The Problem Defined By In Collingswood 's Essay

In today’s society, we are constantly being bombarded with visual art forms. Whether they be classical paintings from the Renaissance, a towering and modern skyscraper, or even a cheesy 90’s R&B music video, they all have one thing in common. According to Carolyn Dean’s definition, these would all fall under the category of “art by intention.” In her essay “The Trouble with (The Term) Art” she advocates a distinction between art by intention and what she deems “art by appropriation.” The difference is that one work was created with the intention of being consumed for visual pleasure, while the other was not. However having been educated in the Western school of thought, many art historians cannot help but project their rigid definition of art onto civilizations that may have

For centuries, people’s aesthetic value has been influenced by Rome's perfectionism, so do I. I used to think that artworks that make people feel appreciated are just equivalent to visual appreciation and satisfaction. However, after observing the painting and researching sources of this pieces of art I realized that an excellent artwork needs to cover all aspect requirements. For instance, an excellent artwork needs to contain a high operation of art skills as well as art knowledge in order to persuade audience. In addition, to qualify as a great artwork it has to create a substantial amount of activity in the audience’s mind or heart. When I look at an artwork I always try to figure out what is the artwork's message or what the artist is trying to communicate, to convey. Overall, I think a good artwork needs include some of the elements and principles of the language of art as well as the structure they give to be able to successfully communicate an idea.

An artist is shaped by what surrounds them, and therefore modifies their surroundings as they develop. Before Frank Lloyd Wright was born, Anna Lloyd Jones did everything she could to ensure her son’s career as an architect. “From the time he was conceived, she made up her mind that he would be an architect. She hung the right pictures, played the right music, and thought the right thoughts to influence the unborn child.” (Huxtable, 7) Anna’s plot for her son certainly worked, and was simply a stepping off point towards finding what would later inspire him the most: nature. Although claiming to be the “only source of inspiration to American architecture,” Wright took inspiration from everywhere he went. Besides sticking to his signature additions

Taking a leap back into the realm of historical art would not only shed light upon some of the distinguished theorists but would also leave us at awe by virtue of the innovation of Art. The vicissitude, as can be said, that the revolution arose from; the emergence of a new perception of art by which contemporary dogma is rooted back to. It can be argued that art cannot be defined, for it is as abstruse as the terrestrial, such that it enforces different individuals to interpret it according to their own beliefs. Since the time of Plato’s allegory of the cave, it was deemed by mankind that art has to have a literal definition. Though it is of human nature to be able to define any phenomena that occurs in this universe, the idea of being

Urmson begins by categorizing art into two categories. Firstly, there is a piece of art created by an artist. An example of this is an artist paints a painting. This category of art has no executant artist and can be altered after constructing. The second category of art consists of a creative artist

The setting and surroundings have no cultural nor religious significance. As the narrator stated “I guess I don’t believe in it. In anything. Sometimes it’s hard you know what i’m saying?” answering Roberts question on whether he was religious.

The idea behind an art piece changes in order to suit the norms and values of its present society. The first person to reproduce

From an intimate perspective, art is a fundamental experience. It springs from the inborn passion of the man to build a medium of expression of his inner life. It is immaterial whether the basic thrust of these feelings arising out of a anguish cosmic, or of the need for play, or the desire to express in signs and symbols the unconscious of a desire repressed. What is certain is that the art arises with the need for expression of the man. In this sense, the term reproduction, which can have different meanings depending on the context in which it is applied.

“All in all, the creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualification ..”

?Any work of art owes its existence to the people and culture from which it has emerged. It has a functional and historical relationship with that culture.? Michael W. Conner, PhD#

Collingwood starts off by looking into what a work of art is if it isn’t fabrication. He proclaims that we can’t answer this question by looking at the characteristics of the activity or the artist. Two theories built on the foundation of the idea that something must be in control are the following: control by a divine or spiritual being or work controlled by involuntary and subconscious parts of the mind. Collingwood asserts that it would be a waste of time to criticize and question these theories; but the ordinary name for activities of this sort are called creation. He acknowledges that theologians cringe when they hear the term because they think of it in relation to God’s creation, but we need to understand it as we use it in daily contexts. Creation, as Collingwood claims, means to create something in a non-technical way, both consciously and voluntarily. A person who makes something does it voluntarily, possibly without any preconceived plans. He continues that it should be clear that when referring to an artist making something we are referring to creating. Creation as it relates to God is distinct from other types of creation in that it literally comes out of nothing, but other forms of creation requires circumstances to ensue that allow them to be created. Therefore, Collingwood clarifies that when he speaks of art works in relation to a creator that he is not raising art to the level of something divine or Godly.

The history of art dates back to ancient times. Artwork can be, and was, found around the world. What makes art interesting is that it can be created in any way, shape or form with any materials. It seems that the artwork can also tell us a lot about the artist. Art seems to be simply, a direct, visual reflection of the artist’s life. Therefore, one can assume that an artist’s life experiences and beliefs directly influence their art. If we look at examples from different periods of art we will be able to see the connection between the artist and the art.

The delicate relationship between artist and artwork is one that seems so intensely personal that it _____. In spite of this intimacy, the positive or negative actions of an artist or the responses elicited from their works are assessed by the eyes of the public— usually in hopes of locating a correlation between the two. This begs the most direct question of whether or not it’s possible to separate art from the artist. Within this dispute, more complex and dark arguments exist.

The second issue discussed by the art historians is the sender of a work. In this section, Bal and Bryson define and differentiate the composition of the ‘’artist’’ of a work. First, there is the concept of the sender as an individual, or J. Bloggs, as they call him. J. Bloggs stands for the name of the individual, ‘’a designation, not a description;[…] it does not assign any particular characteristics to its bearer’’(p.181). The second aspect of the sender is the author, which is ‘’in the works, in a body of artifacts and in the complex operations performed on them’’(p.181). It is the notions of enframement that distinguishes J.Bloggs from the author, which is what Bal and Bryson identify as ‘’an elaborate work of framing, something we can elaborately produce rather than something we simply find’’ (p. 181).

Artistic creations are born through the solving of problems also, they form accountability for other chances. When