The Picture Of Dorian Gray: Merely Or False Art?

When looking at Frankenstein and The Picture of Dorian Gray, it is clear that Frankenstein is a novel that can be placed into both the gothic and horror genre, although it is a gothic novel secondary to it being a horror novel; The picture of Dorian Gray isn’t so clear in this regard. On a first reading, one may assume the story to be gothic literature and only gothic literature because of the sheer amount of gothic characteristics and elements that the text presents that include, but are not limited to; byronic heroism, a dark and gloomy setting, screams or exclaims in different parts of a building or area, and death. Whilst some of these characteristics exist in both the horror and gothic genre, some of them exist prominently in the gothic, such as byronic heroism. That is not to say that byronic heroism is not found at all in the horror genre, but it is not a repeating and prominent element like it is in the gothic.

He admits to Lord Henry that he goes nightly to her plays but does not truly love Sibyl, he loves the feeling of pleasure he gets from his obsession. He idolized her and calls her sacred but does not value her as a person. When asked by Harry, “When is she Sibyl Vane?” Dorian replies, “Never” (Wilde,54). This is the beginnings of Dorian’s ability to place his own pleasure above others and Dorian has immediately lost himself in this pleasure. “What there was in it of purely sensuous instinct of boyhood had been transformed by the workings of the imagination, changed into something that seemed to the lad himself dangerous. It was the passions about whose origin we deceived ourselves that tyrannized most strongly over us” (Wilde,58). The danger of Dorian’s blind obsession is shown with Sibyl’s suicide. His obsession led to the death of one person as well as the first signs of his own worsening soul. After this experience pleasure is no longer a form of love for Dorian, but rather a detachment from reality. While talking with Basil over breakfast Dorian shows he does not place the same value in emotions as he had done before. “A man who is the master of himself can end a sorrow as easily as he can invent a pleasure. I don’t want to be at the mercy of my emotions. I want to use them, to enjoy them, and to dominate them” (Wilde,105). In contrast to the emotional obsession with Sibyl, Dorian next becomes obsessed with his portrait and a book. Both are means to

In The Picture of Dorian Gray by Oscar Wilde, we see how the different characters show their love of beauty and pleasure and the affects they have on the main character: Dorian Gray. Each of the three main characters, Basil Hallward, Lord Henry Wotton, and Dorian Gray portray a part of how the author felt about himself and the world around him. “Basil Hallward is what I think I am: Lord Henry what the world thinks of me: Dorian what I would like to be- in other ages, perhaps” (qtd. in Bloom pg. 117). Through these characters, Wilde shows the ramifications of a worldview based entirely on the pursuit of happiness, beauty and sensuality demonstrated by their integration with the world around them. This is most strongly seen through the life

Dorian Gray shows his moral ambiguity by breaking up with Sibyl Vane over her terrible performance. After Sibyl’s performs badly, Dorian becomes increasingly furious with Sibyl saying to her, “You have killed my love” (63) and "You simply produce no effect” (63). It was Dorian’s cold hearted behavior that causes Sibyl to take her own life, cementing Dorian’s horrible actions forever. It is the first time Dorian acts on his own impulses without Lord Henry’s direct influence, evidence of a change in Dorian’s personal values. Conversely, as Dorian began to think about his actions, he realizes “how unjust, how cruel, he had been to Sibyl Vane.” (70) and that “it was not too late to make reparation for that” (70). Dorian’s moral ambiguity is prevalent in the guilt he feels for abusing Sibyl’s feelings. He realizes briefly what he did was dreadful, proving he still has a slight glimmer of good intentions left in him . Morally, Dorian switches his stance on his feelings for Sibyl, revealing his intentions to be good, though his actions are twisted.

In the beginning of The Picture of Dorian Gray, Dorian is viewed highly by Basil and is claimed to be his sole inspiration. By this little description we read of Dorian, the reader can already see how Dorian at the beginning of the book has a strong presence. However Basil describes Dorian as having a “simple and beautiful nature”(pg-12) and tells Lord Henry, “Don’t spoil him. Don’t try to influence him. Your influence would be bad.” (pg-12). Lord Henry is the first person to start to influence and change Dorian into being deceitful. The second factor that changes Dorian is the painting. In chapter two, Basil finishes the Painting and presents it to Dorian. Instead of being filled with joy, Dorian realizes that he will grow old and the Painting will stay young. Later in the story the Portrait changes to show a sneer around Dorians mouth. The reason for this is because Dorian broke Sybil’s heart. After learning about Sybil’s suicide, Dorian accepts that the Painting will show ageing while he appears to have not aged. This forces Dorian to lock away his painting and this also shows Dorian being deceitful with his looks.

Oscar Wilde’s novel The Picture of Dorian Gray shows us the triumph of a corrupting influence over a virtuous one. In the novel, Lord Henry’s influence over Dorian overpowers Basil’s and leads to Dorian’s eventual demise. In analyzing Oscar Wilde’s The Picture of Dorian Gray, the theme of good versus evil reflects off of Lord Henry’s and Basil’s interactions with Dorian and Dorian’s internal struggles, thus exemplifying that a person with weak virtues will falter in the face of hedonistic temptation.

