The Power Of Mag Queen Culture : Drag As A Lifestyle

Gender can be defined as “sex roles” which are conditions that one considers to be for men or women. People tends to mistake it with sex or thinks that they are both the same. We discussed about the patterns of gender which how the authors of The Kaleidoscope of Gender describes it as “regularized, prepackaged ways of thinking, feeling, and acting” (Spade and Valentino,2017). It becomes an identity for us. We believe that there is and can only be two genders, being masculine for men and feminine for women. These roles has been forced onto us since birth: blue for boys, and pink for girls. You can see the roles being push onto a person throughout one’s life, but we don’t notice it since it’s “normal” to us.

Intro: Like various art forms such as film, television, and literature allows artists to express their own sense of identity, that being nationality, race, class, ethnicity, gender or sexuality. In this case, Queen uses music to illustrate the themes of gender and sexuality through their music video I Want to Break Free (1983). This essay will attempt to discuss how Queen’s music video, I Want to Break Free, explores queerness in relation to queer theory. Firstly, I will introduce the ideas and arguments of queer theory through Gilbert Herdt article Same Sex Different Cultures (1997). I will then discuss Queen’s portrayal of drag within the music video and how it can be seen as queer rather than heterosexual. Lastly, I will argue that

However, this show has recently taken over social media and has changed the way society views drag as well as what it stands for. Being able to get a first hand look at these men’s personal stories as well as being able to see their identity and what it means to them has given society a clearer and deeper understanding as to what drag really is.

As Lorber explores in her essay “Night to His Day”: The Social Construction of Gender, “most people find it hard to believe that gender is constantly created and re-created out of human interaction, out of social life, and is the texture and order of that social life” (Lorber 1). This article was very intriguing because I thought of my gender as my sex but they are not the same. Lorber has tried to prove that gender has a different meaning that what is usually perceived of through ordinary connotation. Gender is the “role” we are given, or the role we give to ourselves. Throughout the article it is obvious that we are to act appropriately according to the norms and society has power over us to make us conform. As a member of a gender

With that there has been an increasingly large demand for more women oriented culture, a place where they can express themselves and learn about their gender culture, and not that of men. “That is to say, if women share something in common, it is not the result of a universal bodily maturational process but of mutually experienced interpolations of race, class, and sexual

`Nevertheless Stephanie’s whole article gets masked by expert claims which consist of topics that are not connected to the main idea of the article at hand. Stephanie leans on controversial claims from experts who have PhD’s to make up her whole entire paper. Through her use of various references she tries to support her argument mainly through text. The article leads into sections such as “SOCCER HEADING MAKES A BAD HAIR DAY” (Hanes484) and “SEXY’S NOT ABOUT SEX, ITS ABOUT SHOPPING’’ (Hanes487). She uses those sections to create different aspects of sexualization and cause the reader to reflect on the given information. With that being said these sections do state things about how the media plays on hyper sexualized images and girls becoming women too fast. However the main purpose of the article gets lost upon topic such as pornography, sexy clothing and sexting. If the organizational use of research and personal experiences had tied into Stephanie’s original claim against the Disney Princesses Empire her article would have been more put together.

Gender norms surround every person in every culture, even though they have variety in each culture, they are still real and still impact individuals who stand out from the norms. Leslie Feinberg's book “Stone Butch Blues” shows how hard it is to challenge gender in the 1960’s when homosexuality and the transgender movement was something that was just starting up. Leslie shows the reader that just by existing in a transphobic environment ze is challenging what it means to be a man or a woman, and more importantly, what’s in between. Leslie shows that gender isn’t just black and white, it’s a spectrum of colours.

It is hard to challenge what is seemingly normalized in society. Especially when looking into the realm of gender and sexuality, the male and female gender accompanied by heterosexuality is often just accepted and deemed as a social norm. Social institutions such as marriage, health-care laws, and the economic system benefit those who act within the heteronormative behaviors and appropriate gender expression. The gender binary, though, is far from accurate when assuming personal identity. If someone follows the social script of the femininity, he or she is expected to be female and possess female anatomy. The same goes for men: if he or she expresses masculinity he or she is expected to be male with male anatomy. Anything outside of this expectation is deemed socially unacceptable and subject to backlash. With the strong ties Western society has to the gender binary and appropriate gender roles, it is impossible to picture anything else. The Fa’fafine in Samoa, however, present a great challenge to the norms instilled in society.

