The Poisonwood Bible Analysis

...Or The Bible: While reading The Poisonwood Bible by Kingsolver we understand the biblical influence in the Prices family and the overall book, however upon closer examination we find many biblical allusions. Yet, rather than simply portraying the story and message in an attempt to convey it to the world it seems as if Kingsolver desires that we analyze her seemingly complex book through these allusions in an attempt to understand her characters on a deeper level and to experience what they’re going through personally. As read in How to Read Literature Like a Professor’s sixth chapter “... Or The Bible”; biblical allusions are meant to provide in-depth analysis of a story or character. The reason these biblical references are used, according to Thomas C. Foster is because “most of the great tribulations to which

Orleanna is the mother of four daughters and her being this character as well as her personality of being caring and invested in others creates her purpose for the story as retelling the story of her family and their trip to the Congo. She is creating this scene to show what happened and how she has learned from this experience and hopes to improve others lives based on her experiences. In the political allegory, Orleanna is the person in the world who has seen the wrong doing’s of the world, in this case the imperialism of countries, and advises those to step up and support the cause bettering lives of those less fortunate. Her character creates a call to action through the miseries she has seen her family struggle through. The author’s purpose in writing The Poisonwood Bible is to not only show the different influences and outcomes that colonialism has on people and nations, but to also show that it is wrong and not necessarily the superior way of doing something. Orleanna is the spokesperson for how the colonialism is wrong and something must

1. Barbara Kingsolver explores a quest in her novel “The Poisonwood Bible”. The criteria of a quest consist of a quester, a destination, a purpose, challenges, and reasons for the quest. In this instance the quester is Orlenna Price whom demonstrate guilt consistently. Orlenna is going there to accompany her husband, who is seeking to convert others. She feels guilty due to the death of her daughter and now that guilt remains as one of the challenges she faces. This is mostly transparent when she says “How do we aim to live with it?” (Kingsolver 9). Her guilt revolves around the destination to the Congo. Due to the Congo her one of her children survives. Now she has to deal with that challenge which is her guilt.

Opinions, self-assurance, and knowledge – these aspects of one’s character constantly develop throughout one’s lifetime. In some cases, opinions shift from one end of the spectrum to the opposite end of the spectrum, while the knowledge gained from the world guides one to become more self-assured. In The Poisonwood Bible, Leah, the daughter of a passionate preacher, gains several unfamiliar experiences after moving to Congo such as the peoples’ way of life and insight on what the Africans think about her family. Throughout The Poisonwood Bible, Kingsolver thoughtfully uses textual features such as figurative language, syntax, and tone to show how Leah’s character gradually progresses from a blinded worshiper who wants nothing more than to follow in her father’s footsteps to an individualistic young woman who strives to live a life without her father’s influence. To begin the novel, Kingsolver establishes Leah’s beliefs by utilizing different forms of figurative language.

In The Poisonwood Bible, written by Barbara Kingsolver, the aspect of biblical allusion is clearly present throughout the majority of the novel. For example, one of the most conspicuous allusions to the Bible is the way that Kingsolver has purposely named some of the main characters in her book after different people and images in the Bible. Kingsolver uses this biblical allusion to develop important themes, events, and characters in her novel. Kingsolver makes references to the Bible by tying in and creating similarities between important events and themes in the Bible and important events and themes in her novel.

Just like the first book in the Bible, the first book of The Poisonwood Bible is named Genesis. As well as the beginning, Genesis can also mean rebirth. When characters arrive in the Congo they realize the things they brought with them are changed by Africa and can no longer be as they once were. In this way, Genesis symbolizes the process of becoming their new selves. For instance, the first chapter in The Poisonwood Bible, narrated by Orleanna, strongly shows the guilt that the Congo had left her to live with after the death of Ruth May. Likewise, Eve, the first woman in Genesis, forced all of mankind to shoulder the guilt of eating the forbidden fruit.

