The Political Color Wheel

Beginning with a contextualization of America surrounding the 2004 presidential election. This was the first election since the 9-11 attacks and the beginning of the war on terror. Many Americans uneasy, and the state of the nation was unstable. With this fear and instability,

1. This film is saying the American democracy can be easily corrupted. The film portrays that it takes strong, determined men with much integrity to stand up for what they know is right.

The author of American history, uses many colors to symbolize things in the story. In this story, it uses colors such as gray, green, and flower colors (red, yellow, purple,) to symbolize the emotions throughout the story. Colors may not have too much meaning at first Justin glance, but if you go back and read it over, you may be able to pick up on something that you didn’t he first time.

The colors in this piece are instrumental in moving the eye across the piece and drawing attention to specific parts of the piece. For instance, for the most part, the colors that are used are dark. However, to emphasize General Wolfe, the focal point in the middle, his outfit is painted in a brighter red and yellow and the ground beneath him is light as well. Also, in order to allow the eye to glide across the painting almost all of the soldier’s uniforms are red, creating rhythm. One solider, who is apparently rushing into see Wolfe, is painted in green, which is the complimentary color to red. The use of complimentary colors brings the eyes attention to the panicked solider, emphasizing the overall sense of urgency in the piece. The piece is also well balanced and uses appropriate scales and proportions.

Michael Moore's latest film, "Fahrenheit 9/11," presents a critical look at the administration of George W. Bush and the War on Terrorism. In this film Moore investigates the rapid growth of the United States government and its trend of trampling the rights of individuals, and the corporatism that is spawned out of the close ties between big government and big business during wartime. Michael Moore may not convince all audiences, but is successful for its factual accuracy in which the evidence spoke for itself, and at the same time proclaimed Moore's artistry in transposing and splicing scenes to create impressions that supported his allegations and opinions. Michael Moore has employed two main techniques in an attempt to successfully

Colors are apart of our everyday lives. They help us on dreaming, creating and increasing youthfulness. The author used colors to illustrate an importance behind objects, emotions, and characters. The various colors symbolize location, character traits and appearances.

Outside of the political spectrum, there is another group of organizations that have perhaps and even stronger grasp on the media than media regulators themselves. The incredibly complex and well organized drug cartels that base themselves mostly in northern Mexico and along the coastline of the Gulf of Mexico are in many ways the most influential organizations in the nation’s media. As mentioned earlier, Mexican citizens were granted freedom of the press in the 1857 Federal Constitution giving them expressional rights that closely resembled the United States’ on paper. However, as the cartels ran rampant throughout the country some indirect restrictions were put on these rights. The cartels employ ruthless violence and torture in order to punish those who oppose them, including journalists and reporters who attempt to portray them in a negative light. Over the past decade “there have been ‘172 attacks on press freedom, including nine journalists and two media workers killed’” (Hernandez-Garcia 2012). As a result, anyone reporting on the drug wars is essentially risking his or her own life; a risk the majority of reporters are not willing to take. The fear of being found and captured by the cartel is enough to cause a chilling effect among reporters and even stop some news outlets from reporting on the cartel’s actions at all. That’s not to say that news of the cartels’ actions doesn’t get released to the public. Lepe summarized the media portrayals of the cartel as such:

In November, American voters will be between a rock and a hard place, or you may say between the devil and the deep blue sea, when they come to elect the 44th president. After the worst president in all of American history, the best choice Americans will have for president is either a 72-year-old authoritarian maverick or a black man whose middle name is Hussein. What’s wrong with America? This is the greatest nation in the world, and it became so because of its dedicated founding fathers and its distinguished popular presidents.

When George Washington was elected President in 1789 by members of the fledgling United States of America, he was setting into motion a tradition that has stood the test of over 225 years - the presidential election. Even as the United States has seen dozens of wars, made hundreds of scientific advances, and selected thousands of politicians to seats everywhere from small town councils to Congress, the principles of the election have remained the same; the people band together to determine who will best protect their interests at home and assure that the US will always remain on top in foreign policy. Oftentimes, this is found to be a difficult decision, as public opinion is constantly wavering. One sees this in action particularly during the 1992 election - a battle of wills between Bill Clinton, George H.W. Bush, and Ross Perot; complete with lead changes, major vote swings, and Perot’s unprecedented initial success - ultimately a false alarm to the bipartisan establishment.

