The Portrayal of Indian Marriages in the Stories The Old Woman and The Bhorwani Marriage

“They wept together, for the things they now knew.”(104) The last sentence of the first story in Interpreter of Maladies, reveals the cruelty of the elapsed romance in a marriage. In the two collections, A Temporary Matter and The Third and Final Continent, Jhumpa Lahiri demonstrates that a marriage can be either uplifting or discouraging depends on the mindset held by the couple and the strength of human bonding. Lahiri emphasizes the significance of mindset and human bondings through the ending of the two stories. The endings of the two stories are polar opposite : In A Temporary Matter, Shukumar and Shobha weeps for the termination of their relationship; The Third and Final Continent, by contrast, the protagonist(MIT) enjoys a fairytale-like

a story that reflects the subordination of woman in marriage. By the time of the early

State how marriage is presented in the stories, “Desiree’s Baby” and “The Story of an Hour.”

Marriage practices vary across cultures. Every culture has its own way of conducting marriage according to their traditions and customs. Most cultures share common customs and practices, while some cultures have unique practices. Marriage refers to a social union agreed upon by the couples to unit as spouses. The union of couples implies sexual relations, permanence in union, and procreation. This research paper focuses on comparing marriage practices in American and Indian culture. There is significant difference between the two cultures in marriage practices.

In the past, Chinese and Japanese cultures rely on arranged marriages to ensure the continuation of families and assure the culture would survive. This was the norm decades ago. In the short stories “The Good Deed” and “Tears of Autumn,” written by Pearl S. Buck and Yoshiko Uchida, respectively, there are two Asian women in their twenties, but not yet married. In the Asian culture during this time, the family would arrange the wedding. Lili Yang in Buck’s story does not have the family to organize the wedding, while Hana Omiya in Uchida’s tale does. There are many similarities with the women, but also many differences.

As a beginning of this film, a myth is told by the Nyinba people of Nepal: a story of fearsome spirits thought to kill children and the weak. Their crime was adulterous passionate love and it was this that had condemned them to live eternally between life and death. In this film, we learn about and explore marriages in tribal societies. We can clearly identify the differences that challenge both side’s ideas and sensibilities about marriage bonds.

The marriage is one of the best things to make a happy life. Many years ago, parents had arranged marriages for their children. In Asia, as the customs of Vietnam, parents who decide and arrange the marriages of their children. Normally, parents flanked by close friends so they wanted their children to marry parent friend’s children, and gratitude between them will be even stronger together. Additionally, parents arranged for their children to marry the wealthy children to give their children full life. Also, parents choose their child partners and it is their customs. These children have no right to disobey and reject marriage. Their children married without ever knowing each other or see each other 's face. According to the book “The Immigrant Advantage,” it has a story of the Indian girl married under the marriage arranged by her parents. Until now, the Indian customs that still exist. Not only in India, in other countries, there is still customary marriages arranged by parents. Vietnam is no longer

In the short stories Hell-Heaven by Jhumpa Lahiri and The Yellow Wallpaper by Charlotte Perkins Gilman both stories convey similar theme. Gilman’s short story, The Yellow Wallpaper, tells a story of a mentally unstable wife, while Lahiri’s short story, Hell-Heaven, informs us about a mother and daughters story from the perspective of her daughter. The characters from both stories come from different cultures but one thing they both have in common is their roles. They marry with the purpose of serving for household duties such as cooking, cleaning, laundry, and taking care of children if they have any. Also lets not forget another job they have is keeping the husband satisfied and happy! In both stories the marriages are in a way similar to

Both of the tellers’ attitudes can easily be seen in the tales they share. The Merchant gives the negative view of marriage while the Wife’s encounter is triumphant for women. The Wife enjoys being married, which is evident by the number of husbands that she has had. The Merchant has been married two months and hates every part of it. The Merchant uses many stories of unhappily wed men and women to support his view. He shows that

Established with Adam and Eve, still surviving, marriage is the oldest institution known. Often the climax of most romantic movies and stories, whether it may be ‘Pride and Prejudice’ or ‘Dil Wale Dulhaniya Ley Jaein Gey’, marriage has a universal appeal. It continues to be the most intimate social network, providing the strongest and most frequent opportunity for social and emotional support. Though, over the years, marriage appears to be tarnished with high divorce rates, discontentment and infidelity, it is still a principal source of happiness in the lives of respective partners. Although marriage is perceived as a deeply flawed institution serving more the needs of the society than those of the individuals, nevertheless, marriage is

In the late 1800’s through early 1900’s women and men were did not “tie the knot” like the women and men do in today’s day. In today’s world, women and men get married because they have many things in common, they are in love with each other, and they choose to get married to one another. In many stories written back then, readers can expect to read about how marriages were arranged and how many people were not having the wedded bliss marriage proclaims today.

The discussion of the Wife’s five husbands describes her evolving role as a woman and how she overcame the most ridiculous obstacles to maintain this idea or illusion of marriage. The Wife’s depiction of her marriages was that three were good and two were bad. The initial marriages were to older rich men where she kept up this idea of marriage in order to receive money, but was not faithful by

This upheaval of identity can be seen in way the colonial trauma pervades the social, political, and cultural environment depicted in The God of Small Things. The social, political, and cultural environments in turn invade the lives of the characters of the novel. The Indian caste system and the love laws, for instance, are driving forces in one of the main conflicts of the novel. The caste system, which was existed in its present form in the novel due to the British colonists favoring certain castes above others, categorized groups of people within Indian society and classified some as superior to others, with the Untouchables being the lowest classification of the human. The love laws determined “who should be loved, and how. And how much” (Roy 33). These histories work in tandem to create the tragedy of Ammu, the twins’ mother, and Velutha’s, an Untouchable and friend to the twins, doomed relationship. Because of these socially constructed class structures, Ammu and Velutha’s relationship was forbidden and when Velutha’s father, Vellya, informs Mamacchi and Baby Kochamma of their relationship, they are completely horrified. Vellya’s relationship with the Ipe Family also somewhat parallels the colonized people’s relationship with the colonizer. Vellya, as an Untouchable, occupies a lower social position than the Ipe Family and sees them as superior. By informing the Mamacchi about her daughter and his son’s relationship, he maintains the social class structures and the

In 20th century India, these laws and morals of Regency England that bind women are not so strict that they are fated to ruin without marriage, but are continued in the customs and way of living. In Bride and Prejudice, the situation remains similar for Chandra Lamba to Charlotte's from Pride and Prejudice. The

In American culture the view on arranged marriages are not looked at very favorably. This is because we have grown up with the knowledge that when it comes time to marry we will have chosen our spouse of our own free will. The match will be a love match and one that is chosen through our own needs. Young men and women in India grow up with an opposite view on marriage. They know that when it comes time to marry their parents will find them a suitable mate and it will be considered scared and a lifelong commitment (Agence France-Presse.) A total of 74 percent of respondents from across India voted in favour of traditional "arranged" marriages, according to the poll by private television channel NDTV. In the Hindu faith, marriage is