Sylvia Plath's poetry roots from her harsh life long battle with heart break, death, and depression. It is clear by her work, that life was a daily struggle for this poet. In the research of her poetry, i found one poem in particular that really interested me. My main focus was the poem "Mirror." The narrator of this poem is a wall mirror. At first glance, the mirror appears to be human, based off of its qualities and descriptions. The mirror has the ability to recognize things, such as the small detailed features of the room it is hung in, and the woman that so often looks into it. Such as line 7-8, which says, "It is pink, with speckles. I have looked at it so long. I think it is part of my heart." The mirror observes the woman as she struggles with the reality of aging. Her skin being "pink with speckles," most likely a woman with a fair complexion and freckles, or "speckles." I found the themes of this poem to be along the lines of time and appearance. The woman is becoming aware that as she looks in the mirror from day to day, time is passing, and she is aging, which is hard for anyone, if not only women, to cope with. In the second stanza, the mirror becomes a lake. Now, whether or not this is a real lake, is questionable. Many critics have debated over the subject. Personally, I don't see it to be a literal lake. In the first and second line of the second stanza, Plath states, "Now I am a lake. A woman bends over me, Searching my reaches for what she really is." I
America stands as the most prominent nation of liberty and freedom for all, yet some people still feel the reins of America’s oppressive past. Those include young African Americans and women, who feel that society places unequal expectations on them, simply based on their gender or race. Two young, American writers, Sylvia Plath and Langston Hughes especially feel this way through their works, Sylvia Plath at Seventeen and Theme for English B. Plath and Hughes employ tone, tone shift, and parallelism throughout their works to convey their message that young adults must stand up to demoralizing social expectations.
After reading “what the mirror said”, some readers may say that this poem was not written to embrace the woman’s beauty but to explain that she is confusing and hectic. A reader with this point of view would
Sylvia Plath was an American Poet who was renowned for poetry mostly in the United States. She, however lived a difficult and depressing life which led to a few futile suicide attempts, but ultimately led to a successful suicide attempt leaving her children to live on without a mother. This end result was due to a multitude of issues in her life from Sylvia’s sanity. She wasn’t the most stable child. Her marriage also played a role in her suicide. Her successes weren’t acclaimed until after her death, when a majority of her work was released. There were two major aspects to her life: her poetry and her sanity. These three combined make up a majority of Sylvia’s life.
It tends to be the trend for women who have had traumatic childhoods to be attracted to men who epitomize their emptiness felt as children. Women who have had unaffectionate or absent fathers, adulterous husbands or boyfriends, or relatives who molested them seem to become involved in relationships with men who, instead of being the opposite of the “monsters” in their lives, are the exact replicas of these ugly men. Sylvia Plath’s poem “Daddy” is a perfect example of this unfortunate trend. In this poem, she speaks directly to her dead father and her husband who has been cheating on her, as the poem so indicates.
Wrapped in gaseous mystique, Sylvia Plath’s poetry has haunted enthusiastic readers since immediately after her death in February, 1963. Like her eyes, her words are sharp, apt tools which brand her message on the brains and hearts of her readers. With each reading, she initiates them forever into the shrouded, vestal clan of her own mind. How is the reader to interpret those singeing, singing words? Her work may be read as a lone monument, with no ties to the world she left behind. But in doing so, the reader merely grazes the surface of her rich poetics. Her poetry is largely autobiographical, particularly Ariel and The Bell Jar, and it is from this frame of mind that the reader interprets the work as a
In 1963 on a cold winter day of February 11th, Sylvia Plath ended her life. She had plugged up her kitchen, sealing up the cracks in doors and windows before she was found with her head inside of her gas oven inhaling the dangerous fumes. She was only thirty years old, a young woman with two small children and an estranged ex-husband. A tragic detail of her life is that this is the second time she had tried to commit suicide. Plagued with mental illness her whole life, which is evident within her poetry. She would write gripping, honest portrayals of mental illnesses. Especially within Ariel, the last poetry book she wrote, right before she took her life. Although it’s hard to find a proper diagnosis for Sylvia Plath, it is almost definite that she at least had clinical depression with her numerous suicide attempts and stays in mental hospitals undergoing electroshock therapy. Sylvia Plath is now famously known for her writing and the more tragic parts of her life. Such as the separation from her husband, Ted Hughes, mental illness, etc… Plath may not have intended for her life and art to become inspiration to many people but that has become the end result. Sylvia Plath writing shows symptoms of her suicidal thoughts. To study specific moments in Sylvia Plath’s life, it can be connected to certain writing’s of her’s, such as “Daddy”, The Bell Jar, and “Lady Lazarus”.