The film Swing Vote is an American political culture film that relies heavily on film subtext to depict the negative attitude many Americans have towards voting, corruption inside a political election, and the spectacle of media frenzy. While the film gives a light hearted impression of a rare political snafu it is still consistent with the main themes of other political films of manipulation, money lust, and power hungry political heads that will stop at nothing for their own personal gain. We also see the political candidates merely as puppets while their campaign managers are the ones truly calling the shots. Swing Vote is a unique political culture film because due to the ordeal in the film’s plot, the politicians are at a disadvantage when they are usually the ones in power. With the tables turned we see how they construct their corrupt schemes and the direct effect it has on the character representing the American perspective. The strong symbols that convey the cultural norms in America’s political system are in need of a deeper analysis.

Published by the New York Times under the Opinion section, the audience for this article is any interested reader. At the time it was released, November 18th, 2016, this article arrived during last year’s elections, in which a large, but surprising number of Americans voted for candidate Donald Trump, shocking many forecasters who had predicted otherwise. Therefore, after the election, many people may have been researching the demographics of the election, and this article, which briefly shared Brooks’ opinion on the nature of the election and how viewing others through the lens of a dominant identity influenced how the votes fell where they did, may have caught a keen reader’s eye. Also, this article came at a time where racism and prejudice caused many problems, leading some to view others as one-dimensional, represented only by a skin color or religion. Since prejudice and hate is still a large issue today, tackling this problem helps make this article relevant, nearly a year after its release.

The American Presidency is undoubtedly one of the most widely recognized popular icons throughout the world. Although to most foreigners or those who have never resided in the United States or know little of its history, the executive branch of government may seem to be as dull and unyielding as the rest of the American politics, for those few rare individuals who have taken the time to examine and closely scrutinize this office of the American political system and its recent history, quite the opposite will be said. Unlike Congressional or local elections where typically a number of individuals of the same ideological background must be elected in order for a particular issue to be

Michael Moore’s latest film, “Fahrenheit 9/11,” presents a critical look at the administration of George W. Bush and the War on Terrorism. In this film Moore investigates the rapid growth of the United States government and its trend of trampling the rights of individuals, and the corporatism that is spawned out of the close ties between big government and big business during wartime. Michael Moore may not convince all audiences, but is successful for its factual accuracy in which the evidence spoke for itself, and at the same time proclaimed Moore's artistry in transposing and splicing scenes to create impressions that supported his allegations and opinions. Michael Moore has employed two main techniques in an

The film focuses on African American historical events, with special concentration on the civil rights era. With the White House segments of the film starting in the oppressive Eisenhower years, it offers a presidential level insight into the historic freedom movements of the 1960’s, all the way through until the day that Barack Obama is elected president in 2008. I am going to argue that Daniels’ representation of history and race are much more than a ‘parody of historical drama’, as he defies the ‘conventional’ stereotypes of Hollywood (Martin 2013) through the focus on individual character depictions and rejection of generalisations seen previously in African American films.

One of the most important components to a political campaign is the voter, for no political candidate can be elected without someone voting for them. The dedication of both candidates, Stanton and Picker, to their voters is another aspect that accentuates their nobleness. Stanton is remarkable in his devotion to the public; the ability to reach out and interact with the public and the power to help them is the reason why he loves politics. While campaigning it is the people that need him, like Danny Scanlon the crippled boy, the adult illiterates, or the unemployed in Portsmouth, that keep Stanton going, for they “deserved a better country—and that was what this election had to be about” (144). There is a truth to Stanton’s promises, similar to the way he doesn’t forget people’s names and the aspects of their personal lives, he also doesn’t forget the promises he gives them in return for their support. For example, he remembers the promise that he made to “Fat Willie” about having him open a branch of his restaurant up in the capitol (214). But on the overall it is Stanton’s genius that allows the people to relate to him, he