The Portrayal Of A Female Character

In Western genre, women are repeatedly portrayed as either the helpless damsel in distress or the wild saloon girl. Most Western movies have elements of a gunfight,rivalry, redemption, and/or romance written into the script. A large percentage of the stereotypes of the American West comes from these exaggerated characters and storylines. Very rarely do western films present a strong female lead. When they do, there is frequently a subplot of romance written into it. Few Western genre and cinema portray the true nature of what women in the West were like.

Sexism, from the lack of women creators to the hypersexualized characters, is an enormous problem facing the comic book industry today. It is the 21st century, and the comic book industry is still a male-dominated industry. Thankfully, there are fewer distress damsels and more leading ladies, but I remain unsatisfied and believe that we need more. With female versions of superheroes doing better than their male counterparts, it will continue getting better. This world absolutely can not become better, until all aspects of life ceases the discrimination against

Throughout history women have been depicted and treated as an inferior to the male all aspects of life. It is without debate, that to this day, like many other countries, the United States of America is a patriarchal society, valuing men over women and using various tactics to oppress women by constructing gender roles. These gender roles are thrust upon people before birth and are reinforced through society within the media. This object here is to provide an overview of the portrayal of women in magazines from the late 1800’s to present day. As the years progress, so do the number of women’s rights. While women are still fighting for equality, the birth of feminism has done much to close the gender gap. Mass media, magazines in particular, facilitated in fostering a stereotype which became the standard, and continues to be, used by society. A society that continues to oppress and suppress its women. However, as the mass media has the capability to demystify, or to bring down and/or destroy a particular group or person, they also have the ability of mystification, or emulating a person or group into society’s graces. I plan to review how women were portrayed since this country’s inception with an analysis of how gender equality might be possible today.

In Sherman Alexie’s Flight, female characters are objectified and reduced to simple roles because their primary purpose in the narrative is to display their sexuality for the gratification of the men. Before his affair is revealed, Jimmy is seduced by his young lover: “Jimmy sits on the floor. He grabs a piece of fried chicken, a leg, and takes a bite. It’s a little dry. So, okay, Helda isn’t much of a cook. But that’s okay. That’s perfectly okay. Because she turns on a CD player and starts dancing. She dances for Jimmy! Dances for me!” (Alexie 116).

Bercuci, L. (2016). Pop Feminism: Televised Superheroines from the 1990s to the 2010s. Gender Studies, [online] 15(1), pp.252-269. Available at: https://www.degruyter.com/downloadpdf/j/genst.2016.15.issue-1/genst-2017-0017/genst-2017-0017.pdf [Accessed 14 Jul. 2017].

In the film Girlhood by Liz Garbus we are introduced to two young girl’s named Megan and Shanae, who committed a crime and are getting help through a facility that helps young girls reflect on their actions. Both Megan and Shanae share similar viewpoints for example, they mention that their role model is their mother. They also added that daughters need to be with their mothers. Both girls are following the development of gender roles which states that socialization leads girls to identify with traditional female roles where nurturing and caring are reinforced. Shanae got nurtured and follows everything her mom says because she wants to be just like her as she as growing up. Megan says her mom is her role model, but she doesn’t want to be like her because she wants to be someone in the future and not a drug addict.

‘Wonder Woman’ And The Power of Watching A Woman Save The World, by Emma Gray is an article that argues the emotional impact of having a film about powerful women saving the world. There is a substantial lack of representation of strong, powerful women in Hollywood movies, until Wonder Woman was released into theaters.  Emma Gray discusses how Wonder Woman fills a hole that many women never realized they had.  She indicates how this film empowered many women and how it created this emotional outcry for more representation in superhero films.  Emma Gray uses personal story, repetition, and supporting details to effectively persuade women that Wonder Woman is a compelling example of how representation can make a large group of people feel strong, powerful, and beautiful all at once.

“It’s taken the fantasy genre decades to grow out of its image as a juvenile boys’ club obsessed with cleavage and crossbows” (Griner). Though science fiction has attempted to break the gender stereotypes against female characters, the genre still has a long way to go. Currently, the majority of female characters are still portrayed as over-sexualized, and dependent on male characters. When women are shown in heroic female roles, they are still belittled for not being a man. Seiter claims that “Many of the more stereotyped features of the portrayal of women…are also accurate reflections of the sexist reality of our society” (21). It is unfortunate that this claim is accurate, but it is. Science fiction is a fictional genre, providing an opportunity to break all stereotypes and create a world from scratch. But gender stereotypes have been ingrained into the world, making them difficult to break when producing fictional stories. Sexism has created a gender bias in science fiction that needs to be changed.

