The Poison Wood Bible

In the novel, The Poisonwood Bible by Barbara Kingsolver, Kingsolver uses different literary techniques to develop the harsh setting and have the characters look weak and overwhelmed. The literary techniques used to define the characters and the setting are violent imagery and violent juxtaposition.

Rachel Price is a character within the novel who is very self-centered, arrogant, selfish, racist, and independent. Although some of these characteristics go along with each other, others seem to contradict each other. Rachel’s selfishness shows through in many parts of the book. She is typically only focused on her successes and issues, without much regard to anyone else.

Opinions, self-assurance, and knowledge – these aspects of one’s character constantly develop throughout one’s lifetime. In some cases, opinions shift from one end of the spectrum to the opposite end of the spectrum, while the knowledge gained from the world guides one to become more self-assured. In The Poisonwood Bible, Leah, the daughter of a passionate preacher, gains several unfamiliar experiences after moving to Congo such as the peoples’ way of life and insight on what the Africans think about her family. Throughout The Poisonwood Bible, Kingsolver thoughtfully uses textual features such as figurative language, syntax, and tone to show how Leah’s character gradually progresses from a blinded worshiper who wants nothing more than to follow in her father’s footsteps to an individualistic young woman who strives to live a life without her father’s influence. To begin the novel, Kingsolver establishes Leah’s beliefs by utilizing different forms of figurative language.

Writers use a variety of manipulative stylistics and structural elements to further emphasize the language within their pieces of literature. Whether the purpose is to frame the basis for an autobiography, essay, fictional, mythical or nonfictional tale, they always strive to integrate certain textual features to add distinction to their work. In Barbara Kingsolver’s, The Poisonwood Bible, she composes the novel with the intention of creating a multi-voice layout with distinctive narrative voices and perceptions. About the tragic undoings and miraculous restoration of a missionary family moved to a village in the Belgian Congo, the setup of the novel is unquestionably not one sided. The narrative voices are broken down between the main characters, allowing for each of them to tell their stories.

Orleanna’s place in society is to play the “preacher’s wife” and to just shadow her husband from place to place. Even when Nathan is going to move to Africa, she packs up her stuff to follow him because that was her place in society. However, once the family arrives in Africa, her connection with her husband, although previously broken, altogether falls apart. He starts ordering Orleanna around more than usual and just downright acts mean to her and the girls. Kingsolver demonstrates this when Nathan says, “Sending a girl to college is like pouring water in your shoes. It’s hard to say which is worse, seeing it run out and waste the water, or seeing it hold in a wreck the shoes” (Kingsolver 1.8.7). The external conflicts Orleanna confronts are cooking a decent meal for her family, caring for her children, and surviving herself, while also dealing with internal conflicts such as ultimately leaving Nathan. The atmosphere that she lives in is not helping because at the time in Africa, women had little to no rights and men had no respect for the women. The people in the Congo look down on the Prices at times for not having a strong man in the household. Kingsolver says, “It troubles Leah that people thought our household deficient because we lacked a bákala mpandi- a strong man- to oversee us” (Kingsolver 3.4.8). This enabled Nathan to remain a strong figure in telling Orleanna what to do and gives her more chores while he was out doing more important things such as “sav[ing] Africa from evil”. All of this builds up to Orleanna’s inevitable departure after the last straw: Ruth May’s death. In The Awakening, Edna does not fit in with the Creole society that she marries into but is forced to, again, put on a face and pretend to enjoy

During the beginning of the Price family’s arrival at the Congo, the family settles in an unfamiliar land of Kilanga and Nathan is being portrayed as the physical representation of the American perspective on the African people by creating conflict. Since the family is from Georgia, the surroundings and the atmosphere of

