The Portrayal Of Women In Shakespeare's Hamlet

Throughout centuries men have been seen as the gender that have more rights than women. According to Diane Elizabeth Dreher’s 1986 book, Domination & Defiance: Fathers and Daughters in Shakespeare, she explains that a woman during renaissance England, “was to conform patiently and silently to the will of her father and, later, to that of her husband, accepting commands, correction, physical abuse, with sweetness and humility” (16). As a result of a renaissance society that promotes and even encourages this type of behavior, men believe that they have more power. When someone believes that they have more power than another person a pattern of disrespect, and in the most extreme cases, physical and emotional abuse are likely to follow. In Hamlet, Shakespeare contrasts two female leads of the play, Ophelia and Gertrude, through reduction to appearance, instrumentality, and silencing in order to show that during this time period, the objectification of women in the play was parallel to the objectification of women during renaissance England.

Throughout Shakespeare’s play “Hamlet” women are used as method for men to get what they want. The men in Hamlet, either directly or indirectly continuously use women to acquire something from other men. The only two women in the entire play are Gertrude and Ophelia, who are consistently used by the current king, Claudius, Polonius, and Hamlet. Ophelia is exploited by Polonius and the King (mainly together), and is also used by Hamlet. Gertrude is used by the King, as well as Polonius. In “Hamlet,” the women throughout the play are used as pawns for men to get what they want, mainly from the other men.

In the play Hamlet, Shakespeare, the author, creates female characters that occupy very different roles than in his other plays. In this play, Hamlet plays opposite two women who are used by the men around them in order to further their own interests. One woman is named Ophelia. In many of Shakespeare’s other plays, he creates women that are very strong and play a very real role in the life of the protagonist. In Hamlet, however, Ophelia occupies a very different role-she exemplifies a pawn of the men around her. She is used not only by her father and his associate the King, but also by her supposed lover, Hamlet. This is a very different role for a woman in a Shakespearian play. Also, Hamlet’s mother, Gertrude,

In today’s world, women of all ages are given equal rights and freedom. In Shakespeare’s time, woman’s obligations were to follow the rules of the men and obey the men in their lives’. “Frailty, thy name is woman;” Hamlet implies the powerlessness of the two women characters in the play. In Hamlet, the roles of Gertrude and Ophelia are very important in that they are the only two female characters in the play. Gertrude, the Queen of Denmark and mother of Hamlet, and Ophelia, the lover of Hamlet, are characterized as controlled and lost in their lives because they are being used by the men throughout the play. Fundamentally, Shakespeare illustrates the nature of Gertrude and Ophelia as powerless victims by the women being subjects of men,

The Role of Women in Hamlet in William Shakespeare's Play Gertrude and Ophelia, the only two women in Hamlet, reflect the general status of women in Elizabethan Times. Women were suppressed by the males in their lives (brothers, fathers, and partners) and were always inferior. Ophelia and Gertrude have little or no power due to restricted legal, social and economic rights that were found in Elizabethan society. The male characters in Hamlet reflect this sexist view point, represented by Hamlet’s judgement that “frailty, thy name is woman”. This view was not uncommon in Shakespeare’s time and heavily influenced Shakespeare to present women the way he does in Hamlet.

William Shakespeare’s Hamlet is laden with tragedy from the start, and this adversity is reflected in the title character. Being informed of his father’s murder and the appalling circumstances surrounding the crime, Hamlet is given the emotionally taxing task of avenging his death. It is clear that having to complete this grim undertaking takes its toll on Hamlet emotionally. Beginning as a seemingly contemplative and sensitive character, we observe Hamlet grow increasingly depressed and deranged as the play wears on. Hamlet is so determined to make his father proud that he allows the job on hand to completely consume him. We realize that Hamlet has a tendency to mull and ponder excessively, which causes the notorious delays of action

Perception of Women in William Shakespeare's Hamlet In Hamlet, Shakespeare carefully represents Getrude and Ophelia. Individually, Gertrude is essentially seen as weak and immoral whilst Ophelia is seen as meek and a victim of society. Collectively, they are seen to fulfil a conventional 16th century role, and it is as our beliefs and views of women change that we are able to perceive the characters in a different angle.

