The Princess And The Frog Essay

Fairy tales have existed for years, some starting as oral stories for decades before ever being recorded on paper. These tales continue to hold an importance in the present such that they reflect the changes in time and progression of thought and ideas. Over time, many fairy tales are retold for various reasons including reforming them to be used for new audiences to make the story more relatable or to convey a different point of view to various specific audiences. This can be seen in various renditions; Andrew Anderson’s Shrek can be compared to Steig’s “Shrek!” and Perrault’s “Sleeping Beauty in the Wood” and evaluated as a retelling of either based on specific criteria. Although some may argue that William Steig’s “Shrek!” appears more closely similar to Anderson’s Shrek, as evaluated from the presence of similar characters, general plot structure, and targeted audience, the movie Shrek is more closely a retelling of Charles Perrault’s “Sleeping Beauty in the Wood.”

In the piece “Yours, Mine, or Ours?, Donald Haase discusses on the ownership of fairytales. Fairy Tales originate from folklore, described as traditional art, literature, knowledge, and practices that are passed on in large part through oral communication. With fairytale's being passed down through generations its new ‘authors’ take ownership of them. Ownership impacts the reception of the fairytale and determines how the audience reads and interprets it. Haase discuss how fairytales are suppose to show and tell what is true and what is acceptable in the context it was written in. With fairytales being changed the reader is exposed to a different moral and purpose with its telling. Haase concludes by informing that fairy tales belong to everyone and that we must take

In Jack Zipes’s paper The Cultural Evolution of Storytelling and Fairy Tales: Human Communication and Memetics, Zipes explores the origins of fairy tales, and how they evolved to be what they are today. Through linking biology and literature, Zipes has been able to solidify fairy tales as not just stories, but as a psychological gene that gets passed on. Zipes then took this alongside a set of criteria derived from historical analyses of literature to clarify what a fairy tale is and isn’t. In the context of the literary work A Tiny Feast by Chris Adrian, the usage of Zipes’s criteria clarify that this story is in fact a fairy tale.

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Growing up, most people read fairytales such as “Cinderella” and “Little Red Riding Hood”. These stories set up some sort of expectation for what life will be like. However, fairytales are just as messed up as life. DreamWorks created the movie Shrek to make fun of fairytale’s social prejudge and idealism. Shrek uses reversal and irony to create a satire about the flaws of fairytales.

Shrek does this by mashing up iconic fairy tales and characters into one story, which makes you wonder what a modern fairy tail does accomplish that an iconic, and classic self-contained fairy tale cannot? This paper will focus on how movies like Shrek bases its story and fairytale influences more on satire of famous fairytale tropes and morals And uses that satire and self referential humor to construct a newer modern and more relevant moral.

The movie princess and the frog was directed by Ron Clements and John Musker, it was released on November 24th 2009. It was created and released here in America. The Princess and the Frog finds the lives of Prince Naveen and Tiana crossing paths. Prince Naveen is transformed into a frog by a voodoo magician and Tiana, upon kissing the amphibian royalty. Naveen and Tiana must race to break the spell and fulfill their dreams.

First I would like to explain that I truly believe that there slim to no reasons that the most recent story which is the princess and the frog relates anything to Grimm’s fairy tale The Frog Prince or Iron Henry. I believe this to be true due to the fact that there is only one similarity between the two stories and that is, that in both there is a princess that stumbles upon and frog and he turns into a prince.

Fairytale live in the minds of their tellers and hearers, growing and changing with each telling. The same tales told six hundred years ago still live in the minds of today. Fairy tales hold a unique magic because they are able to grow, to change, and to become important to each new generation. In the time of the tales of the Grimm Brothers were created, people lived in fear of magic and witches. While Pentamerone, by the poet Giambattista Basile was born in the sunny, temperate climate of Italy is less dark but to today’s minds equally unlikely. In the culture of France where Charles Perrault gathered his anthology of tales, people lived in a society characterized by ridged customs and class difference where each person played a vital role. There lies the difference such as Rapunzel and Sleeping Beauty both tales originated around the same time but reflecting two different nations. These two tales are still important today from recently released films which have heroines instead of only heroes and movies from Walt Disney which are lighter and more fantastical versions of the classic stories. Fairy tales reflect their originator’s environment, beliefs, class, ideals, and national identity.

