The Power Of Words : Julius Caesar

The qualities a tragic hero, in Shakespeare's plays, normally displays consists of the hero falling from a place of glory, or rank, or happiness. We are astounded by the extent to which they fall, or allow themselves to stoop. The resulting catastrophe from the hero's mistake is of monumental proportions. With the discussed play Julius Caesar, Cassius exhibits Jealousy, Rashness, and Impulsive behaviour. Cassius makes mistakes, each with a disastrous effect.

In tragedy plays, there is always a tragic hero who has a tragic flaw in his personality may it be excessive pride, poor judgement, or both which eventually leads to the hero’s downfall where the hero can perform no action to prevent it. In Julius Caesar by William Shakespeare, Marcus Brutus is the tragic hero of the play due to his tragic flaw which is his naïve and over-trusting personality, which he eventually realizes too late and performs an action to prevent his loss of dignity.

       In William Shakespeare's Julius Caesar, although Marc Antony is allowed to make a speech at Caesar's funeral, he must not speak ill of either the conspirators or Caesar.  Antony was infuriated with Caesar's assassination, and wants to seek revenge on his killers as well as gain power for himself in Rome's government.  He must persuade the crowd that has gathered that Caesar's murder was unjust, and turn them against Brutus and Cassius.  He tries to stir his listeners' anger, rousing them into action and yet say nothing bad about his enemies.  Marc Antony uses several persuasive devices in his speech, which allows him to successfully convince the citizens of Rome to turn

The play Julius Caesar, by William Shakespeare, entails the rise and fall of Julius Caesar and Brutus, the man plotting against him. At the opening of the play Julius is being celebrated for his victory over Pompey. Later, he is offered kingship; but Caesar refuses the crown. On the ides of March Brutus and some other men come before Caesar to plead a case; except, their only motive is to kill Caesar. Antony, Caesar’s right hand man, pretends to side with the conspirators after Caesar is killed, while he gathers an army to defeat Brutus. Antony and Octavius’ army defeats Brutus’ troops; forcing Brutus and many others to commit suicide. The tragic character, Brutus, is usually the protagonist that has a tragic flaw and this causes his defeat. A tragic flaw is the cause of their downfall, usually an action or belief. Brutus’ tragic flaws are his nobility, trust and the inability to wrong people. Brutus is the tragic character in Julius Caesar because of his nobility and because he does all his deeds for the good of Rome.

Brutus’s main goal in his speech was to justify his action of killing Caesar in hope that the citizens would be in agreement with him and understand that he had Rome’s best interests at heart. Brutus attempts to persuade the people through ethos, pathos, and logos. He mainly uses ethos. He continuously says that he is an honorable man who loved Caesar but loved his country more. He uses an example of ethos when he says, “Hear me for my cause, and be silent, that you may hear: believe me for mine honour, and have respect for mine honour, that you may believe.” In this quote, he uses restatement to show his credibility as an honorable man. Because he approached the people in this way, they think, “Why would an honorable man, such

In Julius Caesar Brutus displays the traits of a tragic hero throughout this play. His tragic flaw is need to be nobel. He makes an error in judgment, and when killing Caesar causes all of Rome to turn against the conspirators everything from then on causes tragic events. All of which eventually lead to his death.

In literature, a tragedy is defined as a drama where the main character in the end suffers extreme sorrow because of their mistakes or poor judgment. The characters that are fated to suffer the extreme sorrow, the tragedy, are (called) tragic characters. These tragic characters, however, must follow Aristotle’s principles which include:

In William Shakespeare's classic tragedy “Julius Caesar” the characters are all positioned on a path that leads them to a terrible and disastrous end. Some destroy themselves for the greater good of Rome or just because of their own selfish greed for power. Some characters proceed to destroy others in hopes of protecting the greater good, but lose those closest to them. Cassius leads a dark conspiracy and kills Julius Caesar, but later kills himself. Marc Antony and Octavius track down and kill the assassins that killed Caesar, but lose those they care about most along the way. A true hero will rise to adversity and meet a situation head on to conquer the problem or his foes; however, a tragic hero may do just the opposite. A tragic

The final demonstration of the theme is when Antony, a follower of Caesar, cleverly uses pleasant words against Brutus and the conspirators. In the scene where Antony speaks, Caesar is already dead and Antony could publicly speak only if he did not dirtied Brutus’s name or Caesar’s. He blatantly calls the conspirator honorable: “The noble Brutus/ Hath told you Caesar was ambitious. / If it were so, it was a grievous fault, / And grievously hath Caesar answered it. / Here, under leave of Brutus and the rest/ (For Brutus is an honorable man, / So are they all, all honorable men), / Come I to speak in Caesars’ funeral” (3.2. 912-13). The power of Antony’s speech and the manner her referred to his enemies was fabulous. He achieved the plebeians’ ultimate approval and will succeed in avenging Caesar’s death. He did so by using wise and well-chosen words.

