The Picture Theory Of The Tractatus Essay

The concept of image as presence refers to the concept that film can show the world as it truly is. Directors can choose to project the idea of image as presence in multiple ways, through the subjective viewpoints of the characters of the film, through an objective approach in which an omnipresent force that dictates to us about the facts that exist. In contrast, image as text, operates on the understanding that the world cannot be shown as it is, rather there is an understanding that what the viewer is seeing comes from an interpretive perspective. This viewpoint expects the audience to make connections between what they are seeing on the screen and other images that are already known. Making connections is part of the way that

“People only see what they are prepared to see” is a famous quote by Ralph Waldo. This quote emphasises the fact that the purpose of a text can often be unnoticed and misinterpreted by the viewer. Many people only have a limited world experience, and it’s the Distinctly Visual feature of a text which allows the viewer to gain a better understanding. Distinctly Visual texts use a combination of techniques to create and shape an audience’s point of view or interpretation, and visualising a text requires the responder to interpret all of the images presented.

First, the people in the photo look very tiny due to the distance between where the photograph was taken and the hockey players in the ice rink, but obviously they would appear much larger in real life. Secondly, interposition can be seen due to the jumbo-tron. The jumbo-tron gives the photo a more 3-D effect making it look like it's popping out of the photo. Movement in the photo is graphic movement because your eyes will looks all across the photo and notice different element within it. This photo also depicts sensory and perceptual theories. The sensory theory it depicts is the gestalt theory due to the proximity of the objects or people in the photograph. The perceptual theory that is in this photo is the cognitive theory. The cognitive theory is seen here because of selectivity, that is your eyes mostly focus on parts of the image that stand out the

Through this means it’s not reality that is relative for the person but, more so for the collective group…and anyone who deviates from that is considered an outsider…or do they have a less abstracted view of reality because, they can see the greater picture of reality? This also does not answer the question of individualism or identity…where and how then do those come into play?Okay let’s say the individual is a curial part of a collective. As there are common goals of the group no two people may approach it exactly the same way. So when reality for the collective is defined it can branch out in several directions. I had mentioned blue earlier as an example because of its many implications. Blue can mean; sad, cold, water, calm, etc. But all the descriptors can find a way back to the indispensable form. Thus, this can suggest that all things are inter-related to one necessary core. It’s similar to the aspect of language especially if you look at nouns we have to further define them with actions, appearance, the what, the how, and the why. This is also how paintings are defined with this specific word sets and combinations. Paintings are a creation of reality no a reproduction of realty based on human want to wrap and distort it. Photography is different it still is a reproduction but, it is also a mechanical representation of what we see….film took that one step further with as the professor called it the

power of language-the way it can evoke an emotion, a visual image, a complex idea, or a simple

BA#3 “Lost in Translation” by Lera Boroditsky is aimed at persuading the audience that meaning changes from language to language due the different structures within those languages. The most likely audience are a more technical type of people who are interested in philosophy, want to learn a new language, and, or are already multilingual. Borodisky anticipates the objection of “just because people talk differently doesn't necessarily mean they think differently” by pointing out that “in the past decade, cognitive scientists have begun to measure not just how people talk . . . [and] ask whether our understanding of even such fundamental domains of experience as space, time and causality could be constructed by language.”

Point-of-view and perspective are very influential tools. Seeing different perspectives can change another person or observer's perspective. Thoughts and experiences influence perspective heavily. We can see this in our political climate, in psychology, and the way people treat one another based on their experiences, thoughts, and previous actions. This carries on to Frankenstein is the excerpt; he has a very heavily varied perspective than those of the villagers', and there is a distinct difference in thought. Readers learn the thoughts going through Frankenstein's mind, as well as his good deeds, actions, and curiosity with a will to learn and discover. If the story were to be told from the point of view of a villager, it would probably be very negative and completely different to Frankenstein's perspective.

After the collapse of the Weimar Republic, a charismatic political leader Adolf Hitler rose to power instituting one of the most horrific political regimes in human history. Under Hitler’s control, Germany was transformed into a fascist state in which the Nazi party took totalitarian control over nearly all aspects of German life. Hitler administered and over saw fascist policies that resulted in the genocide of millions. In 1936, Walter Benjamin postulated the idea of “aestheticization of politics” under German fascism, in which the outcome of these fascist policies stems from the establishment of aesthetics into politics. Benjamin coined the phrase “aestheticization of politics” with the Nazi regime in mind. This was a regime that new how to deploy aesthetics brilliantly, which can be seen in the film Triumph of the Will by Leni Riefenstahl.

Images are a universal language that appeals to a wider audience through techniques that give the pictures meaning. Consequently, an individual is able to perceive the image in their own way depending on their level of knowledge. As a result, the audience is able to interpret both simple and complex ideas within the pictures according to their own understanding. John Marsden and Shaun Tan’s picture book The Rabbits demonstrates the different ways an individual may interpret narratives through techniques such as allegory, anthropomorphism and symbolism. Through these techniques, simple and complex ideas are communicated, and depending on a person’s knowledge, this reflects different ideas that the person may gather from

11. Imagery- the use of words to create a picture- “two tiny handprints appeared in the cake”

Ludwig Wittgenstein, a philosopher of the mind and epistemologist who studied language makes a point in one of his lectures at

our concepts, ideas, and feelings” (Hall 1997a, p. 1). He contends that “language is one of the

Swamplandia! claims that language acts as a contract of meaning between speaker and listener, as opposed to a statement with intrinsic meaning as viewed in Formalism, in order to allow the reader greater

“Words without pictures can be vague and incomplete, incommunicative about important visual information and second that pictures without words can be vague and incomplete, lacking the focus, the

The connections between Ludwig Wittgenstein and Soren Kierkegaard as philosophers are not at all immediately obvious. On the surface, Wittgenstein deals with matters concerning the incorrect use of philosophical language and Kierkegaard focuses almost exclusively on answering the question 'how to become a Christian'. But this account belies deeper structural similarities between these men's important works. Thus, this paper suggests that their methods, rather than exclusively content, contain a strong parallel on which a natural and hopefully fruitful examination of their work can be based.