Whether we consciously notice or not, doing gender is occurring everyday within our society. Every interaction we have with another individual is doing gender. Doing gender has become a part of our every day lives the same way without realizing it the same way we breathe air without really paying attention that we are breathing. The meaning behind this is that it is occurring unconsciously. Candace West and Don Zimmerman coined the term doing gender in an article they composed. West and Zimmerman argued that gender is something that humans created. As humans, we have the urge to categorize and define everything. If someone was not in favor of their gender role or did something that was not deemed correct for that gender, this person would be committing an act of social deviance. This paper will discuss what doing gender means along with other attributes of doing gender. These attributes includes what pushes us to do gender, why we do gender, the results of doing gender along with discussing what the boys in C.J. Pascoe’s article of Dude you’re a fag accomplished. This essay will discuss what doing gender is along with what causes us to do it and finally what doing it accomplishes.

Within popular culture today, objectified female bodies can be represented everywhere from advertising images to magazine covers, television, music and many more. Through these media institutions, we allow them to construct social identities in ways that allow us to understand what it means to be black, white, Asian, male or female etc. Within many popular culture mediums such as music, stereotypical representations of racially marked female bodies are often formed. Thus, these representations also have the ability to create stories about a certain culture. In music videos, it does not go unnoticed that women are portrayed as objects whose objectives are to pleasure men. In this paper, I will argue how racially marked female bodies are represented. This paper will mainly focus on how these racially marked women are depicted in the hip hop culture. To demonstrate this, I will draw examples by using award winning music videos by Nicki Minaj, R.Kelly, 50 cent to exemplify representations of the female body and how they are objectified as sex objects. In conclusion, we will be able to see how the female bodies are used in mainstream hip hop videos to convey seductively.

A Drag Queen is a homosexual man who wears female attire to entertain a crowd. Some of them are participating in the Drag Queen story hour to make children aware that there are different types of people. The Drag Queen story hour allows Drag Queens to read children's books to toddlers. Currently, it is available in New York, Los Angeles, San Francisco, and North New Jersey. This program is funded by government taxes.

“King, Warrior, Magician, Lover: Rediscovering the Archetypes of the Mature Masculine” by Robert Moore and Douglas Gillette, and HarperCollins Publisher. The book is about the 4 type of archetype of Masculinity, but it is use with different purpose. I love the pace of the book and the message the author is trying to get across is prominent, but there is somethings that I don’t completely agree with.

In this essay I discuss that "doing gender means creating differences between girls and boys and women and men...." (West & Zimmerman 2002:13) I am concentrating on the female perspective, how societyputs forth expectations of what is 'natural' or biological even though, in some cases, it can be quite demeaning and degrading. I am using some examples from the local media and also a few childhoodexperiences that have helped me to now strongly suspect that the quote from Simone Beauvoir (1972) "One is not born a woman, but rather becomes one" most likely has quite a bit of truth to it.

“He starts a rumor going round to the effect that he has become a eunuch; …wives, he trusts, will be intrigued” (2288). Horner’s conclusion is logical and clever, considering the fact that masks “were a widespread item of Restoration fashion[;]…they were worn both by ‘virtuous’ women and by prostitutes, with the tantalizing effect of rendering those two human categories not quite distinguishable from one another” (2288). From this social climate, he discerns that if he wears a metaphorical mask, or a unique social label, this mask might have a similar “tantalizing effect” on women; it might make discerning female wits want to discover whether the man behind the mask is truly asexual or erotic.

Now this is where I destroy the idea that only queer men do drag. Drag is extremely inclusive and anyone can join in on the fun. For example we have drag kings, bio queens, even young aspiring queens like 8 year old Lactacia are welcome. Drag kings can be defined as women and dressed as men for performance and entertainment. Performers like Landon Cider, Robin Heartz, and Spikey Van Dykey. Bio queens on the other hand are women dressed as an exaggerated idea of being female. Women such as Tayla Macdonald, the girls of Drag Coven Aka Courtney Conquer and Ja’mie Queen West, and Lucy Garland are well known in the community. As for Lactacia, the 8 year old drag queen the young queen have recently blown up in the media and the world of drag. Lactacia and their mother recently did an interview with Elle Magazine where they were asked how the 8 year old got into drag, like many others including myself it all started with a little show called Rupaul’s Drag Race. Drag Race is a reality competition show where they find the next drag superstar. Much like Americas Next Top Model, but with much more charisma, uniqueness, nerve, and talent. Through the growing popularity of the show it is spreading the art of drag and the magic behind it. Not only has casted a spell on Lactacia and I, but millions of others as well.