Writers use a variety of manipulative stylistics and structural elements to further emphasize the language within their pieces of literature. Whether the purpose is to frame the basis for an autobiography, essay, fictional, mythical or nonfictional tale, they always strive to integrate certain textual features to add distinction to their work. In Barbara Kingsolver’s, The Poisonwood Bible, she composes the novel with the intention of creating a multi-voice layout with distinctive narrative voices and perceptions. About the tragic undoings and miraculous restoration of a missionary family moved to a village in the Belgian Congo, the setup of the novel is unquestionably not one sided. The narrative voices are broken down between the main characters, allowing for each of them to tell their stories.

In the historical fiction The Poisonwood Bible, Barbara Kingsolver portrays the American perspective on Africa with the use of a physical representation. In the beginning of the novel, the Price family, the protagonists and narrators, have their own perspective of their journey in a village of Kilanga which is located in South Africa in a congo. The family came with mindsets of missionaries because the father of the family, Nathan, has the desire to spread the word of God and the religion of Christianity throughout the the Congo. However, his unusually amount of urge to change the faith and religion of the African people demonstrate the American perspective because of the ignorance and the lack of acknowledgement of the people and setting. Thus, Barbara Kingsolver uses Nathan as a physical representative of the American perspective. In order to demonstrate the arrogance of the American perspective on the African people, Barbara Kingsolver dramatizes the tension between Nathan and the African people, suggesting that the American people view their principles more superior than principles of the African people despite the difference in setting and influences.

Book two is entitled “The Revelation” and the girls’ sections is entitled “The Things We Learned.” The Revelation was intended to mainly the Price family, excluding the father. The theme revelation has another definition: apocalypse. In the bible, the apocalypse leads to destruction and demise right before when God makes it a better place. In connection to the book, at this time the new prime minister, Patrice Lumumba was elected. This election set the stage for the independence movement in the Congo. In addition, Methuselah (the parrot) passes away as soon as he is freed, after being banned from liberation for most of his life. This foretells the destiny of Congo and the delicate independence they acquired. The Book of Revelation explains about how God’s creation encountered savagery and anguish so that it will become altered. The Belgian doctor who treats Ruth May for her broken arm has a little conflict with the Reverend. He prophesies that Congo will experience savagery and anguish if it changes to a self-determining state from a colony. In the Revelation section of the story, all the members of the Price family come to face a new sense of comprehension about the Congo’s culture, plants, animals and tradition. Throughout the book, the characters go through many hardships and success which permits them to learn

The novel The Poisonwood Bible begins with a narrative directive that grasps the reader’s attention. It suggests everything that is about to occur can only be witnessed by the people of Africa. Portraying a hint that something is going to happen to their family that leads them to ruins. I believe the “you” Orleanna is speaking to is the daughter that she lost in Congo as she introduces herself as “Southern Baptist by marriage, mother of children living and dead” (Kingsolver 7). This reveals the biggest disaster that occured during their time in Congo. Orleanna speaks from a time in the future to further enhance the feeling of guilt. She feels that she helped her husband accomplish his ungodly actions while failing to properly take care of her children. Kingsolver uses traits to differentiate the voices of each sister, which allows the reader to single handedly pick them out in a crowd if needed. Ruth May is exhibited as a child by the manipulation of grammar to make her sound more childlike. Kingsolver uses high sophistication to develop Adah’s voice making her one of the most intelligent of the four sisters which is ironic considering her decision to remain silent. Leah is blunt and straightforward reflecting her true nature. Lasly Rachel reflects her snobbish and conceited attitude through her short sentences. Adah Price’s voice is the most compelling to me for her large span of vocabulary and simply her injury. Reading her chapters are the most interesting based off of