In the tragic play Julius Caesar by William Shakespeare, the ruler of Rome, Julius Caesar, is stabbed to death by some of his so-called friends. Brutus, one of Caesar's best friends, is approached by some of the other senators to join the conspiracy to kill Caesar. Brutus weighs his options and decides to join the conspirators for the good of Rome. At Caesars's funeral, Brutus gives a speech to convince the citizens that the conspirators were right to kill Caesar. In contrast, Antony gives a speech to convince the Romans that there was no real reason to kill Caesar. Both characters try to persuade the audience, but they achieve different tones using literary and rhetorical devices. The tone of Brutus' speech is prideful, while the tone of Antony's speech is dramatic and inflammatory.

Centuries after the murder of a rising dictator, students, historians, and linguists alike continue to study the death of Julius Caesar as immortalized by William Shakespeare’s play, The Tragedy of Julius Caesar. In this tragedy, Shakespeare examines the days preceding Caesar’s downfall, and the aftermath that ensues. The tragedy describes Marcus Brutus, a character with noble and honorable intentions, influenced by Cassius to support a conspiracy against an ambitious politician, Julius Caesar. Brutus, Cassius, and other conspirators succeed in ending Caesar’s life, but are forced to flee when Rome turns against them. Much controversy has arisen over who is the tragic hero of the play. A tragic hero is a noble character who, despite his greatness, is led to destruction by his own fatal flaw. Although many argue Brutus is the tragic hero due to his prominent role in the play and his heroic, yet flawed, character, Shakespeare remains justified in the naming of his play. In Shakespeare’s accurately titled tragedy, Julius Caesar, rather than Brutus, remains the tragic hero of the play due to his heroic qualities, his fatal flaw, and Brutus’ ineligibility as the tragic hero.

The play, The Tragedy of Julius Caesar, by William Shakespeare, has two main tragic heroes. Set in Rome and spanning from forty- four to forty-two B.C., the play tells of Brutus and Caesar whom both fall from the highest positions to the lowest of misfortune and then are enlightened on their mistakes. Brutus is the stronger example of a tragic hero in this story. Throughout this play, Brutus commits many faults, falls more drastically than all other characters, and regrets his previous actions by the end of the play.

    By definition, a tragedy is a story that details the downfall of a protagonist. Most often, the protagonist (tragic hero) is a member of high society who is faced with an oppositional force, be it internal or external. In his Poetics, Aristotle states that "tragedy is the imitation of an action; and an action implies personal agents, who necessarily possess certain distinctive qualities both of character and thought; for it is by these that we qualify actions themselves, and these- thought and character- are the two natural causes from which actions spring, and on actions, again all success or failure depends...." This quote illustrates an aspect of tragedy upon which many works are based, including

In his Theory of Tragedy in the Poetics, Aristotle explains the characteristics necessary to create a good tragedy. He defines tragedy as “an imitation of an action that is serious, complete, and of a certain magnitude.” In other words, a tragedy must be focused and realistic. It must also evoke a “sense of fear and pity within the audience”, through its six parts, and end with a katharsis or cleansing of these emotions. The six parts of, a tragedy determines the quality and the most important parts include: plot and character. Aristotle also outlined the characteristics necessary in order to create an ideal tragic hero. Oedipus the King written by Sophocles, is an example of a perfect tragedy and Oedipus is a perfect example of a tragic hero.

Aristotle defines what a tragedy is in his famed piece Poetics. In it, he sets guidelines that all tragedies should meet in order to become the fantastic displays of misery that they are meant to be. Six main elements are present in every tragedy: plot, character, thought, diction, melody, and spectacle. The two most important, of course, were plot and character. Both had to be complex but believable, consistent, and possess the ability to arouse pity and fear in the audience. Although both are the top elements that are the focus of tragedy, the other four are imperative to achieve the tone and overall character of one.