The Postman Always Rings Twice Character Analysis

He then goes to the hospital to see Deborah Ann Kay and is deeply affected by it. He feels this is his chance to do something right and wants to provide fair justice for her instead of just taking the money. He doesn’t take the settlement or tell the Donaheys about it which he is supposed to tell them. He also stole mail from Maureen Rooney to get ahold of Kaitlin Costello Pryce. Frank did all of this because the end would justify the means. Even though some of the things he did weren’t right he wanted to do the right thing by providing justice for Deborah Ann Kay.

He had never known love before. He had never known how much it could fill him.” (GS71) Despite he parents taking out an injunction against Joseph, that wouldn’t stop his love for her. Although, Madeleine became pregnant.

As the story goes on, the readers begin to see a love triangle forming. You realize that Marian has feelings for Shane on page 65 when Bob overhears her talking with Shane. Marian says, “Don’t go, Shane. Joe needs you. More than ever now…it’s only fair to say it. I need you too”. There are apparent feelings shown between Marian and Shane, but just the same Marian is still obviously in love with her husband Joe. You see that Marian loves and supports Shane in almost in the same way she cares for Joe. For a while, it almost seems that Marian has two husbands because the bond between her and both men is so strong. The strange thing however, is that Joe knows that Marian has feelings for Shane. And because Joe knows that she still loves him and does not have any desire to have a physical relationship with Shane, he is okay with it. You know that Joe knows that Marian has feelings for Shane is on page 80. Marian is taking care of Shane after the fight in the bar and is so proud of both Shane and Joe. Joe says to Marian when he is holding her, “ Do you think I don’t know Marian? Don’t fret yourself; I’m man enough to know a better when his trail meets mine. Whatever happens will be alright”. Even though Joe knows what is going on, his respect for Shane makes him okay with it.

When Rosa returned to America and found out her husband’s plan, she declared her refusal going against Santino. This shows a major change in Rosa because he was someone she was most afraid of, and allowed him to control her till she took this stand. Though taking his threats seriously she takes the kids and moves to Chicago. This also reveals the changes in Rosa because she is willing to be on her own in a brand new place. While in Chicago she divorces Santino and eventually remarries Gionin. Though Gionin is a good man he leaves Rosa briefly fearing religious persecution. When recounting this she didn’t panic and managed on her own without him. Rosa also learns to be more wary of strangers. When she first arrived in America a man conned her out of her money because she was more naive then. A man approaches her asking for the ten dollars for her husband to buy the horse he had previously mentioned to Rosa but instead of handing over the money she pretends to not have it. Later when she brings it up with Giornin they found out it was a scam and that Rosa acted smart in suspecting something. From the time Rosa came to the United States till her life in Chicago, she has struggled, but instead of breaking down she continued working harder.

Frank morphs his personality into whatever someone wants him to be. To others he has the perfect family; however, he has a secret. When he is with Kenny he is rude to Tub. But when he is with Tub he seems to be himself. His affair with the babysitter is killing this supposed family man. He doesn't want to leave his wife simply because she's been good to him. The obvious reason of love isn't even mentioned in relation to his wife. When Frank tells Tub about true love it's as if he is a fifteen-year-old girl himself. The way he describes it one could easily imagine the same conversation happening in the girls' bathroom of a high school after a first kiss. "`Tub, have you ever been really in love?' `Well-' `I mean really in love.' He squeezed Tub's wrist. `With your whole being.' `I don't know. When you put it like that, I don't know.' `You haven't then. Nothing against you, but you'd know it if you had.' Frank let go of Tub's arm. `This isn't just some bit of fluff I'm talking about'" (Wolff 88). Frank is extremely immature. His views on life and love make it evident that he would make a connection with a fifteen-year-old. He believes that a friend should be

| |of forbidden love and the quest to keep it alive. The reader seems to |

Women had access to the new contraceptive pill and this made it easier for women to engage in sexual relations outside of marriage. This bought about a questioning of the need for marriage and fidelity. During the play it becomes apparent that Lucy (Louis’ girlfriend and roommate) and Nick (Louis’ best friend) are having an affair. Nick and Lucy both share similar beliefs that the Vietnam War protest is more important than anything else. Nick and Lucy are the presented as representatives of the more modern attitudes towards love and fidelity. This is shown by Lucy and Nick being advocates of free love and seeing sex and love as two different things, this is evident when Nick says to Lewis “She’s sleeping with you, were having sex” (referring to the relationship between Nick and Lucy.) and “Lucy’s not possessive about you, I’m not possessive about her. What’s the fuss?” This shows how societies’ views of love and fidelity and what is acceptable are changing to a more laid back, free attitude. These quotes reflect the values and attitudes towards sex at the time, as women were now more freely engaging in sexual relations outside of marriage, and demonstrating ‘free love’. After Lewis’ learns of the affair between his best friend and girlfriend, he comes to the realisation that “Woman’s consistency is like an Arabian Phoenix”, which in this context, means a woman’s fidelity is often talked about and

Cora Tull, a devout Christian, mother and wife, is the quintessential Southern woman. She uses these traits to ascribe purpose to her life and in turn impose the same purpose on others. In the novel’s first mention of her, she appears to be a true lady, graceful and forgiving while paraphrasing scripture in nearly every verbal exchange. She even praises her friend Addie’s superb baking skills, but in the same breath internally judges her for “laying there at the mercy and the ministration of four men and a tom-boy girl” (6). To Cora, Addie’s state of living is repulsive- no real woman would let herself deteriorate in such a manner. However, exhibiting true Southern womanhood, Cora keeps her criticism to herself.

