The Pit And The Pendulum By Edgar Allan Poe

Written by Edgar Allan Poe, “The Raven” is a famous short poem known for the dark fantasy that it portrays. From the mindset of a first person narrative, one may experience the tale through the eyes of a haunted man who is in mourning for the death of his beloved Lenore. As this man sits in his chamber, within a dark and dreary December night, a “raven of the saintly days of yore” visits him. The raven is no ordinary bird, for it is like a ghost, silent, yet it answers every inquiry the man presents in it’s own personal way. This dark and tragic tale grabs one’s attention through the rhythmic, yet melancholy verses, through the classic references, and through the dark imagery that all play a critical role within this poem.

“The Cask of Amontillado” composed by Edgar Allan Poe is one of the precise examples of Poe’s hypothesis of solidarity of the short story. Poe’s utilization of language helps the reader to understand the conflict between two men, Montresor and Fortunato. In the story, Montresor, cunningly, wants to take revenge from Fortunato. Although the two men are seen in an unexpected way, they both need a similar thing; to fulfill the desire for something that has long past due. Montresor is confessing his crime in front of someone. The story broadens Montresor character but limits Fortunato’s character. The theme of trickiness and revenge, is explained with the utilization of symbolism and irony, Montresor seeks peace

The unit question asks whether or not the hero of Edgar Allen Poe’s “The Pit and the Pendulum” would realistically be able to escape the descending blade swinging on a pendulum. The question is a matter of time, is it feasible for the protagonist to escape the pendulum with the allotted amount of time. Based on standard deviation and testing a pendulum of the same scale as the one mentioned in the story, the answer is no. The protagonist mentions that he believed 10-12 periods of the pendulum would result in the blade coming in contact with his torso. Using the formula developed in class for the period of a pendulum, it would take the 30 foot pendulum described in the story about 72 seconds to complete 12 periods. Testing the actual 30 foot yielded similar results within 1-2 seconds of 72 seconds. Therefore, it is fair to say that the hero is working with 72 seconds to free himself. This does not seem like enough time to develop an escape strategy, act on the strategy, and leave without getting hit bit the pendulum. The method the hero describes involves thinking about the situation and then employing the help of nearby rats. He also mentions, “Yet one minute, and I felt that the struggle would be over,” as if to imply he had 1 minute to spare. Since he was reflecting and then enticing the rats to gnaw through the rope it is not likely that it took only 12 seconds to escape. 72 seconds does not seem like enough time for the hero to complete his escape. However, the thickness of the rope and speed of the rats are factors that could affect the outcome.

Edgar Allen Poe is one of the greatest Sci-Fi/Mystery writers of all times. Two of his most popular poems, “The Tell Tale Heart” and “The Pit and the Pendulum” have elements that relate to each other but at the same time they differ. The use of suspense in his poems is proficient, and it makes the readers want to read on because they are intrigued and they want to know what is going to happen next! Poe gives a good example of what an unreliable narrator is in his poems, he shows that sometimes they can’t be trusted because of their actions and what they say and do. The themes in the two poems are greatly different, but show a clear panorama of what the poems are going to be about. While the theme in Edgar Allen Poe’s “Tell Tale Heart” and “The Pit and the Pendulum” are different, the way he used suspense and unreliable narrator are alike.

Taking into account the previous descriptions and the definitions of horror and terror we will try to identify which of these stories presents horror and which one may be said to go deeper by portraying terror. The Pit and the pendulum is characterized by having a narrator who seems in absolute use of his mental faculties. As it is mentioned above, this character is aware of what is happening around him and by having a peak of his logical thoughts and feelings the reader experiences the struggle of the narrator to stay alive in a much more personal way. The fact that this character is sane, integrated and coherent in his thinking is one of the reasons why the reader may sense the terror of the story on a whole other level.

Edgar Allen Poe’s The Pit and the Pendulum uses horror and suspicion to build up not only the storyline, but the persona of the narrator in which is also the prisoner. The characteristics of the prisoner ties within the story to create trippy feelings of fear and unassertiveness of whether or not he is truly safe. From the trials that the prisoner has faced, his characteristic of resourcefulness, pessimistic, and terror are revealed and play a salient part of his slick escape.

