The Plot in Henrik Ibsen’s A Doll’s House Essay

Although Nora is secretive about the crime she committed, which is forging her father’s name in order to borrow money; she does it to save her husband. During Act I when Nora is speaking to Mrs. Linde about someday revealing to Torvald about the secret loan Nora exclaims: “One day I might, yes. Many years from now, when I’ve lost my looks a little. Don’t laugh. I mean, of course, a time will come when Torvald is not as devoted to me, not quite so happy when I dance for him, and dress for him, and play with him.” (Act I, pg. 12). This quotation shows that even early on in the play Nora understands the reality of her marriage, and her existence to Torvald. Therefore, Act I is merely an introduction to the overall overarching theme of independence. Act I shows the obedient side of Nora, until later scenes when she reveals her independence. Torvald attempts to oppress his wife, but his actions do not stop Nora’s independent thoughts from forming.

Mrs. Linde was not as privileged as Nora was--she had to accept responsibility and work hard for her money. Mrs. Linde's acceptance of responsibility draws attention to Nora's abandonment of her father. When her father was sick, she chose to spend all of her time caring for her husband and waiting for the arrival of her child, then to find any time to go and visit him. Nora did whatever she could to raise money to go on a trip to save Torvald's life and did not think once about visiting her dying father. During the friend's conversation, it was actually Mrs. Linde that brought up her father. When Nora was discussing how difficult it was to get away and go to Italy, because she had just had her child, she failed to mention that her father had passed away during that time and could have contributed to the difficult timing. Mrs. Linde is the one who had brought up the death of Nora's father in the conversation, in which Nora replied "yes...wasn't it dreadful, I couldn't go look after him. I was expecting little Ivar any day. And then I had my poor Torvald to care for--we really didn't think he'd live. Dear, kind Papa! I never saw him again", (Ibsen, 374). Mrs. Linde's priority was taking care of her mother; Nora's priority was raising money to take her husband on a trip to care for him while completely abandoning her father. Mrs. Linde's responsible actions exaggerate Nora's irresponsibility and neglect.

When Torvald finds her hairpin stuck in the keyhole of the letter box, Nora tells him it must have been their children trying to get into it, not willing to admit that she had tried to break into his things. Although the truth about her is about to be discovered, Nora wants to preserve the last bits of dignity that she has left, finally worrying about herself before anyone else. This last lie however, leads up to her finally speaking the truth and expressing that she no longer feels that she loves Torvald. Her husband is furious at her, insulting her, and fails to see that every lie that she told was for his sake. Realizing that Torvald can’t see her side of things and will only find fault in what she did, she comes to her decision to leave her family. Nora states that she is not happy and never really was, her marriage to Torvald was as fakes as a doll house according to her. Rather than lie, she is completely honest now and states that she wants to become her own person and learn that which she doesn’t know despite what society might think.

In Henrik Ibsen’s play A Doll’s House, pointedly captures the reality of the Victorian Era within the play. Nora Helmer, the protagonist of the story, represents the typical women in society during that era. The audience’s first impression of Nora is a money obsessed, childish, obedient house wife to her husband, Torvald Helmer. However, as the play progresses one can see that Nora is far from being that typical ideal trophy wife, she is an impulsive liar who goes against society’s norm to be whom and what she wants. Her husband is illustrated as the stereotypical man during the 19th century, as he is the dominate breadwinner of the family, who too deserts his position as the play reaches its end. A key theme that is brought to light in A

When the door slams at the end of “A Doll’s House” by Henry Ibsen, No one would not believe the woman walking out of her house is the same one who appeared at the beginning of the play. The main character in this play is Nora. Nora goes through a complete transformation, changing from a child like and dependant woman to a self strong woman pushing to become independent. Ibsen portrays the roles of society in the Victorian times in this play. Throughout her whole life, Nora’s husband and father have always controlled her; she has never been able to be independent, and the treatment she receives is not equal to the males around her, and the people around her belittle and patronize her to no end. Finally it goes too far and Nora realizes

However, Nora does eventually realize that she has been treated like a child all her life and has been denied the right to think and act the way she wishes. When Torvald does not immediately offer to help Nora after Krogstad threatens to expose her, Nora realizes that there is a problem. By waiting until after he discovers that his social status will suffer no harm, Torvald reveals his true

