The Physical Journey In Joseph Conrad's Heart Of Darkness

Heart of Darkness written by Joseph Conrad is dramatic tale of an arduous trek into the darkest part of Africa at the turn of the twentieth century. The story follows the protagonist Marlow, an English marine merchant, as he travels through the African jungle up the Congo river in search for a mysterious man named Kurtz. Through Marlow's narration, Conrad provides a searing indictment of European colonial exploitation inflicted upon African natives. Through his use of irony, characters, and symbolism in the novel, Conrad aims to unveil the underlying horrors of colonialism. By shedding light on the brutality of colonialism in Heart of Darkness, Conrad shows that European values have been irrevocably eclipsed by darkness.

Heart of Darkness is a book about one man’s journey into the depths of the African Congo. He travels to a place where, "’the changes take place inside’"(Conrad 15). For a man named Kurtz, his journey went deeper into Africa then he could have ever expected. Kurtz’s journey into Africa ended up being a journey into the darkness within himself.

“The only journey is the one within”, said a famous poet, Rainer Maria Rilke. Life is a long journey; we learn, understand and find meaning with the experiences of this journey. A journey is full of experiences and from these experiences one changes from inside and out, and one starts to live a new life. In the book, Heart of Darkness by Joseph Conrad, Marlow tells a tale of himself going into Africa’s wilderness to explore and humanize, and he encounters Kurtz, who Marlow considered an idol at some point. The events that occurred and the surroundings which impacted those events, influenced Marlow and Kurtz to change their representation from these experiences. One can only imagine the ways one can change but the changes itself comes

Both Kingsolver and Conrad use similar story construction and point of view in these texts. The truly pivotal characters in each text, rather than the narrators, are the mostly unspoken antagonists of the story. In Heart of Darkness, the story is centered on Kurtz and his actions involving the Congo. The true focus of the novella lies not with Marlow, but rather Conrad uses Marlow as a medium in order to examine Kurtz. In the novella, Marlow is an outside observer. The story follows Marlow’s ever-changing perception of Kurtz in order to characterize the unseen character. When Marlow first learns of Kurtz, he is told that he is “a remarkable person…a prodigy” (Conrad 69), but as the story progresses, both Marlow and the reader delve into Kurtz’s true character and discover a tyrant of imperialism.

In Heart of Darkness, Joseph Conrad suggest that true human existence cannot prevail productively without the dynamics of society. Throughout numerous scenes in the novel, Conrad stresses the necessity of societal restraints through Kurtz’s inability to prosper as a human being when he is removed from the expectations of civilization. In the scene above, Marlow’s myopic observations of Kurtz reveals Conrad’s theme by illustrating the annihilation of Kurtz’s essential human characteristics as he descends into a barbaric lifestyle absent of the norms of society. Not only does the above scene support Conrad’s main theme, but it portrays his writing style, characterization of Marlow, and symbolism as used throughout the novel.

There is an abundance of literature in which characters become caught between colliding cultures. Often, these characters experience a period of growth from their exposure to a culture that’s dissimilar to their own. Such is the case with Marlow, Joseph Conrad’s infamous protagonist from ‘Heart of Darkness’. Marlow sets off to Africa on an ivory conquest and promptly found himself sailing into the heart of the Congo River. Along the way he is faced with disgruntled natives, cannibals, and the ominous and foreboding landscape. Marlow’s response to these tribulations is an introspective one, in which he calls into question his identity. This transcending of his former self renders the work as a whole a

On the contrary, in Heart of Darkness, Conrad focuses on the isolation of “Kurtz” the, main man of the “Congo”. Conrad’s medium of the river plays a focal point in the setting as a boundary that separates Kurtz from civilization. The river “resembles an immense snake uncoiled, with its head in the sea, its body at rest curving afar over a vast country, and its tail lost in the depths of the land” (10). The expanse of the “snake-like” river embodies a negative connotation of something sinister and stealthily lurking. While the Congo had been described as being “one of the darkest places of the earth” (6). This creates feelings of darkness, despair and desolation.

In “Marlow’s Quest,” Jerome Thale writes that Heart of Darkness has all the “trappings of the conventional adventure tale” and that the protagonist, Marlow, is “like a knight seeking the grail, and his journey even to the end follows the archetype” (Thale 176). Indeed, Conrad’s novel meets these tropes and fits this pattern, however, such a reading only meets the novel at its most superficial level and even Thale goes on to note the deeper complexity within Marlow’s quest. The archetype of the adventure novel is the template from which Conrad works from. He builds his premise on “the hero’s journey,” which Joseph Campbell defines as:

     Heart of Darkness by Joseph Conrad is a story about a man named Marlow and his Journey into the African Congo. By reading the novel and understanding all the imagery Conrad has inserted, we can get a better understanding of the

Although the author Joseph Conrad never met the German philosopher Gottfried Wilhelm Leibniz, who died more than a century before Conrad’s birth, their distinct philosophies still have numerous points of intersection, suggesting some fundamental truths within the structure of the human reality. Through the novella, Heart of Darkness, Conrad details his perspectives on the faults of man and reality as a whole, with views often coinciding with many of Leibniz’s own, as found in his numerous philosophical works. Consequently, the two perspectives combine together, like a cyclopean image, to enhance and deepen each of the two men’s philosophies on humanity.

Joseph Conrad composes a rather somber ending to his infamous novel Heart of Darkness. In just a few short paragraphs he conveys just how brutally Marlow’s character has been affected by his journey to Africa by his inability to deface Kurtz despite his knowledge of his true character,

Inherent inside every human soul is a savage evil side that remains repressed by society. Often this evil side breaks out during times of isolation from our culture, and whenever one culture confronts another. History is loaded with examples of atrocities that have occurred when one culture comes into contact with another. Whenever fundamentally different cultures meet, there is often a fear of contamination and loss of self that leads us to discover more about our true selves, often causing perceived madness by those who have yet to discover their own self.  Joseph Conrad’s book, The Heart of Darkness is a story about Man’s journey into his self, the discoveries to be made there and about

Power is the possession of control over others and can be found in both people and objects. In Joseph Conrad’s Heart of Darkness the main character and narrator Marlow identifies a force within ivory that conveys a sense power within the enigmatic Mr. Kurtz. The African ivory trade was flourishing in the early 1900’s. Obtaining the precious object transformed some into greedy connoisseurs with endless intentions to get their hands on all of the continents ivory. Conrad shows that the power that is emitted from the ivory falls into the hands of Kurtz causing him to slowly go mad over the impossibility of collecting it all for himself.

Heart of Darkness is written by Joseph Conrad and published in 1899. It is a novella written in the early modernism literary period.

The two major themes of Heart of Darkness are the conflict between “reality” and “darkness,” and the idea of restraint and whether or not it is necessary. Conrad’s passage describing the restraint of the hungry cannibals exemplifies both themes:  It describes how reality shapes human behavior, and contrasts the characters of Kurtz and Marlow.  “Reality,” as it is used here, is defined as “that which is civilized.”