“Then, after desire has conceived, it gives birth to sin; and sin, when it is full-grown, gives birth to death” (James 1:15). In The Picture of Dorian Gray by Oscar Wilde and Doctor Faustus by Christopher Marlowe; the character progression in the protagonists of both novels is the epitome of one’s demise from greed. Both Dr. Faustus and Dorian Gray had desires out of their mortal reach, fueling their deals with Evil for the lust that dwelt within them. However our titular characters had different motivations that fueled their sin, with this motivation ultimately turning to regret in the end. Despite the opportunity to repent, both protagonists chose their desires instead, leading them down a path towards damnation. Both Dorian Gray and Dr. Faustus had self-serving aspirations that goaded both characters to covenant with demonic powers; however what these aspirations the immoral protagonists had differed. Dorian Gray was an innocent youth that went down a course of exceptional hedonism under the influence of Lord Henry and his own volition. Dorian’s journey starts when witnessing Basil’s portrait of him stating, “If it was I who were to be forever young, and the picture that were to grow old!” unknowingly selling his soul through the words, “I would give everything! Yes, there is nothing in the whole world I would not give!” (Wilde 42). It was this desire to stay eternally youthful that allows Dorian to freely experience society’s vices. The furthest extent of Dorian’s sin was his murder of former friend Basil, who wishes to have Dorian’s influence, “be for good, not for evil” but in the end this opportunity for redemption was literally stabbed in the back (Wilde 197). This climax of Dorian’s wickedness leads him to question his actions and the dualist nature between his angelic appearance and devilish essence; the guilt of his sins weighing heavily on Dorian’s mind. Dorian reminisces of the past stating:
Was it really true that one could never change? He felt a wild longing for the unstained purity of his boyhood,— his rose-white boyhood, as Lord Henry had once called it. He knew that he had tarnished himself, filled his mind with corruption, and given horror to his fancy; that he had been an evil influence
The only account of true wickedness in Frankenstein was the determination to become godly and control life and death. However, the amount of sin mentioned in The Picture of Dorian Gray is chiefly greater. From the time Dorian first stated “’I am jealous of everything whose beauty does not die’” (Wilde 29), to the account of murder in the last few chapters, his reoccurring impure actions are proof that his pure and innocent mind is far
Themes of the evil and representations of the devil also feature in Dorian Gray. The devil is represented by Lord Henry Wotton – his worldview and words have a profound effect on the innocent minded Dorian, who takes Henry's philosophy into practice. Hence, symbolically Henry is the evil influence upon Dorian. Evil is also showcased through the deal with the devil that Dorian makes. In the beginning of the novel, Dorian desires to sell his soul in order to remain young and beautiful forever. His wish is granted and that sets in motion the path of infamy which Dorian will take. In Wilde's time, Morality, Hedonism and culture's obsession with beauty and youth were key issues in society. Wilde understood this and included such themes into Dorian Gray. Hence, making the text relatable and vital to the period in which Dorian Gray was penned. Wilde in Dorian Gray is making a wider statement about society – Victorian era Britain was supposed
“There were passions in him that would find their terrible outlet, dreams that would make the shadow of the real evil” (Wilde,115). The author reveals pleasure as the driving force of many characters within Oscar Wilde’s The Picture of Dorian Gray, but this search for pleasure becomes fatal once taken into the hands of Dorian Gray. Throughout the novel Dorian Gray changes his opinion on pleasure based on what he requires in order to escape reality. With each death and misdeed he is responsible for; Dorian must search harder for a more drastic form of release. His path declines from his innocent beginnings with Sybil Vane, to the pleasure he finds in corrupt relations, and finally his need to escape the reality of killing a former
In analyzing Oscar Wilde’s The Picture of Dorian Gray, concepts such as influence and the origin of evil in Dorian Gray play an exceptionally valuable role in understanding the motives of the characters. Although some critics argue characters such as Lord Kelso significantly influence Dorian’s corruption, Lord Henry Wotton’s toxic personality undeniably impacts Dorian the most. Throughout the course of the novel, Lord Henry remains the ultimate source of evil and uses deception and persuasion to poison Dorian from a naïve boy to a destructive monster.
The Picture of Dorian Gray, a novel laced with sin, treachery, and raging battles of inner conflict, is Oscar Wilde’s sole novel. Considered immoral and scandalous upon publication, the book centers around a young man named Dorian Gray, who does not age or reflect the darkness of his heart outwardly, and instead a portrait of him bears the damage his destructive life wreaks on his soul. However, the meaning of the story extends past the simple fact that Dorian lives a life of immorality—he walks the path that takes him there with his two friends, Basil Hallward and Lord Henry Wotten. The two attempt to guide and influence Dorian throughout the novel in their own ways, and are a vital piece of Dorian’s tale. Basil and Henry act as character foils as well as a symbolic angel and devil for Dorian Gray’s character, and also contribute themes of choosing one’s own fate.