Previous to the opening of the play, Nora makes the decision to get a loan without Torvald's knowledge so that he can go to Italy and improve his health, showing compassion and love for her husband. Nora's aquiring the loan with her father as a guarantor, shows that she cared enough not to worry her husband with money problems at a time that he needed to heal. Forging her

   In his play, A Doll's House, Henrik Ibsen depicts a female protagonist, Nora Helmer, who dares to defy her husband and forsake her "duty" as a wife and mother to seek out her individuality. A Doll's House challenges the patriarchal view held by most people at the time that a woman's place was in the home. Many women could relate to Nora's situation. Like Nora, they felt trapped by their husbands and their fathers; however, they believed that the rules of society prevented them from stepping out of the shadows of men. Through this play, Ibsen stresses the importance of women's individuality. A Doll's House combines realistic characters, fascinating imagery, explicit stage directions, and

It is Christmas time when the play begins and with a larger income starting after the New Year, Nora is excited for a arrival of a new life. Yet, this ideal life for her begins to change when an old friend by the name of Mrs. Linde pays a visit to the Helmer household. Mrs. Linde, looking for a job has come to Nora looking for help

Nora proceeds to apologize and plays the role of the obedient wife. Nora has the right to spend extra money after what she has been through for the first few years of marriage. Nora and Torvald were very poor. Torvald also became sick and had to travel to Italy to recover. Nora secretly and illegally got a loan to pay for the trip to Italy. During the time setting of the play, women weren’t allowed to do certain things without their husband’s permission such as take out loans. Nora has been working extra hard to pay back her debt and the promotion that Torvald will receive will help Nora become debt free.

In A Doll's House, Henrik Ibsen focuses on the importance of women's roles and freedom in society. Widely regarded as a feminist paean, the play features two major female characters; the most prominent of whom, Nora Helmer, shatters her position as a subservient, doll-like female when she walks out on her husband and children with a flagrant "door slam heard round the world." Nora’s evolution, though inspiring, should not overshadow another crucial woman in the play: Mrs. Kristine Linde. Both women attain freedom in a society dominated by the adherence to conservative marital roles, but do it in different ways. While Nora reaches her consciousness and slams the door on her shackling domicile, Mrs.

As Mrs. Linde and Nora continue with their conversation, Nora begins to question whether Torvald does love her. Nora begins to tell her story of how she was the one to raise the money for the trip to Italy and not Torvald. She reveals how she went to Krogstad and asked for a loan to help pay for the trip. When Mrs. Linde asked if Torvald knew any of this information Nora replied, "He's so strict on that subject ... with all his masculine pride how painfully humiliating for him if he ever found out he was in debt to me" (1194). Nora did not feel comfortable telling Torvald about the predicament because she did not want to offend him. Torvald is set on complying by his morals and the fact that Nora disobeyed them would dishonor her

After having used Krogstad to get what she needed, yet another issue arose. Krogstad turned on Nora once his position at the bank was on the line, and used her borrowing against her for his own good. “Niles Krogstad is also Mrs. Linde’s former crush, and he tries to redeem himself of his crimes of forgery by raising his children” (Rosefeldt).

Henrik Ibsen’s A Doll’s House caused a sensation in 1879. During the 19th century, theatergoers were used to plays with fanciful plots that led to happy ending. Ibsen revolted against this and created a play A Doll’s House, which was the first modern drama. It was so shock to people, because it showed women’s inner life and their different, true side from what people wanted to believe and what they thought of. With his exclusive play, he shows his views of women’s struggles, strengths, and desires.

Nora, the innocent little housewife, starts off as a harmless little doll but soon changes. She is Torvald’s perfect wife in the beginning of the play, but little does he know that she has a mind of her own and isn’t really his little doll. The opening of Nora’s ulterior personality starts when she opens up to Mrs. Linde (Act 1). Nora bleeds to Mrs. Linde her financial problems with the trip that she spent two hundred and fifty pounds on, on her husband. Being the reader, I was shocked to hear so knowing how harmless and perfect Nora appeared to be. Then later on, the plot unfolds and reveals the incriminating fact that Nora had been owing Krogstad this money the whole time and had been paying him back in increments with the allowance given to her by Torvald. It is crazy that Nora had been so sneaky all along and had been keeping it away from Torvald all along. Nora is then stuck in a dilemma when Krogstad blackmailed her by telling her that she has to get his job back or he’ll reveal the whole thing to