How Sylvia Plath's Life is Reflected in the Poems Daddy, Morning Song, and Lady Lazarus
The last few lines seem to attribute her depression to her age, and maybe the fact that she never got to enjoy her childhood, her young years, and she despises seeing herself grow old in the reflection of the lake.
Sylvia’s Plath’s “Metaphors” is about a woman feeling insignificant during the midst of her pregnancy. Striking imagery is used to explore the narrator’s attitudes about having a child. Plath uses metaphors in every line, including the title itself, making the poem a collection of clues. The reader is teasingly challenged to figure out these clues, realising that the metaphors have
Sylvia Plath was influenced to write poems early on in her life. One of the biggest influences within her writing include her father, Otto Plath. Otto Plath had died from an illness caused by diabetes in 1940. After this traumatizing event, Plath had written very vivid poems explaining her problematic relationship with her father, and her feelings after he had died. She wrote a poem named Daddy (“Sylvia Plath” Poetry). Daddy is a poem including a characteristic person representing Plath’s father in real life. Her father in the poem is a dark person that Sylvia Plath has to “kill” (Ardagh, Emily). Plath was very upset about this sudden death of her father, so she thought the perfect idea was to write a poem about him. Another important person
Sylvia Plath was a troubled writer to say the least, not only did she endure the loss of her father a young age but she later on “attempted suicide at her home and was hospitalized, where she underwent psychiatric treatment” for her depression (Dunn). Writing primarily as a poet, she only ever wrote a single novel, The Bell Jar. This fictional autobiography “[chronicles] the circumstances of her mental collapse and subsequent suicide attempt” but from the viewpoint of the fictional protagonist, Esther Greenwood, who suffers the same loss and challenges as Plath (Allen 890). Due to the novel’s strong resemblance to Plath’s own history it was published under the pseudonym “Victoria Lucas”. In The Bell Jar, Sylvia Plath expresses the
Sylvia Plath, a great American author, focuses mostly on actual experiences. Plath’s poetry displays feelings and emotions. Plath had the ability to transform everyday happenings into poems or diary entries. Plath had a passion for poetry and her work was valued. She was inspired by novelists and her own skills. Her poetry was also very important to readers and critics. Sylvia Plath’s work shows change throughout her lifetime, relates to feelings and emotions, and focuses on day to day experiences.
Both Judith Wright and Sylvia Plath explore different feminist views in their poetry in order to highlight the freedom that comes with the empowerment of women and the escapement from the boundaries of social expectations. Wright uses stylistic devices such as punctuation, oxymoron, metaphor, and personification to discuss the insecurities she has with her body in her poem ‘Naked Girl and Mirror’. The oxymoron, “I see you are lovely, hateful naked girl”, depicts the internal struggle she deals with that centres on her self-image. The world has metaphorically detached Wright’s mind from her body and this encourages her to write with a more feminist view in order to remind her listeners that she has a soul and her gender is not all she is.
You may begin by commenting on the different definitions available for ideology in general as well as the theory of feminism. Feminism is discussed in this course as an example of modern theories and is often associated with the issue of ideology. Your discussion should refer to the discussion of these terms as well as the major elements connected to them (e.g. gender, écriture feminine, patriarchy, etc.). In your analysis of the poem you may want to ask questions concerning Plath’s personal life and her relationship to male figures in her family. Do you read the poem as a personal or a political poem? Would you characterize Plath as a feminist poet? Always
Poets, Judith Wright, Sylvia Plath and Emily Dickenson all express their views on life and death, however, do so in varying manners. Through imagery, Wright and Plath both consider life’s beginnings, however, Wright considers it to be a beautiful gift, whereas Plath views birth as an empty burden. Subsequently, through structure Dickenson and Wright each acknowledge life, expressing how in some cases it is difficult, yet in other circumstances it is celebrated. Finally, through tone, Dickenson and Plath convey their views on death, yet differ in that Plath believes it is purifying and holds a sick fascination with it, while Dickenson instead holds a unique curiosity about it. Therefore, whilst each poet recognises the journey of birth,