The Poetics of Oedipus and Dana Marschz

Hamlet by William Shakespeare and Oedipus the King by Sophocles are both tragic stories which contain many elements of which are similar and different. Although both Hamlet and Oedipus suffer from fate, Hamlet’s father is murdered by his brother Claudius, while Oedipus kills his own father. Both Hamlet and Oedipus have the opportunity to shun their fate, but the two men believe themselves to be the only individual who can resolve the predicament which they are faced with. The homeland of Hamlet and Oedipus, Denmark and Thebes, are both in a state of tumult. After Hamlet’s father’s death Denmark was presided by a new court, after Claudius, who in addition to murdering Hamlet’s father, became king by marrying his

In Shakespeare’s Hamlet, and Sophocles, Oedipus the King, both of the main characters conform to the same classic tragic hero formula. Oedipus suffers a life based on a pre‐birth prophecy, whereas Hamlet finds himself burdened with the task of avenging his father’s death. In both situations, two kings must leave their innocence behind as the truth leads them first, to enlightenment and then to their downfall. They battle between the light, the truth and the darkness, the lie. Both Hamlet and Oedipus are similar in that they both showcase their mental state and stability, they are able to make swift decisions, and they both deal with relationships with women. Despite similarities between Hamlet and Oedipus, it is Oedipus’ consideration to do what is best for his people and city that makes him the more honourable man.

In Aristotle's work, the tragic hero can get caught up by hamartia which ends up leading him to his downfall. In Oedipus the King, which is a tragic play that is written by Sophocles it shows King Oedipus having many different flaws that are under the protection of hamartia that include madness, stubbornness, and pride that soon that end up leading to his final death. Oedipus shows an attitude of stubbornness during the progression of the play. Oedipus' stubbornness is uncovered early in the play when Tiresias who is a prophet of Apollo, mentions to Oedipus to terminate the investigation of Laius' killer. Oedipus quickly disagrees with him, he wants to find the man who murdered Lauis and brought the plague upon Thebes. Oedipus states, "By all the gods, do not deny us what you know. We ask you, all of us, on bended knees." Tiresias' persistence to withhold the truth is demolished by Oedipus' stubbornness and madness. Tiresias surrenders to Oedipus' stubbornness and states the truth which outrages Oedipus; "...The murder of the man whose murder you pursue is you." Oedipus stubbornness is so overpowering that he disregards Tiresias' bluntness without even a slight thought. Oedipus' statement, "To your heart's content. Mouth away!" which obviously shows his stubbornness when he disregards Tiresias' prophecy and regards it as gibberish. Oedipus' stubborn persistence will ultimately lead to his mother's death. At the end of the play Oedipus becomes aware that he was adopted and instantaneously investigates his origin. Jocasta, Oedipus' wife hesitantly encourages Oedipus to end his identity search, fearing that Oedipus would learn of his shameful sins of killing

     Throught Oedipus Rex, Oedipus displays his heroism many times. From the Prologue of the play to the moment in which he leaves Thebes, Oedipus' heroics are extremely apparent; however, at the same time, the decisions which make Oedipus a hero ultimately become the decisions which bring him to shame and exile.

Oedipus from the drama, “Oedipus the King” and Hamlet from, “Hamlet, Prince of Denmark” are two characters that are different, yet they both share the same title of being a tragic hero. Oedipus and Hamlet have many characteristics of a tragic hero that separates them in varieties. However, some of those characteristics show that both characters have and use similar thought processes and methods, which classify them as tragic heroes of their dramas. The five characteristics of a tragic hero are: nobility, tragic flaw, peripeteia, anagnorisis, and lastly irony. Both Oedipus and Hamlet hold or have a nobility position in their drama’s plot. Oedipus is the son of the king, and fate has foretold that he will kill his father and take over the

“Oedipus Rex” was a Greek Tragedy written by Sophocles in the fifth century BC. It was the first of a trilogy of plays surrounding the life of Oedipus. Sophocles wrote over 120 plays approximately 100 years before Aristotle even defined a tragedy and the tragic hero. Aristotle’s definition of a tragedy is “… an imitation of an action of high importance, complete and of some amplitude; in language enhanced by distinct and varying beauties; acted not narrated; by means of pity and fear effecting its purgation of these emotions” (Kennedy and Gioa 2010). According to Aristotle there were six elements to a tragedy: the plot, the character, the

From the very beginning, what makes Oedipus ' actions in his quarrel with Teiresias and also throughout the play so dramatically compelling, is the fact that the audience knows the outcome of the story. We know Oedipus ' fate even before he does, and there is no suspense about the outcome itself, instead, the audience anxiously awaits Oedipus to reveal his fate unto himself in his desperate quest to rid his city of the terrible plague, or maybe even more so, to simply discover his own unfortunate tale. Oedipus is relentless in his pursuit of the truth, and his determination is commendable. There is nothing that compels him to act in this way, instead he freely chooses, with much zeal, to initiate the chain of events that will ultimately lead to his downfall. It is this interplay between Oedipus’ own free will and his fated eventuality that is the crux of the play, and constitutes the main dramatic power.

