The Power Of Dark Love

Robert Browning wrote the two poems, "My Last Duchess" and "Porphyria's Lover." Both poems convey an thoughtful, examination profound commentary about the concept of love.

Poe is one of the early American poets of Romantic literature. In the poem Annabel Lee he uses idealism in Romance language to describe a relationship with a woman in first person. A description of the adult lovers as children most likely represent innocence or naïvety. The Romanticism comes in by comparing the couple to elements of nature. The love that the two share is free from societal norms or influence. The joy of just being together and sharing themselves with one another is so great that even angels were envious of them.

Poetic Qualities as Signs of Loss in Edgar Allan Poe’s “Annabel Lee”Edgar Allan Poe's classic poem, "Annabel Lee," is a very deep and emotional poem,clearly trying to convey a lot of universal emotion to his reader. During his lifetime, Poe had lost his young wife, his mother, and his stepmother, so in other words, many of the women that Poe had so loved in his life had died, and this was something that had deeply troubled Poe, leading him to an eventual state of depression. In the poem "Annabel Lee," many of these feelings of love and loss that Poe felt towards his wife and other women is all transmitted to the reader.Through the use of various forms of poetic qualities, tone, and imagery, Poe speaks about a universal theme of love and loss, inspired by his own experiences with the women he loved.Throughout the poem Annabel Lee, Poe seems to be utilizing a very dark, menacing,even vengeful sort of tone, and he does this through various means. One of the way he does this is by his word choice. He uses harsh words and phrases like "killing (line 26)," "shut her up,”(line 19) and "dissever my soul" (line 32) to accomplish this. Even though Poe is speaking about his love, he is nevertheless speaking in a very menacing sort of way. The hurt that he feels from her loss has impacted him deeply, he is all consumed by the darkness of her untimely death, as the reader also learns that she was young when she was taken away. This loss has driven the speaker to the point of anger and

The loss of a loved one is perhaps the most difficult experience that humans ever come up against. The poem Porphyria’s Lover, written by Robert Browning, adds a sense of irony to this. At the most superficial layer, the speaker’s in both Porphyria’s Lover and Neutral Tones, written by Thomas hardy, both deal with loss. The tones in Neutral Tones seem to be indifferent, or Neutral. Porphyria’s Lover speaker ends up murdering his beloved at the end the poem. While this isn’t the case with the speaker in Neutral Tones, the two speakers are much more similar than we might think. The speaker in Neutral Tones doesn’t outright murder his lover, but there is a considerable amount of disdain and contempt towards his supposed lover. The speaker in Porphyria’s Lover is quite obviously a disturbed man, the sinister nature of the speaker in Neutral Tones, however, is not as clear. Delving further into this idea, I will also discuss other obscure parallels throughout the two poems.

The acceptance of love has the power of transforming an individual to demand of that same love. The social context of the 1850’s was seen to be emphasised on individual’s emotions and rebellion against established social rules and convections which was evident in her open declarations of love and demanding’s of love which was a concept of idealised love. The notion of idealised love transforming an individual is presented in the ‘Sonnets from the Portuguese’. Sonnet 14 as Elizabeth Browning urges her lover to not love her for any particular reason other than “love’s sake only”. In the Octave, the first line is EBB talking directly to whom she loves and she uses high modality in the word ‘must’, making it seem like she

Robert Browning uses descriptive details to portray a theme of how darkness rises from warmth and happiness by showing us on how a man’s love for someone makes him turn to savagery. The narrator of the poem has very deep feelings for his lover, but he only thinks of himself and he never wants the girl to leave his side so he does the unthinkable. In the times that the girl was not home or was not with the narrator then there was coldness and darkness, but when she was with the man then the house would “blaze up, and all the cottage warm”. She created hope and the narrator needed that constantly, so he realized that his love was too strong to put on hold everyday when she would leave. The fact that the narrator had to watch his lover leave everyday

“I found a thing to do, and all her hair in one long yellow string wound three times her little throat around, and strangled her.” (line 37) A beautiful young woman is killed in the woods by a man she had been seeing secretly. The killer is quite sure that there is nothing wrong with what he did. This is the scenario that Robert Browning has built for his readers. How can these crazy things be understood? What are we supposed to learn about the killer in this poem, and how does Browning show us these things? In the poem “Porphyria’s Lover,” Robert Browning uses careful diction and contrast to show that The Speaker in the poem yearns for control over his life.

