The Point Of Fashion : Mary Quants Eyes And The Huge Influence She Had On Youth 's Attitudes

Furthermore, in spite of women gaining independence they started to shock society by their rebellious fashion styles and attitudes. Their rebellious attitudes were shown mainly through fashion choices: hemlines got raised, more jewelry became worn, makeup got heavier and hair became shorter.1 According to the 1920’s Vanity Fair, these magazines allowed people to stay updated on Women’s Suffrage and fashion ideas. In the light of, 1920’s Vanity Fair, many of the images shown were of women’s fashion which consisted of ‘Flappers’ who were the progressive, sexually liberated woman of the 1920’s.45

The first historical accuracy used in the TV show was that fashion was essential to all teens. Growing up in the early 70’s as a teenager in Australia was that fashion was a must have. Clothing such as crop tops, button ups and bootleg jeans were a crucial part of growing up. From being a cool kid, to being a little less

In this essay, I will be discussing about a social group that took fashion to the next level and create a huge impact in British history were the punks culture during the late nineteen seventies. The punk cultures were to rebel against the government during the great depression and were all about the attitude of the younger generations. During the late nineteen seventies was the time of unemployment and social unrest, a lot of the young white kids felt outcast from the British culture, foreseeing their lives with little prospect and so called “no future”. It was also a DIY “Do it yourself” movement. Younger generation that adopted the punk look often create their own garment by wearing safety pins,

In the 1950s, the fashion industry was based mostly around teenagers and young adults. Before this time, adolescents were expected to follow in their parents’

Some of those youths spent that income on new fashions popularized by American soul groups, soon enough these youths became known as mods, a youth subculture noted for its consumerism and devotion to fashion and music and in the 1970s and 80s the youth subculture of the skinheads was formed. • This is England (2006) depicts an honest and accurate account of the subculture of ‘skin heads during the 1980s, after the Falkland’s war so their clothing no doubt an expression of youthful angst in a troubled era. • Jeans, shirts, braces and doc Martens became iconic clothing amongst the skinhead subculture and their shaved heads on both men and woman signified defiance against society. The clothing was ‘media of information’ (Barnard, 21, 2007) about the person who is wearing it. • These items acted as a code that needed a decryption in order to understand what kind of person is underneath it.

In the 1920’s this gap became more of a chasm as the nation’s youth entered the Jazz age, adopting the new styles of music and dress that accompanied it. Women wore shorter skirts, smoked, drove cars, and sported new haircuts, and men went to new jazz clubs that played edgy music that was good for dancing. Overall the new lifestyle was a complete departure from the Victorian mode of living that preceded it, and it was rejected by the older generation as energetically it was embraced by youth. In the 1950’s a similar change took place as parents allowed their children to have more freedom, and religion was not as strictly enforced. The widespread availability of automobiles allowed teenagers to travel around more than they ever had, and the automobile provided teenagers a new place to be free from the observation of their parents, which enabled many new activities, like petting. Just as the youth of the 1920’s had Jazz music, teenagers in the 50’s began to bother their parents by listening to Rock ‘n’ Roll music, whose stars included the scandalous Elvis Presley and even African-American stars like Little Richard, showing that the music allowed youth to transcend race. Just as F. Scott Fitzgerald’s literature alarmed more conservative Americans with its description of the popular culture of the time, literature during the 50’s was similarly troubling, dealing with themes of

The 1920’s fashion was a period of liberation, change, and even more importantly a movement towards the modern era. Fashion in the 1920’s varied throughout the decade but one could see the noticeable change from the previous fashion statements and eras. At the start of the decade, women began emancipating themselves from the constricting fashions by wearing more comfortable apparel. As women gained more rights and World War I forced them to become more independent, flappers came to be, mass-produced garments became available, and artistic movements increased in popularity, one can see how the fashions from the roaring twenties characterized the time and redefined womanhood. (1920s clothing 1)

The period of the 1950s to the 1960s brought about drastic changes to the Australian culture and history. However, the introduction of rock n’ roll style music was most influential towards teenagers and significantly altered history within youth culture because of its relatable tone. Furthermore, Australian society would not be the same without rock n’ roll style music, it had shaped and moulded Australia and impacted our daily activities. Additionally, the introduction of the rock n’ roll genre had instigated the ‘hippie’ and other fashion movements. Ultimately, developments and changes in Australian history during the 1950’s to 1960’s such as the introduction of rock n’ roll and its emergence into the fashion industry and teenagers’ ideals

