The Princess By A Prince With True Loves Kiss, And The Little Mermaid

As little girls, women may imagine themselves as the princesses that they hear and see in movies and books. These princess often defeat the villain, meet the love of their life, the prince, and live “happily ever after”. Sadly, life is far from the things we see in these movies and books. The Princess bride, by William Goldman is a fantasy novel about a beauiful girl, named Buttercup, who is forced to marry the Prince Humperdinck after the love of her life, Westley dies. She is later kidnapped by three men, and two of those men, named Inigo and Fezzik, come together with the undead Westley to avenge an important death

Throughout the last few years there has been a discussion on how Disney Princesses have a negative impact on young girls and their expectations on what lies in their future. Many Disney princess classics, although they are entertaining, send bad messages to young girls and often teach that their worth is more about beauty and less about their intelligence. The “ Disney princess effect” has impacted the way young girls grow and how they look upon their future and happy ending.

In addition, the first idea to remember is that in classic Disney films, princesses often appear as the damsel in distress. Their submissive obedience leads to them being victimized, leading to the heroic appearance of their true love. This is seen in the classic Disney movie, Cinderella, her ultimate obedience to her stepmother transforms her into the victim or a damsel in distress in the movie. When the prince is introduced, he acts as the hero when he

Apart from the stereotypes, recent Disney princesses have been counteracting the stereotypical images of a Disney princess. They are no longer waiting around for their prince to come and be with them. Instead, they are using their intelligence to achieve their dreams and aspirations. Also, they can be independent and that they don’t always need a man (Bowser n.p.). The portrayal of love in these films are different from the others. The characters are not focused in waiting for their prince. Rather, they were trying to achieve their dreams. In "The Princess and the Frog", Tiana pursues her dream in becoming a restaurant owner. She didn't need a male counterpart to be able to feel happy but only wanted to fulfill her dream to feel happiness.

Disney directly exposes the idea that young girls should make their main goal in life to find their prince charming, fall madly in love, and live happily ever after. Making young girls’ aspiration in life revolve around finding a man of their dreams “transfix[es the] audience and divert[s] their potential utopian dreams and hopes through the false promises of the images [Disney] cast[s] upon the screen” (22). Disney tells the audience that women need a man to be happy. Disney presents the idea that women are dependent on me. Just like in The Little Mermaid, Ariel goes as far as surrendering her voice, to a witch named Ursula, and abandoning her family in order to be with her prince. Ariel also trades in her life as a mermaid, drastically changes her body, and sacrifices her greatest talent all in order to win her prince. Disney sends the message that girls need to give up their talents and lives in order to be with a man. Disney suggests that a woman’s main priority is her lover, no one or nothing else. Disney effectively portrays women in a negative way, depicting them as weak and needy. No attempt to break the stereotypical gender roles of women are evident however, these stereotypes are growing as Disney instills this image of women in the minds of viewers.

Just like what John Musker says, “We thought it would be very appealing to do a female empowerment story that didn’t center on any sort of romance” (Berman 2016). The hearts of their stories focused less on finding true love and more on journeys, selflessness, and self-discovery. The first thing to point is that nobody of these leads’ – except for naïve Anna – core story aims was to fall in love. Tiana (The Princess and the Frog 2009) driven hard to become an effective business holder, Rapunzel (Tangled 2010) desired to discover the outside world, Merida (Brave 2012) wished to evade being married off in the name of practice, and Anna and Elsa (Frozen 2013) were looking to save each other, reconstruct their relationship and keep their empire from being overhauled by an outside threat. This period in Disney cinematography also took the time to highpoint relations between women for the first time. Just like in Brave, the chief bond is revolving between daughter and mother. There are plenty Disney movies to have explored love, but this one stands out and is experienced by most teenagers – the altering scene of the mother–daughter bond. Similarly, Frozen mainly focuses on the sisterly bond between Anna and Elsa. Jennifer Lee states that “She wanted to create characters they both could relate to, and felt the bond between sisters would be more accessible to a young girl than the lure of romantic love” (The Columbian 2014). Again, Disney took steps to discover something foreign to its earlier movies. By representing firm women and the inner workings of their relations, the last few Disney animated films showed a more precise reflection of the world. Based on the past of Disney Princesses above, we are sighted stronger role models creating their way into children’s

To begin his article, James Poniewozik describes how parents try and try again in order to cause their young daughter to not want to become a princess. However, Poniewozik says that all the hard work fails when on one halloween that same young daughter desires to be a princess. Poniewozik then describes how Hollywood is beginning to discover this. They have produced countless movies that attract young girls. These movies, without a doubt, are fairy-tale movies says Poniewozik. However, it is not just the princess aspect that Hollywood focuses on declares Poniewozik. He essentially concludes his article that Hollywood has changed the princesses’ expectations from being pretty and reliant upon the prince to becoming independent, while maintaining her beauty.