Edgar Allan Poe has been known for writing stories of mystery and horror. He has

In Edgar Allan Poe’s story, “The Pit and the Pendulum,” Poe, uses the horror elements of isolation, madness, and plot twist to add suspense to the story. In the beginning, the narrator is standing in front of what he describes as judges as they decide his fate, which adds suspense because the audience doesn’t know what could happen to the narrator when the judges punish him. Secondly, he is all alone, or so he believe. He is the only one experiencing the things that are being done, he is isolated from everyone and it is very dark. The narrator thinks, “My worst thoughts, then, were confirmed. The blackness of eternal night encompassed me,”(Poe 3) as he lays on the damp ground. Towards the middle, the narrator going mad because the Spanish

In this story, Edgar Allan Poe (such as in many of his works) uses the setting to create a dark image inside our minds. He makes this specially through darkness, therefore the character makes a connection with death. “The physical setting oppresses him in the visions of his graveyard” (1).

What can a character that lived in 1700s Italy have in common with a teenager in the 1960s? Though it may seem impossible Edgar Allan Poe’s character Montresor in The Cask of Amontillado shares similar characteristics to John Updike’s A&P teenage Sammy. Both of these characters share sarcastic tendencies and a need to make a name of himself. Though, each man differs in the way he goes about making that name. While Montresor decides murder is the way, Sammy quits his job to be noticed.

Is there anything that someone could do to you that would cause you to commit murder? Could you get away with it? Montresor is the murderous narrator who has committed the perfect murder in just such a tale, “The Cask of Amontillado.” Montresor plots and kills an unwary friend/foe during carnival time for motives that are unclear. The author of this tale, Edgar Allan Poe, influenced by his somewhat tragic life and one of the most influential Gothic writers, uses symbolism and irony to show the multitude of complicated motives of the narrator in his famous horror story.

Edgar Allan Poe’s The Cask of Amontillado tells a tale of revenge, maliciousness and horror. We are informed early on that Montresor, whom we can consider the “unreliable narrator,” feels he has been profoundly insulted by a character named Fortunato and conspires to seek revenge, by whatever means necessary. Montresor makes us aware that he has suffered injuries by way of Fortunato many times, however; it is when he feels insulted by him, that he vows to seek revenge. Through Montresor 's own words, “I must not only punish, but punish with impunity,” (pg166) we can see that not only does he feel his actions are warranted, but that he should be except from punishment for them. Although, we are never made aware of what Fortunato supposedly has done to Montresor, it is clear that Montresor feels his actions to seek revenge are justified and we can see in this that revenge is a powerful motivation.

Edgar Allen Poe wrote “The Pit and the Pendulum” in 1843, during the middle period of the gothic literature era. The gothic literature era had heavy influences in horror and the macabre, which ties in with the ideas of Poe’s tone and themes. Poe was an author known for his horror poems and short stories, including titles such as “The Tell Tale Heart” and “The Masque of Red Death.” (“Edgar Allan Poe” 1). Poe’s works are known for their descriptive style and suspenseful plots.

Former President Franklin D. Roosevelt once said, ‘The only thing we have to fear is fear itself.” In many cases, fear or anticipation of an event can be worse or more harmful to us than the actual event. The narrator in Edgar Allan Poe’s short story The Pit and the Pendulum is in a similar situation. The narrator’s fear is his worst enemy because it makes him unable to take action towards his survival. Poe’s unreliable narrator portrays the terror of the situation he finds himself in and what fear can do to one’s mental state.

Stephen King once said, “We make up horrors to help us cope with the real ones.” Bram Stroker, H.P. Lovecraft, Mary Shelley, and Edgar Allan Poe may have been a few of the greatest authors of horror to ever live. Out of all of these authors, Poe may have written the most freighting tales. All of his stories are considered horror, but some of them have more horrific qualities than others. “The Pit And The Pendulum” is one of Poe’s most famous works. “The Pit And The Pendulum” by Edgar Allen Poe meets three qualifications of a true horror story.