From newspaper articles in 1964 announcing the London Look, to an article by Mary Quant in Vogue in 1966 and an article at the end of the decade that declared the return of Paris Power, young people in the U.S. had the opportunity to read and examine British contributions to fashion and make decisions about whether to adopt or not. The 1960s in the United States was a turbulent time –a decade of political and social upheaval. The youth quake of British styles helped to set a new energetic pace for America and a means to deal with the turmoil. College campuses in the U.S. were often the place of change and acceptance of new ideas and thus a place to study the

Let’s take a look at the women’s of the 1920’s, the changes that took place in fashion and the roles of women in society. Women’s fashion will be compared from early days up until the 1930’s, with a brief comparison of the roles of women before and after the 1920’s. A discussion of the different avenues that opened up for women after 1920 and the impact that it has had on modern day women will also be covered within this paper. you need a stronger introduction

The fifties and sixties were completely different in so many ways; the times had changed a lot in the transition of decades. The types of music, for one, were in great contrast. By the sixties the rock-'n'-roll and pelvic thrusting of the fifties had transformed into the pop, rock and folk music of the likes of the Beatles, the Rolling Stones and Bob Dylan. Teenagers changed a lot over the two decades a lot, too. The tight pant, leather jacket bodgies, with their greased hair, and the widgies, with their rope petticoats and flared dresses, were replaced by the teenagers of the Psychedelic era. These teenagers preferred the swirled shapes and bright colours, with their newly found mini-skirts, and for the guys it was paisley shirts.

This essay will explore the effects social and political changes had on fashion in the 1980’s. This period was chosen because the new romantic fashions were so different to the punk fashions that had been before, this essay will therefore identify the changes that had taken place to influence this change. Primary evidence used to support findings will include interviews and photographs which will show a firsthand account of the period.

At the start of the 1960s the first generation of children born after the “baby boom” generation, was so large in size that socially and culturally their desires became hard to keep up with. The growing teenagers instituted a rebellion, by ignoring their parent’s old-fashioned customs in favor of the rock & roll and rhythm & blues lifestyle. British rock band the Beatles was a particular favorite of theirs. Inspiring changes in clothing, new color palettes and a “mod” approach to the landscape of art, which affected the designs of magazines, posters and advertising. As posters that associated with the psychological drug experience made their way into various music outlets. (www.illustrationhistory.org)

Popular Culture in Britain at the Beginning of the 1960s In this essay I will describe the key features of popular culture in Britain at the beginning of the 1960s. In the late 40-50s, life was drab, uniform and restrained. People generally had a low standard of living as a result of the Second World War. This was formally known as austerity.

“I speak through my clothes.” (Hebdige, 1993: 100, quoting Eco, 1973) Fashion is one of the ways that one creates identity. In particular, since the rise of youth culture in the 1960s “fashion has become… a way of defining one’s identity - or else a way of avoiding such definition”. (Gonzalez & Bovone, 2012: 23) The 1960s saw a rise in mass production of consumerism fashion, and has been used as a form of expressing ones identity; whether it be inspired or interpreted from religion, social status, habitus, gender, cultural icons, or subcultures (such as punk, pastel goth, hipster, etc.) Crane states in Fashion and its Social Agendas, that due to the “availability of inexpensive clothing… that those with limited resources can find or create personal styles that express their perceptions of their identities” (Crane, 2000: 6); “the consumer is expected to ‘construct’ an individualised appearance from a variety of options.” (Crane, 2000: 155) However, Polhemus argues that “Fashion is an arbitrary language system where things are really what they appear to be” (Polhemus, 2011: 49), suggesting that fashion is a tool used for illusion. Bovone contributes, stating that “On the stage of everyday life, the performer declares what he is… his image is at stake and he is involved in a continuous negotiation with his fellow performers and the audience.” (Gonzalez & Bovone, 2012: 72) Polhemus and Bovone both illustrate that whilst fashion helps to create identity, it is not a reliable