Shakespeare’s Hamlet is an interesting play in many ways. The character Hamlet is particularly intriguing in regards to his fatal flaw. Hamlet’s fatal flaw is a specific trait that forces him to postpone killing the king and it is this trait that drives Hamlet mad (Shakespeare 1.4.23-38). This Shakespearean tragedy is open to many interpretations of Hamlet’s fatal flaw. Two recent film productions of the play, Kenneth Branaugh’s Hamlet and the Zeffirelli’s Hamlet, each show a different fatal flaw in Hamlet. Branaugh shows his fatal flaw to be that Hamlet over thinks everything. Zeffirelli accentuates the Oepipus Complex in Hamlet meaning that Hamlet is jealous over his mother. Branaugh and Zeffirelli both use different methods to

Curiosity and revenge are what make every form of entertainment in the action genre truly enjoyable. The characters draw the audience in and take them through a plot to find justice. Separated by around 2000 years, Sophocles's Oedipus Rex and Shakespeare's The Tragedy of Hamlet: Prince of Denmark both possess a plot akin to each other with a similar main idea of attempting to discover the main character’s father’s murderer. These famous tragedies depict two tragic heroes plagued with incestuous mothers and bad luck who fight to find truth and justice. Although both plays are similar in plot, the characterization of Hamlet and Oedipus have crucial differences which begin to appear: Oedipus is dependent on external forces and unorganized in his search for his father’s killer, whereas Hamlet is highly affected by internal forces and meticulous with his planning.

Hans Rockwell 8/26/17 Question 1 Question 1.) One of the responses people usually have about Oedipus is if he really deserved the fate that he ended up with. It’s not his fault that Jocasta and Laius tried to outsmart fate and dispose of him.

The tragic flaw of a human being is usually checked with the method he or she reacts with to the circumstances that life throws upon him or her. Contemporary society appears to be fixated on giving gatherings of people cases of such individuals who, in spite of the affliction of their lives, that still transcend. In fact, maybe nobody is more fit for indicating triumph over struggles than Sophocles and William Shakespeare. In both Oedipus and Hamlet, for example, the primary characters struggle with many obstacles and consequences and find themselves with unimaginable problems furthermore and are compelling to choose what the correct decision will be. This develops to Oedipus and Hamlet becoming motivated, courageous people and also becoming dishonest to themselves throughout the two books. Shakespeare and Sophocles’ plays show that sometimes when dealing with consequences and the obstacles there are different ways to react instead of leading to a tragedy. Oedipus and Hamlet’s motivation in dealing with problems is evident when the two primary characters want to find out the murderers of their father’s. Their courageous actions develop them towards having one goal, which was to kill the former King, and show courageous traits towards other people. They become dishonest to their themselves and is showed throughout the two books, which then causes misfortune for both of them in the end. Despite the resemblances of the two, Hamlet is in control of his activities, and he very

Tragedy as an element of the human experience has been the subject of many of the great works of literature written in the Western tradition. For some, tragedy embodies the highest form of humanity. It is through suffering that we are able to reveal ourselves most completely. Others see tragedy as an element of morality where we are to learn well the lessons of those who tempt the gods. The Ancient Greek philosopher, Aristotle, outlined a theory of tragedy as archetypal drama in his classic work, the Poetics. He uses the play by Sophocles, Oedipus the King (hereafter "Oedipus"), as the standard model by which all other tragedies are measured. In Aristotle's view, a perfect

The tragedies Hamlet, Oedipus the King, and Death of a Salesman have strikingly different plots and characters; however, each play shares common elements in its resolution. The events in the plays’ closings derive from a tragic flaw possessed by the protagonist in each play. The downfall of each protagonist is caused by his inability to effectively cope with his tragic flaw. The various similarities in the closing of each play include elements of the plot, the reflection of other characters on the misfortune of the tragic hero, and expression of important themes through the dialogue of the characters.

In Shakespeare’s Hamlet and Sophocles’ Oedipus Rex, there is a seemingly close common relationship shown between the two plays regarding mainly the community and era in which they took place in. As well as different scenes throughout both stories which show very similar ideas from the writers such as, murder being the common theme in both plays. One example comes from the story, Oedipus the King, and it is that there is a direct relationship between the state of the state and the state of their kings. There is also a close bond between the two plays where Oedipus’ armed entrance into the bedroom in which Jocasta, his wife, has committed suicide and was found hung there, and how the two plays relate is where in Hamlet, there was a confrontation of Gertrude in her bedroom to. Both of these well-known classic plays share an emphasis in a somewhat sad irony throughout a chain of events that had led up to the ritual of catharsis. However, though both plays have similar plots in some aspects, the idea in Hamlet creates a much more difficult, as well as complicated character than that of the classic Greek tragedy play of Oedipus the King.

"Oedipus the King" is a tragic play showing a shift from the belief of fate to freedom of choice. Therefore, Oedipus the king is a great example of those who run from fate ends up fulfilling their fate