Throughout childhood we grow up with fairytales, namely Disney and the ones our parents tell us. These tales often shape the lessons we learn, remember and reference throughout our lives. Older fairytales are much different than our modern day Disney and teach us different lessons. Disney is often the soft lesson. What I remember are things like be kind, courageous, stand up for what you believe, and fight the evil around you while falling in love with a prince. The old tales have a much harsher reality leaving lessons about the dangers of the world and evil which didn’t always lose. They are different, as the lessons parents needed their children to understand are different from culture to culture and time to time. As a young child I was highly shaped by Disney and as I got older and learned of another fairytale not all of them having a happy ending (like Hans Christian Andersons Little Mermaid when she gets turned to sea foam), taught me of the real world and

Fairy tales make an important part of cultural prophecy, because they contain wisdom which is passed from parents to their children. They contain basic moral and ethical guidelines for children. Images and symbols used in fairy tales can help to judge about cultural, ethical, social and moral values popular in the contemporary society. Changes and similarities, which can be found in the popular fairy tale Cinderella by Jacob and Wilhelm Grimm, version of 1812 and the Disney version of Cinderella (2015), can help to realize the changes in cultures and historical epochs.

Presently, many books and fairytales are converted movies and often, producers alters the original tales to grasp the attention of a large audience. However, some of these interpretations hide the primary interpretation. The original interpretations of the Disney classics Snow White and Sleeping Beauty are greatly reinvented from the original fairytales Sun, Moon, and Talia and Snow White and the Seven Dwarfs because of the brutal nature of the treatment women in these original forms. Although there are differences in certain aspects from the original tales to the movies, there are many issues that are influential to the young girls who are still watching the Disney version. I realize this when my youngest niece, Anella asks me, “Why can’t

Fairy tales convey a series of core didactic messages, whilst simultaneously evolving to either affirm or subvert the ideas and discourse of their time. Little Red Riding Hood arguably remains the most popular and certainly most provocative tale in the Western world as each appropriation remains centered on gender identity, sexuality, violence and the civilising process, whilst the ongoing development of contextual values catalyse newfound approaches to each of these values. This notion is supported by Jack Zipes stating, “Literary fairy tales are socially symbolic… formed to take part in civilized discourses about morality and behaviour in particular societies and cultures. They are constantly rearranged and transformed to suit changes in

Fairy tales are influenced by the context in which they are written, as a result despite sharing the same basic features characteristic of the fairy tale genre, some stories may radically differ in their portrayal of certain norms. Given that Giovanni Straparola’s, “The Pig King,” and Angela Carter’s, “The Tiger’s Bride,” both share a common structure involving the fairy tale beast concept and a focus on obedience it seems that both fairy tales are essentially the same; I argue that while Straparola praises obedience as a feminine virtue, Carter intentionally subverts the view that obedience is a virtue for women.

     Diana Frances Spencer was born on July 1, 1961 in Sandringham, Norfolk. Her parents, John and Frances Spencer, were hoping for a boy to carry on the Spencer name. It took them nearly a week to come up with a name for the baby girl. Eighteen months earlier, her mother had giver birth to a baby boy, but he was so sick that he only survived for ten hours. Lady Frances, twenty three at the time, was sent to many specialists to find out the reason why she could not have a little boy. Three years after Diana was born, Lady Frances gave birth to a healthy baby boy, Charles. Diana had been christened in Sandringham Church with well-to-do commoners for godparents. Charles, on the other hand, was christened in