     The treatment of women in Hamlet is very troubling. The leading female characters, Queen Gertrude and Ophelia, are pawns or puppets for the men around them. Like chess pieces, they are moved about and influenced by the men they love with little say of their own; in fact, Shakespeare does not even develop their characters.

Sexist Portrayal of Women in Hamlet Throughout the course of history, the strongly held patriarchal views of society have manifested into an institutionalized demoralization and irrelevancy of women. This ideology is prevalent across Shakespearean texts, and Hamlet is no exception. Subsequently, the two leading women of the play, Ophelia and Gertrude, are bound to the harsh and domineering presence of the men who dictate their every action. This bears no difference to that of the women of the Elizabethan era who shared this inferior position within the patriarchy, and were completely reliant on their significant others.

Hamlet, a tragic play written by Shakespeare in the 1600s, portrays the struggle of young Hamlet in the face of avenging his father’s death. While major themes throughout this tragedy include death, loss, madness, revenge, and morality, another important theme to include in discussion is the theme of womanhood. The only two female characters in a cast of thirty-five include Queen Gertrude and Ophelia, both of whom die unfortunate deaths. The importance of womanhood and female sexuality is shown through several literary techniques; though, most importantly, the characters Queen Gertrude and Ophelia are both symbols for female sexuality. Both characters are developed as negative and positive sides to womanhood through dialogue as other characters approach them, their own actions, and most importantly, their individual deaths.

Shakespeare was possibly the first writer to portray women as strong, crafty, and intelligent. However, he has still received criticism from feminists about his representation of women. Some have even accused him of misogyny. There are only two female characters in the play Hamlet - Gertrude, Hamlet's mother and Ophelia, daughter of Polonius. Any debate based upon gender roles must therefore focus upon these two characters.

2015 was a big year for feminism. People all over the world were fighting for gender equality so females could have the same rights as males. Women have been treated differently throughout our existence. An example of that would be comparing today’s society to how women were treated in the play Hamlet, which was written in the Shakespearean Era. In the play women were treated very unfairly; men ran their lives. Women were treated as if they were inferior to men, as was demonstrated through the characters of Ophelia and Gertrude, the only female roles.

Hamlet is one of Shakespeare’s most famous plays. In this essay I will look at Hamlets perception of women in general but particularly Gertrude and Ophelia. I will also look at the historical presentation of women, comparing Hamlets time to today and seeing if the symbolic role that the females characters have is related to the period. Also I will look at Hamlets madness, whether it was real or not and also whether women could be the cause of it. Finally I will look at a possible ‘Oedipus complex’ in Hamlet. ‘Hamlet’ as the title suggests is based around the character Hamlet Prince of Denmark. This is why women are often presented the way that Hamlet sees them. Also Hamlet lives in a very enclosed world

Women are truly the backbones of society. They continue to bloom and flourish, helping to further grow and expand communities and the world, but are often cast to the shadows because of stereotypes placed on them dating from centuries ago. It is no secret that Shakespearean plays set basis for these stereotypes, but because of the world views on women's rights in Shakespeare's time, his female characters were allowed to break free from the confines of society. In Shakespeare's most famous play, Hamlet, the two leading ladies, Ophelia and Gertrude, break free from the standard by showcasing various acts of defiance, choosing their own paths and _______________________________. Shakespearean plays often portray women as fragile, negligible and untrustworthy people. Because of the dynamics of Hamlet, the women in the play closely fit the accepted stereotype but, prove to be the strongest characters written in this tragic tragedy by defying the restrictions placed upon them.

Whenever somebody is reading a book or play they always think to themselves, this could be much better if I were to change one or two things. While I was reading the play Hamlet, by William Shakespeare, I thought to myself throughout the whole thing, why must the women be portrayed like this, with such little power? Throughout the play all of the women are viewed as insignificant, they have little to no authority, and they are not allowed do anything a man does. Although that is how it was during that time period, in my opinion some things would’ve never happened if the women in the play had more control over their own lives. Ophelia, especially, should be portrayed with more power and significance, similar to the men in the play.