Porphyria’s Lover and The Laboratory “Porphyria’s Lover” and “The Laboratory” both deal with crimes of passion. Explore ways Browning explains ways of obsessive nature of his character and analysis the effects of literary techniques. “Porphyria’s Lover” is a poem about a crime and passion. Porphyria is a young, wealthy girl who seems to have abandoned her family’s tradition of choosing wealthy men as lovers. Her lover remains anonymous, this could be because he has murdered her and does not want his name releasing.

Love has a voice that speaks to everyone differently. For some people it is a gentle whisper, but for others it is a scream, yearning to be noticed. Love is a common theme in literature, discussed in many works. Love is a very broad term, that can be defined in many different ways. Love has many characteristics, with many individual interpretations. In this essay, I will be talking about three poems: Robert Graves’ Symptoms of Love, Bob McKenty’s Adam’s Song, and Muriel Stuart’s In the Orchard. Each of these poems demonstrates their own meaning of love, and each author interprets love in their own different ways.

Porphyria's Lover also demonstrates several of Robert Browning's defining characteristics as a poet. It contains his criticism towards the beliefs and practices of self-restraint and his traditional use of dramatic monologue to expose a single character's personality, which in turn often provides an additional depth to his works in coordination with his use of unpoetic language. Also taking into account the author's own personal experiences with his wife, the poem can also be perceived as a representation of the development of their relationship. Browning's criticism of the idea of self-restraint is evident throughout the poem "Porphyria's Lover" as it was shown in the internal debates both characters underwent as they decided whether or not they should consummate the love between them.

Nevertheless, it is the only poem on the list containing dramatic irony. The title alone is misleading, as the poem is not about Porphyria’s lover, rather her murderer. The speaker is completely unaware that he has done something wrong, proclaiming in line 42, after strangling her, “I am quite sure she felt no pain.” He believes he made her happy, and that her love is his forever, whereas the readers know that he is insane and that he has just murdered this woman. There is a sort of detached madness in his belief that he has won her ultimate

The two Robert Browning poems, ‘Porphyria’s Lover’ and ‘My Last Duchess’ were written in the infamous Victorian Era whereas the two Shakespearean Sonnets were written in the Elizabethan Era. The styles of the poems differ in accordance to the difference of the time in which they were written. Pre-Romantic Era poems moved away from the idealistic concept of love towards a more realistic consideration of it, taking into account the social

Browning wrote a volume of Byronic verse, titled, Incondita, at the age of twelve. He later destroyed it. In 1828, he enrolled at the University of London, but soon left, wanting to study and read at his own pace. In 1833, Browning anonymously published his first major published work, “Pauline,” and in 1840 he published “Sordello,” Browning published a series of eight pamphlets titled, Bells and Pomegranates from 1841 to 1845. Although, this work did not win critical esteem or popularity, it did gain the admiration of Elizabeth Barrett, who was a respected and popular poet in her own right. In 1844 she praised Browning in one of her works and received a grateful letter from him in response. They met in 1845, fell madly in love, and ignoring the disapproval of her father eloped to Italy in 1846. Their departure took place as planned on the morning of Sunday, 20, September, Robert and Elizabeth Barrett Browning, their maid Elizabeth Wilson, and their dog Flush, stepped ashore from the Southampton boat at Le Havre. They left behind them a very angry man (Karlin 169). In fact, Mr. Barrett returned Elizabeth’s letters unopened for the rest of her life. Her health improved in Italy and she gave birth to a son in 1849, Robert Wiedermann Barrett Browning. Perhaps, her best-known work, Sonnets to the Portuguese , a volume of poems to her husband was written during their years in Italy. She became ill in 1861, and after only fifteen glorious years together, she died

A Comparison of the Dramatic Monologues of Porphyria's Lover and My Last Duchess by Robert Browning