MWDS : The Picture of Dorian Gray ! AP English IV Title of Work: The Picture of Dorian Gray Author: Oscar Wilde Date of Publication: 1890 Genre: Gothic Biographical Information Oscar Wilde was born on October 16, 1854 to Sir William Wilde and Jane Wilde, the second of three children.
According to critics, Lord Henry Wotton most closely represents Wilde's character. Critics see Wilde's appreciation for all kinds of art as a form of Hedonism. "The body sins once, and has done with its sin, for action is a mode of purification." Hedonism is what Lord Henry believes in; the belief that all that matters is seeking pleasure in life. Lord Henry is also seen as a bad influence and a very seductive person. Wilde writing this book is seen as a way of convincing the public to become hedonists and therefore critics compare him to Lord Henry.
As Dorian listens to Lord Henry and realizes the importance of his youth and the time that he has, he begins to venture out and manipulate others including friends and strangers. His new outlook on life encourages his act of narcissism and superiority (Duggan). "Dorian Gray personifies the aesthetic lifestyle in action, pursuing personal gratification with abandonment. Yet, while he enjoys these indulgences, his behavior ultimately kills him and others, and he dies
Lord Henry feels that, "The only way to get rid of a temptation is to yield to it. Resist it, and your soul grows sick with longing for the things it has forbidden to itself..." (Wilde 13). Lord Henry tries to persuade Dorian to believe that listening to his conscience will only bring him pain. Dorian must give into temptation if he wants to be happy. Dorian listens acutely to Henry's words. Dorian now has a justification for ignoring his conscience and acting sinfully. Slowly Henry's influence takes over Dorian's conscience.
In Christopher Marlowe’s play, Doctor Faustus, the idea of repentance is a reoccurring theme with the title character. Faustus is often urged by others to repent his decision to sell his soul to the devil, but in the end he suffers eternal damnation. Faustus was resigned to this fate because he lacked the belief in his soul of God. He was once a moral and devout man, but greed led him to sin.
He is even told by Lord Henry he is far too charming to go into philantropy. This remark may be the beginning of the flattery that opened Dorian's mind up to his corruption. Dorian is being moved by Harry's speech about cherishing youth and enjoying it. His mind was being challenged by the thought of his own passions until the point when he proclaimed "stop! You bewilder me. I do not know what to say. There is some answer to you, but I cannot find it. Do not speak. Let me think. Or rather let me try not to think". Dorian allows himself to be corrupted. He begins to fear aging and begins to think that everything will be loss with the loss of his youth and beauty. Dorian goes from no worries to this thought as Harry speaks. He was convinced that this "new Hedonism" was the way. This shows the weakness of his mind in his youth it is also the begginning of his fate. With this flaw of character, Dorian seemed to write his fate unknowingly. When Basil Hallward, the painter, rewarded Dorian with the portrait he replied "If I were to be the one always young, and the picture grow old! For that-for that-Iwould give everything!…Iwould give my soul for that!". This was just a plea at the depth of his sorrow, a remark made totally through whim.
Oscar Wilde’s fictional piece The Picture of Dorian Gray is a wonderful story that provides insight on the effect that sin has on the soul. In the beginning of the story Dorian is a kind hearted man, but by the end he becomes a cold blooded murderer who thinks only about himself. The ending is also very interesting in the sense that although Oscar Wilde escaped suspicion, revenge from James and those who could put his pursuit of pleasure in jeopardy, Dorian could not escape himself. This is the theme that really stuck with me. Dorian pursued pleasure with complete disregard for his soul or his conscience and in the end it led to his lack of pleasure and death.
Pride, Covetousness, Wrath, Envy, Gluttony, Sloth, and Lechery together make up the Seven Deadly Sins, but these are all also real flaws in human nature. Pride is a sin common to all of humanity and is portrayed vividly as a character, but is also seen in Faustus’ inner being as well. Covetousness and Envy are also found in Faustus because he desires a lot that he doesn’t have. Though every sin could be found in Faustus just like they could be in any man, Lechery is made very apparent to be human nature as well. The Tragical History of Doctor Faustus, written by Christopher Marlowe, is a tragedy in which Marlowe personifies the seven deadly sins to highlight Faustus’ flawed human nature and error of wanting to be above the level of God, and readers should take caution not to make the same mistakes as Faustus.
When Dorian Gray first meets Lord Henry at the studio of artist Basil Hallward, he is fascinated with Lord Henry’s wit and the radical social doctrines that he advocates. Dorian is easily molded and falls for the argument he hears. According to Lord Henry the goal of new hedonism, “to realize
I. The play Doctor Faustus by Christopher Marlow was first published in Manchester by Manchester Publishing in 1588, no information about the play’s first production date was found.