Much of the criticism regarding The Picture of Dorian Gray by Oscar Wilde has dealt with Dorian Gray’s relation to his own portrait (Raby 392). While some may argue that the portrait represents a reflection of Dorian Gray’s character, this is only a superficial analysis of the novel and Dorian’s character. While Dorian Gray’s true character never changes, it is his own perception of his character (his conscience) that is reflected in the changing face of his portrait. In essence Dorian’s picture becomes a mirror through which the "true Dorian" judges his own metamorphasis as the superficial "Lord Henry Dorian" attempts to embrace Lord Henry’s teachings. Dorian’s

Theme: In a society that mistakenly values beauty and influences over individuality, one chooses to be in the known without any life consequences, thus causing one to sacrifice their true self and abandon their morals, and as a result it alters one as a person to be someone who they truly aren’t.

Dorian is seen as this perfect specimen for Basil, the painter of Dorian’s portrait, whose work becomes obsessed with Dorian. He becomes everything for Basil. It gets to a point in Basil’s work where he begins to hype Dorian’s vanity even more to his subject and in his work Later on in the novel, Basil loses his touch after Dorian refuses to sit with him because of the portrait. However, it doesn’t end there as everyone Dorian comes in contact with falls madly in love with him. It doesn’t matter if he isn’t smart as long as he remains young and beautiful forever, which ultimately happens.

Later on in the novel, there is a noticeable shift in Dorian’s attitude that happens quickly and very harshly. Within this shift, he begins to lean towards one of the two forces pulling on him rather than being caught up somewhere in between them. When Dorian first learns of Sibyl Vane’s death, he is overcome with grief and is completely distraught: “Dead! Sibyl dead! It is not true! It is a horrible lie! How dare you say it?” (Wilde 71). However, after a day spent with Lord Henry, when Basil comes to talk to Dorian about the young actress's death Dorian tells him that it is old news and what's done is done (Wilde 79). This certainly proves that the evil residing in Lord Henry is absorbing Dorian, and that his “self-absorbed not caring about anything” attitude is rubbing off on him as well. This is eerily similar to how Lord Henry reacts when he hears later on in the story that his once close friend Basil has gone missing and could possibly be dead. He says, between yawns, that his friend was much too boring to be murdered, and even if he were his art was getting worse anyway so it wouldn’t be much of a loss ( Wilde 156-157).

Dorian Gray falls in love with a young girl named Sibyl Vane, who he describes as being “hardly seventeen years of age, with a little flower-like face, a small Greek head with plaited coils of dark brown hair, [and] eyes that were violet wells of passion.” (46) He does not continue on to describe her personality, just more about her features, her voice, and her acting. He gets to a point at the end of his description where he proclaims, “She is everything to me in life.” (47) Everything to Dorian must have been nothing because Sibyl plays her role well. Whatever it may be that has caused her to be flighty and naive, be it poverty, immaturity, or ignorance, that was who she was.

In Oscar Wilde's novel, The Picture of Dorian Gray, beauty is depicted as the driving force in the lives of the three main characters, Dorian, Basil and Lord Henry. Dorian, the main character, believes in seizing the day. Basil, the artist, admires all that is beautiful in life. Lord Henry, accredited ones physical appearance to the ability of achieving accomplishments in life. Beauty ordains the fate of Dorian, Basil, and Lord Henry. The novel embodies the relationship of beauty and morality. Beauty is not based on how attractive an object is to everyone, but how attractive it is to one.

In Oscar Wilde’s Popular nineteenth century novel, the Picture of Dorian Gray demonstrates the importance of the aesthetic movement in Victorian England. This suggests youth and physical attractiveness is emphasized and are valuable additions to society. Therefore, what matters to Dorian, is not the internal goodness an individual possesses but the appearance they present. Consequently, Dorian is able to forget the violent acts he commits as long as he appears beautiful on the outside. Since external beauty is valued, Wilde argues that people tend to lose their individualism and conform to society’s expectations. With this in mind, Dorian gray grows more corrupt, self-centered as he focuses more on the pleasure for himself as he becomes more vulnerable to his own misgivings. He loses his individualism, because he is conforming to society’s form of asethics. I agree with Wilde’s arguement about Dorian Gray, that individuals lose their sense of idenity when conforming to society’s influence, such as in today’s beauty standards portrayed on social media, racism described through facism, and LGBTQ rights violated by intolerant individuals. (too wordy)

Dorian begins exploring new experiences and avenues of entertainment. In doing so he discovers Sibyl Vane who is the lead actress in a disreputable theater. Dorian is captivated by both her physical beauty and the beauty present in her acting. He appears night after night to watch her performances. He finally approaches her backstage after a play, and after a very short and superficial acquaintance, decides to marry her. This decision shows that Dorian has truly decided to embrace new hedonism, as do his subsequent decisions in regards to her. He informs Lord Henry and Basil of his engagement and takes them to the theater to see her perform, wanting his friends to be as captivated by her as he has been. He is appalled and embarrassed when Sibyl’s

     Dorian¡¦s rejection of Sibyl came upon one night that Sibyl has lost her magic. A night that her acting lost the power to attract and charm the audiences. ¡§Good artists exist simply in what they make, and consequently are perfectly uninteresting in what they are¡¨ (64). That night, ¡§she spoke the words as though they conveyed no meaning to her¡Kshe was absolutely self-contained. It was simply bad art. She was a complete failure¡¨ (93). Sibyl has become herself! She