an artist from a hobbyist or a memory collector, such as the ability to properly execute his artistic visions and capture them in an photograph. Another characteristic is how he chooses to structure his photograph and how he positions the objects inside the frame. Artists observe their surroundings in a different way and capture moments in creative and beautiful photographs. “There is a major difference between a snapshot and a photograph. A snapshot captures a moment in time; a photograph captures the emotions, feelings, and beauty from that moment in time”1.

The name "Photography" comes from the Greek words for light and writing. Sir John Herschel, was the first to use the term photography in 1839, when he managed to fix images using hyposulphite of soda. He described photography as "The application of the chemical rays to the purpose of pictorial representation". Herschel also coined the terms "negative", "positive" and "snapshot".

Portrait painting thrived in the Netherlands with the increase in production driven by interest in the idea of personhood and the definition of the individual self. Portraits help document the development of a personal identity as it connects factors like marital status, class, and profession. A common portrait genre produced during the seventeenth century portrays their subjects with an impassive demeanor with little vigor. At first, these paintings may be evaluated as lacking “personality” or “characterization” due to the artist’s lack of talent. However, this is rarely the case. In trying to understand Dutch portraiture, it is important to identify what type of functions they serve. Abraham de Vries’ Double Portrait functions not only as recording of his sitters’ faces but also as a signifier of the cultural, social and philosophical ideas of the time.

"A picture can paint a thousand words." I found the one picture in my mind that does paint a thousand words and more. It was a couple of weeks ago when I saw this picture in the writing center; the writing center is part of State College. The beautiful colors caught my eye. I was so enchanted by the painting, I lost the group I was with. When I heard about the observation essay, where we have to write about a person or thing in the city that catches your eye. I knew right away that I wanted to write about the painting. I don’t know why, but I felt that the painting was describing the way I felt at that moment.