The Powerful Settings of Hawthorne's Young Goodman Brown Essay

"Young Goodman Brown," a story written by Nathaniel Hawthorne, should be interpreted on a psychoanalytical level rather than a religious one. It is my observation that "Young Goodman Brown" may very well be the first published work alluding to divisions of the mind and personality theory. Although religion is a direct theme throughout the story, "Young Goodman Brown" appears to be an allegory with deeper meanings.

Due to his naivety, Goodman Brown continues on his journey with the stranger, to spite what Faith and his instincts tell him, which ultimately turns him into a corrupted man. When the reader first meets Goodman Brown he is departing from his young wife, Faith. Faith urges young Goodman Brown to stay with her and not go on his journey but he refuses, assuring her that his journey is one of no real danger: "'A lone woman is troubled with such dreams and such thoughts, that she's afeared of herself, sometimes.' […] 'My journey, as thou callest it, forth and back again, must needs be done 'twixt now and sunrise'" (620). Faith tells Goodman Brown about nightmares she has been having and how she wishes that he will stay beside her. Goodman Brown ignores her warnings and continues on his journey as if it is just a trip to the grocery store. After meeting the stranger, Goodman Brown inquires about turning back but the stranger has other ideas in mind: "' Let us walk on, nevertheless, reasoning as we go, and if I convince thee not thou shalt turn back, We are but a little way in the forest yet.' 'Too far, too far!’ exclaimed the Goodman, unconsciously resuming his walk" (621). The stranger wants Goodman Brown to continue on his path, and even though young Goodman Brown desires to turn back towards Faith, he is easily swayed to keep walking with the stranger. Hawthorn says he "unconsciously" resumes his walk,

The dialogue, action and motivation revolve about the characters in the story (Abrams 32-33). It is the purpose of this essay to demonstrate the types of characters present in Nathaniel Hawthorne’s “Young Goodman Brown,” whether static or dynamic, whether flat or round, and whether protrayed through showing or telling.

In the short story “Young Goodman Brown,” the author Nathaniel Hawthorne shows the fragility of humans when it comes to their morality. Goodman Brown goes on a journey through the forest with the devil to watch the witches’ ritual and observes the evil in the Puritan society. He loses his faith as he sees the people he respects the most participating in the sinful ritual. Nathaniel Hawthorne utilizes setting, and symbolism in his short story “Young Goodman Brown,” to show how a person’s perspective can change by showing the hypocritical nature of the Puritan society

Though Nathaniel Hawthorne is an author of many great works, his short story “Young Goodman Brown” still stays relevant because it has themes and subjects that are relatable in today 's world. In the story “Young Goodman Brown,” Goodman Brown leaves his wife Faith, to go into the woods near Salem to have a meeting with the devil. Appearance vs. reality is shown in “Young Goodman Brown” through the plot, the character of Goody Cloyse, and the symbol of the maple staff.

The strictness of Puritan society makes an image of purity (especially for those in positions of authority) necessary for its citizens to be acceptable and to rise through the Puritan social strata, and it is this need for an image of purity that undoes Goodman Brown’s initiation from a spiritually immature, idealistic faith to a spiritually mature faith.

The main character, Goodman Brown is introduced as a well-mannered man who is happily married to Faith. Initially, the language such as "sunset" and "pink ribbons" symbolizes light and a positive environment in Salem Village, where the story takes place. Then, as Goodman Brown journeys through the woods, changes in the environment make him change the way in

"Young Goodman Brown" begins when Brown is starting to set out into the woods for a secret meeting. Faith,

“Young Goodman Brown” – the Poverty in the Tale and in the Life of the Author

Hawthorns pessimistic view on the world and people is expressed in “Young Goodman Brown” by the symbol of faiths pink ribbon. Goodman Brown ventures into the forest by himself and

All that Brown can say to his acquaintance is "That old woman taught me my catechism." (Hawthorne 313)

Puritans were a group of people who were discontent with the Church of England and worked towards a more purified side of religious beliefs, morals and society. In a 3rd person point of view their attempt for moral righteousness was a failure, as they were extremists who had no tolerance to those who didn’t follow their beliefs. Nathaniel Hawthorne was raised in New England, a part of a country where Puritan Heritage was strong. Moreover, his ancestors were involved in the infamous Salem Witch Trials. The story “Young Goodman Brown” was written to show the guilt Hawthorne felt of having these Puritan roots. In “Young Goodman Brown,” Nathaniel Hawthorne emphasizes the hypocrisy of his historical religious roots of Puritan communities with

Nathaniel Hawthorne, the author of “Young Goodman Brown,” was born in Salem, Massachusetts, in 1804. Hawthorne, born into a Puritan family who was struggling financially, had never met his father. He had died when Hawthorne was but a boy of four years old. This, along with embarrassments brought upon by other ancestors, seemed to affect his writing and perhaps even inspired parts of “Young Goodman Brown.” Hawthorne had one ancestor, a Puritan judge, who persecuted Quakers, and another, who had taken part in the Salem Witch Hysteria (Meyer 322). Both of these were mentioned, or hinted upon, in the story of “Young Goodman Brown.”

  “Almost all literary theorists since Aristotle have emphasized the importance of structure, conceived in diverse ways, in analyzing a work of literature” (Abrams 300). This essay will explore some interesting points in the structure of Nathaniel Hawthorne’s “Young Goodman Brown,” considering the time-frame, foreshadowing, suspenseful incidents, climax and denouement (Axelrod 337).

The fellow-traveller’s staff  “bore the likeness of a great black snake, so curiously wrought, that it might almost be seen to twist and wriggle itself like a living serpent.” Bringing a large black snake into the physical setting is indeed one way to dramatically ratchet-up the tension and the foreboding of ill. In this passage the narrator identifies the traveller with the snake: "Sayest thou so?" replied he of the serpent, smiling apart.”