The Postcolonial Theory Of Third Cinema

It was estimated that by the late teens of the 20th century, Zukor held 75% of the best talent in the filmmaking business. I was baffled by this statistic when I read it. For one studio to hold ¾’s of the best talent in the industry is nearly a monopoly. Another thing I found interesting was that Fox worked on 70 mm wide-screen techniques. This was thought provoking to me because this summer I saw the film Dunkirk, and my friends and I saw it with the 70 mm wide-screen edition. I had never seen a movie with this wide-screen 70 mm and it was definitely different from a regular screen. Another thing that caught my attention was the connection between film and politics. I was interested to learn that MGM used a film to bring down Upton Sinclair as he was running for office. I was also shocked to read that Charlie Chaplin was not let into the United States because of his progressive political views. I was baffled that a man that was once called the “king of comedy” in the United States was denied entry because of his political

There were many historical points made in this film, but the first historical point was the spread of the

During the course of this essay it is my intention to discuss the differences between Classical Hollywood and post-Classical Hollywood. Although these terms refer to theoretical movements of which they are not definitive it is my goal to show that they are applicable in a broad way to a cinema tradition that dominated Hollywood production between 1916 and 1960 and which also pervaded Western Mainstream Cinema (Classical Hollywood or Classic Narrative Cinema) and to the movement and changes that came about following this time period (Post-Classical or New Hollywood). I intend to do this by first analysing and defining aspects of Classical Hollywood and having done that,

The 1987 film documentary Ethnic Notions directed by Marlon Riggs, identifies the evolution of African American cultural depictions through ethnic stereotypes and caricatures in American culture. I feel Ethnic Notions exposes the roots of false generalization from the beginning and presents a series of classifications for racial depictions that still are noticeable in today's society. These racial depictions identified with in this film begin in the mid 1800's and continue thought to the 1960's. I now after viewing Ethnic notions agree that there are generalizations and depictions that are exaggerated in American popular culture and entertainment.

This paper was prepared for Introduction to Film History, Module 1 Homework Assignment, taught by Professor Stephanie Sandifer.

The Film Noir, “The Third Man”, showed the evident effect that World War 2 had on people. Since this film was produced in 1949, after World War 2, it reflected the social fears and cultural changes that have plagued people during post war. Before the war, there was the ideology of the strong American family. This family portrayed strong values such as happiness, hardworking, and optimism. However during post war, there was a shade of darkness as fear, greed and evil lurking. ‘The Third Man’ portrayed the social, economic and moral corruption which reflects off the social evils during the post war era.

Article Three – Author: David Bordwell / Title of Article: The Art Cinema as a Mode of Film

While watching the Ethnic Notions movie and reading the Collins’ essay, some of the images that made an impact are the images of the brute, and mammies, as describe by Collins. Throughout the early and middle of the 20th century, black people have been portrayed negativity in movies, TV shows, as well as books and this gave people the notion that black people acting like this in real life. People’s perceptions of black people were based on what they see in the media, but these perceptions can be changed with time. As I was watching the documentary, I can recall the disturbing ways that black people were portrayed and the fact that this has been happening for a long period of time. The portrayed of the brute for the African American male has been depicted as far back as the movie

Soviet Montage is a movement driven by “Marxist [politics]” and an “economic philosophy” developed in Soviet Russia at the time of revolution. Lenin himself considered film, as an art form as the “most influential of all arts” as it not only entertained but could be used to “[mould] and reinforce values.”( Mast, G. & Kawin, B. F.) Sergei Eisenstein, himself a Marxist, is no exception to this and not only are his films are full of political propaganda, but he is also considered “the greatest master of montage.” .”( Mast, G. & Kawin, B. F.) His film October, called Ten Days That Shook The World in the Western world at the time and butchered due to its content, has always been considered problematic for audiences and critics alike and the standard critique of the film soon became “The Film as a whole is difficult and incoherent.” (Sperbur) Although if analysed properly, you can see that it has powerful political and social messages to convey and comprises of film form that Eisenstein himself called “intellectual film.”

The first one was the teen audience segment, which proved to have higher spending powers because of their disposable income that they used mainly on entertainment. Hollywood therefore produced films that fall under this segment such as The Blackboard Jungle (1955) and as Rebel without a Cause (1955). The second segment was immigrant and working- class audiences that had enough money to buy tickets for the theaters. The third segment was the films targeting anti-communist groups, whereby Hollywood produced more than 50 movies that were against the communist societies. The films intoxicated people that hate the communist societies, saying that these people were murderers, didn’t have children and also caused problems when arrested. Films such as, In Vittorio de Sica’s featuring the Bicycle Thief, was produced in 1950s.

Film is about showing your perspective, but it is also a business. The film industry has always had this struggle between artists and producers which affects the final product that is delivered to the audience. Besides the people involved in making each movie, there are also different film companies all over the world with many more perspectives and ideas that are fought over throughout the time it takes to make one movie. In history and in the film industry there is a battle between Western and Eastern thoughts which can be seen in the story about Bruce Lee’s final film, The Game of Death, directed by Robert Clouse.

democratic society. This film has made think in a three dimensional way for whom is

By analyzing the historical contexts of these specific movements, we take a deeper look at society's social, religious, economic, and political conditions that existed during a certain time and place. These relevant factors profuse mass influence into a filmmakers decisions while in the production process of a film. Additionally, these components have the role of establishing distinct trends in the film industry. Each movement has its own purpose for creating each film in regards to a stylistic standpoint.

Transnational cinema is a developing concept. It changes alongside the film industry. The ever-increasing of Diasporas and ever-developing cultural identity help shape transnational cinema. Transnational cinema is an emergence of cultural phenomenon and it develops though time. The clip I created aims to

something that is ‘real’ as such. Another example can be observed in the blatant display of selfreflexivity when Mia makes eye contact with the camera and “draws” a square with her finger.