Book two is entitled “The Revelation” and the girls’ sections is entitled “The Things We Learned.” The Revelation was intended to mainly the Price family, excluding the father. The theme revelation has another definition: apocalypse. In the bible, the apocalypse leads to destruction and demise right before when God makes it a better place. In connection to the book, at this time the new prime minister, Patrice Lumumba was elected. This election set the stage for the independence movement in the Congo. In addition, Methuselah (the parrot) passes away as soon as he is freed, after being banned from liberation for most of his life. This foretells the destiny of Congo and the delicate independence they acquired. The Book of Revelation explains about how God’s creation encountered savagery and anguish so that it will become altered. The Belgian doctor who treats Ruth May for her broken arm has a little conflict with the Reverend. He prophesies that Congo will experience savagery and anguish if it changes to a self-determining state from a colony. In the Revelation section of the story, all the members of the Price family come to face a new sense of comprehension about the Congo’s culture, plants, animals and tradition. Throughout the book, the characters go through many hardships and success which permits them to learn

No one shows the oppression, inflicted upon the Congo’s people in hope of spreading imperialism, better than the main characters in this story. Nathans only goal is to convert all of the native people’s beliefs to Christianity. By hoping to doing this, they will be able to grasp control and establish their dominance upon the village. This can be seen through Orleannas thoughts, “Call it oppression, complicity stupefaction, call it what you’d like, it doesn’t matter. Africa swallowed the conqueror’s music and sang a new song of her own” (Kingsolver 385). Kingsolver shows that individuals are always going to want and demand control, however the victims of this oppression will fight past it and won’t give in. Many people have come before the Price family, trying to do the same thing. However, the natives are smarter than to give into their new ideologies.

The Poisonwood Bible is the story of the Price family and their journey in the Congo. The novel is told from the perspective of the daughters Rachel, Leah, Adah, and Ruth May. The family suffers because of their father Nathan Price’s selfishness. The villainous acts of Nathan result in the loss of a family member and the feeling of guilt bestowed among all of the characters.

Rachel is the oldest of the four daughters, at 15 years of age, the whiny would-be beauty queen who "cares for naught but appearances," can think only of what she misses: the five-day deodorant pads she forgot to bring, flush toilets, machine-washed clothes and other things, as she says with her willful gift for malapropism, that she has taken "for granted," the bible and her faith were no where near the top of her list. Her only way of surviving in the Congo was simply to not adapt at all; as she says ''The way I see Africa, you don't have to like it but you sure have to admit it's out there. You have your way of thinking and it has its, and never the train ye shall meet!'' Thi

The influences of the animals of the Congo changes Oreleanna’s perspective in the Price family. The Congo has influenced Oreleanna to view

“ Imagine a ruin so strange it must never have happened First, picture the forest. I want you to be its conscience, the eyes in the trees.”

Another way to deal with past regrets that is brought to light is the idea of repressing that memory in the first place. Unlike her sisters, Rachel Price is the only one who ignores her guilt. After Ruth May’s death and their departure from Nathan, Rachel rarely ever brings these major events up again. Instead she talks about her new life, speaking about her newest boy toy and complaining about the African’s culture. The night of Ruth May’s death, since Rachel is

The Poisonwood Bible is a book about a man named Nathan Price who takes his wife and four daughters on a mission into the Congo. All of their ups and downs are documented throughout the story. This novel was written by Barbara Kingsolver in 1998. This story was inspired from her own personal trip that her father took her on, to the Congo, where they lived without and water, electricity, and many other necessities. During the time period that this book was being written, a lot of feminist and post-colonial literature was being acknowledged. Feminist literature is both nonfiction and fiction that supports women by defending political, economic and social rights for women. Many works of feminist literature depict strong willed women who

Rachel Rebeccah Price is a true child of the western world and the 1960’s, she cares about her clothes, what her social status is, and most importantly-- her looks. As the Prices first arrive to the Congo Rachel stands firm on her belief that she will never adapt to the Congo such as her family has. Before leaving her town of Bethlehem, Georgia, Rachel had the most exposure to a western based upbringing and also the least attention from her preoccupied parents. This leaves her self centered and very stuck in her American way of life, Rachel relies more on herself to survive in Kilanga than she does her own family. She’s a strong resistant figure in the novel who often looks down on the natives, but not in a condescending way such as her father but more in a patronizing way that originates from confusion and misplaced anger on her behalf. If someone