This is apparent by the use of the character’s perspective about nature and the ultimate result it has upon them. This is in its most apparent shape when Orleanna says “We aimed for no more than to have dominion over every creature that moved upon the earth... Now you laugh, day and night, while you gnaw on my bones. But what else could we have thought? Only that it began and ended with us. What do we know, even now?” (Kingsolver 10). This quote by Orleanna about nature, shows the true power of it regarding the motifs of freedom and captivity. This is seen because of the fact that there is a progression and a change of thought that quickly evolves from the family and her thinking that they had the freedom to have dominion over nature, to she surrendering to nature and saying that she is captive forever because of nature that nature instead of being loving, betrayed her and is now seeking for the forgiveness of it. Another way this is seen it when Leah said “Its heavenly paradise in the Congo, and sometimes I want to live here forever,” (104). This extract from the novel at first glance may not seem like an important passage, but it is considering the fact that she feels that she has the motifs of freedom and love at her grasp as she feels free in the Congo and loves it. This ultimately will not last as their contrasting motifs will eventually kick in making her a prisoner of the Congo by her own merits keeping her captive in there for the rest of her life, while also betraying her because the land and the nature inside it made her lose her little sister. Finally, this connects to the thesis and the other paragraphs because of the fact that it shows this hope versus reality situation which is created when these motifs are combined, furthermore it shows the colorfulness of life in the book because of the fact that it shows the way

Throughout a lifetime, many things are gained; experience, wisdom, knowledge, as well as a sure sense of self. But along with all these great things come regret, guilt, and shame of past events. Everyone deals with these in different ways, sometimes turning to religion and denial as coping mechanisms. In the novel The Poisonwood Bible, By Barbara Kingsolver, each member of the Price family deals with a personal guilt either gained while on their mission in the Congo or long before. This novel exemplifies the different types of guilt the Price family experienced throughout their stay in the Congo, and shows various means of reconciliation and forgiveness as the guilt is absolved.

Throughout many novels different characters are sent to a new place to explore and find new things in life. An excellent example would be how the characters in the novel Poisonwood Bible explore a new lifestyle in the Congo. While they are there they have to learn how to adapt to a new life, and they try and teach the Congolese people how to worship the God, Jesus Christ. Even though the Congolese people may believe in different Gods, the Price family, especially Nathan feels that it is their duty to teach them different ways. Thus the poem We Grow Accustomed To The Dark by Emily Dickinson, is similar because it is talking about how people become accustomed to a different lifestyle just like the Price family did in the Poisonwood Bible. In

The Poisonwood Bible is a book about a man named Nathan Price who takes his wife and four daughters on a mission into the Congo. All of their ups and downs are documented throughout the story. This novel was written by Barbara Kingsolver in 1998. This story was inspired from her own personal trip that her father took her on, to the Congo, where they lived without and water, electricity, and many other necessities. During the time period that this book was being written, a lot of feminist and post-colonial literature was being acknowledged. Feminist literature is both nonfiction and fiction that supports women by defending political, economic and social rights for women. Many works of feminist literature depict strong willed women who

In a world full of blame and lack of accountability, an individual’s role in injustice needs to be questioned. In the early 1960’s, after many years under Belgian rule, the Congolese people formed an uprising and gained independance. However, the Congo was ill prepared for the organization that independence demanded. The Soviet Union offered aid to the Prime Minister of the Congo. Since this was during the Cold War, the United States retaliated and supported a coup led by Colonel Joseph Mobutu. Mobutu ruled with an iron fist, resulting in pain and oppression of the Congolese. Looking back on history, it is easy to see who was at fault. But at the time, it was not easy to identify blame, especially for the Americans. Barbara Kingsolver wrote about the Congo’s trials much later in 1991. She used a narration from baptist missionary family to symbolize the different kinds of guilt Americans share. In Anne M. Austenfield’s narrative journal, she described Kingsolver’s ability to use, "several character-focalizers whose limited perspectives project highly subjective views of history" (Austenfeld). This technique allowed for Kingsolver to not only produce a more reliable account of what occurred, but to depict her desired theme and message. Kingsolver, in her novel The Poisonwood Bible, uses a political allegory to explore the different notions of guilt through the limited perspectives of her characters.