Throughout the world women are depicted to be oversexualized among forms of media such as video games and comic books. The idea of oversexualization towards female characters is that they have been often drawn and animated in hypersexual ways. Even going as far as viewing them as a sex object, their revealing body images are eye candy through the eyes of men. Hence women found in comic books and video games are frequently emphasized by their excessive physical appearances, objectification, portrayal, and character role.

In the long legacy of DC comics there are two female archetypes who couldn 't be more different: one is a paragon of virtue and one is a psychopath. One has an abusive relationship with an insane criminal that defines her identity; the other encourages women and girls to fight for their independence. One has decades of historical canon and an inception full of purpose; the other was meant to be a one-off and a short amusement in a kids ' cartoon, but exploded into a phenomenon. Despite their many differences, they are both beloved the world over. They hold constant interest for fans over the years and, for many women, both mark milestones of feminism. To understand this phenomenon more we will take a closer look at the characters of

Author and civil rights activist Maya Angelou once said, “How important it is for us to recognize and celebrate our heroes and she-roes!”. When one thinks of comic books, it is very likely that the subjects that come to mind are Marvel’s Spiderman or DC’s Batman. Although comic books are stereotypically thought to be mainly about super heroes, there are a wide variety of subject matter they could be written about, such as romance. In the 1950s – 1960s, it was common for these romance comics to exploit the social norms of that time and emphasized the subject of gender roles. While the men in comic books were usually illustrated in a brave heroic manner, the women would be portrayed to be what would now be considered a stereotypical “trophy wife”. As a young child reading these comics and taking in these images, they are slowly molding their ideals to believe that what they are reading and seeing is what is accepted and normal in their society. By coding gender norms into the texts, authors are helping mold the ideology of its readers to believe that it is acceptable for both genders to follow specific rules that accommodate to the believed social norms of the time.

Frequently, most superheroes in cinema are portrayed by male characters rather than women, creating a distinction between gender roles. Indeed, through the passage, “These results may suggest to viewers that women are less important, knowledgeable, and capable than men – and less likely to be a hero” (Miller et. al) women are much less likely to be featured as the hero within the film, and more likely to be featured as the “damsel in distress” of the story. Furthermore, women are much more likely to be depicted in a sexualized fashion, even when displayed in the role of hero. This feature of women with a lack of dominance defies feminism, as they lack roles in superhero films and they are portrayed with the sole purpose of boasting

Whilst it would seem at face value that the portrayal of a strong female heroine is empowering for all women in a society of unequal gendered stereotypes, the explanations as to why the female heroine is so strong, seems only to be justified through motivation instead of ‘natural’ strength. To many theorists this motivation can only be explained through a woman’s maternal instincts, or a female link to the power and dominance projected by men which is portrayed through a female’s identification with herself and the ‘lack’, leading to a sense of heightened power through the phallic. In this essay I will be analysing whether a heroine is personally empowered through self-determination as a strong women, or instead motivated by external situations such as maternal instincts, or problems associated with gender differences.

In society we have a lot of women actresses. Some tend to play the motherly type, some play the manipulator type and some even play the victims of abusive relationships. No matter what women seem to be coming up in the industry of movies in more ways than before. The three movies I have chosen to analyze in my critique are Heartbreakers, Baby Boy and Stepmom. These three movies all have women in them that either play a major role or the main role. All their roles are very different in character and none of the women in these three movies play a similar role.

Comic books have been used as a mirror of society to show or influence the behavior of people. Wonder Woman was a breakthrough from all the masculine superhero franchise at the time of her conception and was created with the intentions of being propaganda for the new type of woman during the second wave of feminism. The comic world which was filled with male heroes, readily welcomed the first comic heroine to make an appearance in the DC Comic book universe. “The new character was immediately successful. Marston’s idealized Amazon—capable, strong, but traditionally “feminine”—seemed to strike the perfect chord for a country at war” (Stanley, 2005). Wonder Woman has been reinvented many times throughout the years, since her origins to recent contemporary films. Not only were her costume changed, but major themes and storylines were altered to “reflect both patriarchal society’s need to redefine according to cultural and economic circumstances” (Stanley, 2015). Wonder Woman has become a successful female character and global icon, balancing traditional masculinity and femininity using her superhero identity and her alter ego as Diana Prince. This paper will be focus on the comic book portrayal of Wonder Woman, including an overview of Wonder Woman through the comics, how Wonder Woman breaks and embraces gender norms through her role as a heroine and through her alter ego Diana Prince.