It is stated, “It was merely a nondescript collection of houses and buildings in a region of farms- one of those sad American places with sidewalks, but no paved streets; electric lights, but no sewage; a station but no trains that stopped…And it was 150 miles from any city at all (Hughes, 3).” Even though Cora was a relying, humble and hard working women she was unaccepted to white society. Cora was only seen for her labor. It is stated, “Cora iron my stockings, Cora come here… Cora, put… Cora… Cora… Cora! Cora! (Hughes, 4).” At a very young age colored people had to work for a living. On the other hand white society had an education and a far better future. Therefore, the circumstance of working with unpleasant superior was not discussed. Any job at the time was appreciated. Throughout the years that Cora worked with the Studevants she fell in love and had a child. At this time contraception or birth control was illegal. Even though Cora was looked down by society she had no shamed and became a proud mother. Unfortunately, due to the lack of medical assistance her child died from whopping cough. The years passed and the Studevants had a child named Jessie which Cora nursed and treated her as a daughter. When Jessie was in high school she experienced Cora’s situation, pregnant and unmarried. On one side Cora advise to have the child and become a proud mother just like her, but the mother disagreed she viewed this situation

She tries to return home to meet her parents in order to put her troubled mind at ease. However, on the way, she and Nick encounters many adventures.[3]

When his father takes him to be an altar boy, he is turned away due to the poverty of his family. This is disturbing to young Frank, and begins thoughts of discontent in his mind. Also, when he goes to look into enrolling in secondary school with his mother at his side, the Christian Brother there slams the door in his face due to his street appearance. Regardless of his high intelligence, he is denied a higher education by the Church based on his economic status. The night before his 16th birthday Frank drinks his first pint and strikes his mother; on attempting to confess to a Jesuit priest, the door is again closed to him: “He says, Go away. You’re drunk. Child like you drunk as a lord ringing for a priest at this hour. Go away or I’ll call the guards…. You’re drunk and you’re not in a proper spirit of repentance (340).” Frank is panicked about the condition of his eternal soul but is forced to remain in a state of sin because of the lack of compassion by this priest. The transformation is complete: Frank is no longer the innocent little child who runs to the Church to unburden his soul, but instead he is a cynical adolescent who has lost his faith in God.

1.          Upon entering the bar for the first time, Frank displays many of the motivational theories listed in the book. Frank enters the bar in order to find a place for his homosexual preferences to be shown. Instinctually he prefers men to women and is driven into the dark alley and the bar by this biologically determined need. We learn from his wife’s reaction when the girls are having daiquiris that she and Frank are not having sex very often which according to the book is a basic need, so Frank according to the drive-reduction approach is driven to the bar to fulfil himself. This lack of sex that he is having at home also can lead to the application of the Arousal approach to motivation where Frank is trying

Twisted Threads by Kaylen McFarren is a story about an assassin, Marito. Marito has last mission to complete to acquire her freedom from the life of being a sadistic, hostile assassin. But the mission is not death. Having the victim wandering in the corridors of a luxurious ship, Marito has only 10 days to murder the victim. It all becomes a jumbled mess when people start getting killed by an anonymous person. The journey is twisted up even more when someone is hungry for Mario's blood because of a secret that Marito has no idea of.

It not only threatens, but also breaks through. Betrayed by love once in her life, she nevertheless seeks it in the effort to fill the lonely void; thus, her promiscuity. But to adhere to her tradition and her sense of herself as a lady, she cannot face this sensual part of herself. She associates it with the animalism of Stanley's lovemaking and terms it “brutal desire”. She feels guilt and a sense of sin when she does surrender to it, and yet she does, out of intense loneliness. By viewing sensuality as brutal desire she is able to disassociate it from what she feels is her true self, but only at the price of an intense inner conflict. Since she cannot integrate these conflicting elements of desire and gentility, she tries to reject the one, desire, and live solely by the other. Desperately seeking a haven she looks increasingly to fantasy. Taking refuge in tinsel, fine clothes, and rhinestones, and the illusion that a beau is available whenever she wants him, she seeks tenderness and beauty in a world of her own making.

Frank Underwood’s relationship with Zoe Barnes was a mutually beneficial one until Frank deemed she was getting too close. This involved sex for professional gain and the affair told Claire by Frank which demonstrates the level of honesty and respect for each other’s needs Frank and Claire share. Frank and Claire “continues a