The “princesses” in Disney movies, if looked at their life from a realistic point of view, should not have been this happy. Most of them were very naive. They had no hope, no ambition, and no plans in life except to marry “Prince Charming”, a guy who would save them and she would take care of his house and his babies till she died. That is just sad. Is this all what women are good

Love stories have been around for centuries, as ever changing as they have been one thing stays constant, a happily ever after ending. Each story might be perceived differently but each story has the unique ability to capture all that seek to find their own happy ending. The famous Cinderella story shows the perfect example of how the princess culture can be seen in children everywhere. Children are attracted to Cinderella and stories like it because they believe if you are morally good there has to be a happily ever after for them. The film “The Princess Bride” offers the inherent hope that happily ever after’s are attainable for all who persevere.

This is demonstrated through the earlier works such as Snow White and the Seven Dwarfs, Cinderella, and Sleeping Beauty when the women find husbands through the ideas of love at first sight and love only due to physical attraction (Johnson). Snow White, Cinderella, and Aurora all marry their princes without knowing much about them. But, as the later works of Disney princesses were released, the princesses’ viewpoints of love evolved, showing that they are improving their standpoints and becoming more admirable for their ways in which they pursue love. In the modern works, the princesses learn that love takes time. Belle and the Beast do not initially get along, but instead, grow to understand each other. They learn from each other and show patience in developing the relationship leading up to their marriage (The Artifice). Conversely, Mulan does not even get married during her movie and chooses to fall in love with her suitor through a dating relationship first (Johnson). Ironically, the most current princess movie, Frozen, mentions this idea of love over time when Elsa advises her sister Ana that, “You can’t marry a man you just met” (Lueke). Not only do modern works show the evolution of the princesses learning to love over time, but they also show them as learning to love without sacrificing their dreams. “Belle, Jasmine, Meg, Tiana, and Pocahontas all reject,

Snow White, Sleeping Beauty, Cinderella, and Ariel are all names almost every young female can recall. These are just a few of Disney’s most memorable characters, the “Disney princesses” which are idolized by young girls everywhere. These princesses are portrayed to be strong willed, optimistic, and hardworking women who overcome various hardships throughout their life. Talk about being the perfect role models for little girls everywhere- but are they really? Although they may seem to have admirable qualities, by the end of these Disney movies, each princess receives their happy ending with their “prince charming” at their side. This concludes that happiness is obtained only by finding your “prince charming”. A princess’ “happily ever after”, that is repeated in these iconic Disney movies, distorts what true happiness is and could be for girls around the world. This perceived reality promoted by Disney then becomes engraved in our young girls’ minds through ways that are much like propaganda in the political arena. Propaganda is a form of language commonly used to manipulate intended audiences. In Disney’s case, their intended audience consists of young girls around the world. These Disney films display methods of propaganda, such as doublespeak (Lutz) and the two-extremes fallacy (Cross), which result in our young girls believing in a false reality. There needs to be attention brought about this flawed perception of a sole happiness that is continuously depicted by Disney and shared through ways of propaganda, as it is damaging the minds of our young girls- the future contributors of our society.

Princesses are always pretty, poor and white person. Also, Princesses are always waiting something bad to happen to them, always waiting for their prince to save them, never speak up and express their feeling until men made a move first. According to Ursula, women should use they beautiful body, pretty face, be silence and don't need intelligence. Prettiness and body languages are all that matters to a girl in order to meet the perfect man. Girls should also give up what they have and must change themselves for the man they love. According for Belle, it is okay to be in an abusive relationship by staying with the beast who kidnapped her

Young girls are often stuck in a world of make believe, they are fed fairytales, dream up unimaginable views of reality and believe everyone will find their prince charming. This unrealistic perspective is formed through their experiences with different fairytales. As G.K. Chesterton tells the fairytale are a realistic world for children, “Fairy tales are more than true — not because they tell us dragons exist, but because they tell us dragons can be beaten”. Fairytales lead these girls to believe that in order to find true love there is some sort of intense journey one must go on. This idea of a journey for love has created a specific ideology for what love is and how to achieve it. In the text Beauty and the Beast by Madame Le Prince

According to various articles, although the Disney Princesses seem to be an innocent form of entertainment for young girls, their overall messages serve as a negative influence on how they develop into adults. This is where the unrealistic Disney Princess aspect can potentially become detrimental.

Growing up, all I ever did was watch Disney movies and the Disney channel. Now as I’m older, I can’t help but realize that all the movies are exactly the same. The princess is stuck in a dilemma and then a perfect prince comes along and saves her and then they marry in the end. Other than a similar plot, all the movies have very similar character traits. England, Descartes, and Collier-Meek in Gender Role Portrayal and the Disney Princesses explain the characters, “traditionally masculine (e.g., athletic, brave) and traditionally feminine (e.g., helpful, nurturing) characteristics exhibited by the prince and princess characters through