The Problem Of Hip Hop Music

Since its conception, hip hop has been a very necessary and influential art form in the way that it gives a voice to people who would normally not have one. The fact that it was often the sole voice for a marginalized community meant that the genre has often shouldered the “burden of being a genuine political force.” Hip hop’s role in addressing the concerns of urban Black Americans has led people to refer to it as “CNN for Black people.” However, in recent times, the commercialization of the genre (and growing popularity with white audiences) has generated a lot of criticism from many who feel that the essence of hip hop is being destroyed and it does not have as much of a meaningful effect on dispossessed Black youth as it used to have.

Hip Hop: Beyond Beats & Rhymes is a documentary created and produced by Bryon Hurt. The documentary challenges the dominant discourses of hyper masculinity and the misogynist treatment of women in commercialized rap. Of the many mainstream phenomenons that are discussed by Bryon in the documentary, the issue of hyper masculinity in Hip Hop is questioned greatly. Throughout the film, the producer was able to show the wide acceptance of hyper masculinity not only in Hip Hop but also American culture as well. He defined America as a hyper masculine and hyper violent nation for the reason that using a gun to defend one’s family became a metaphor for masculinity and a tool for widespread violence. The issue of issue of hyper masculinity can be

Art has undoubtedly become a decisive aspect of our culture; embedded in the way we learn and grow on a daily basis. Art forms such as music, television and dance dominate our society as an outlet of freedom of speech for humanity. The evolution of music has rapidly exceeded its original classifications, developing new genres with greater appeal to an audience, hence its influence on society has expedited. In recent times, lyrics (specifically rap lyrics) have been introduced into the court room as a form of documented confessional evidence, evidently challenging law’s authoritative nature. This essay will closely follow the genre of rap and its relationship with law, through cases based in the United States of America (USA). In addition, the trial of Simon Bikindi in Rwanda and Smith v The Queen will be used to form an acute analysis on the influencing factors of relevance, identity, freedom of speech and current constitutional law.

“Glock to the head of / send $2 to a paypal account / if this account doesn’t reach $50,000 in the next 7 days then a murderous rampage similar to the Virginia Tech shooting will occur at another highly populated university” and “let them booty cheeks hop, so pop it mommy pop it” are lyrics you might hear in a trending hip-hop song (“The Threatening nature of … Rap music?” 00:01:00 — 00:03:00). However, these rap lyrics along with terms of a rap contract, class notes, and letters were part of a notebook that police had found in a car when they searched it. Even though the lyrics are not appropriate and unpleasant to some people, this was simply an artistic form of expression. Aspiring rapper Olutosin Oduwole, an African Americans young college student, was taken to jury and was proven guilty for acts of terrorism, despite the fact that Oduwole told Jim Suhr from AP that “It was pieces of a rap song that was discarded — just something written, forgotten about, crumpled up and thrown away" (Jim Suhr, “III. SupCo takes pass, ends student threat case, AP) . This brings us to the question: is it fair to prosecute someone because of degrading rap lyrics?

Molefi Asante is the author of It’s Bigger than Hip-Hop: The Rise of the Post Hip-Hop Generation. In this article, Asante predicts that the post-hip-hop generation will embrace social justice issues including women’s rights, gay’s rights, and the anti-war movement. To challenge these stereotypes, Asante speaks to the personification of the African-American ghetto and the need to stop glorifying black suffering. For Asante, the post-hip-hop generation no longer expects hip-hop to mobilize disenfranchised youth. Asante states, “The post-hip-hop generation shouldn’t wait for mainstream musicians to say what needs to be said…No movement is about beats and rhythms…. it must be bigger than hip-hop.” Because hip-hop is controlled by corporations, Asante says hip-hop will never be the focus of political change. Asante argues that “old white men” have dictated hip-hop, and by extension the actions of black youth, since 1991. “Allowing white executives, not from the hip-hop culture, to control and dictate the culture is tragic because the music, and ultimately the culture, as we can see today, has not only lost its edge, but its sense of rebellion and black movement- the very principles upon which it was founded.” Asante calls for the rise of “artivism,” a new social movement that uses art to improve community police relations, failing schools and the criminal justice system. Asante encourages the post-hip-hop generation to unite with Latino/Immigration Rights and Black Civil Rights

Within History, Rap has been considered the “CNN for black people”; what started as a way to express struggles in the ghettos of New York has transformed into one of the most popular genres of music in America. The popularity of rap has allowed many to have their voices heard, created new fashion trends, and even developed popular modern slang used by people throughout the world. The commercialization of rap has resulted in a significant following of the culture in America but also a large number of people who oppose the music. The culture of rap music has a substantial impact on popular culture in America, and by using an open mind and looking past the violence and language, people can better understand the meaning behind rap and the perception that follows it in America today.

In rap music it’s not hard to find the violent lyrics with most of the music speaks about gang violence, shootings, drugs, and more. An example of a song that influences violence is J. Coles song “A Tale of 2 Cities” with lyrics like “Picked up the paper and they say my nigga Eddie caught a body, I'm convinced anybody is a killer, all you gotta do is push 'em to the limps” in this part of the song Cole speaks about how his friend, who isn’t really a person who would commit a crime, murdered somebody; Cole isn’t surprised because he believes everybody is a killer if you push them to their limits. Another example in the song is “They robbin' niggas on the daily can you blame a nigga that ain't never had things? Guess not last night they pulled up on my nigga at the light like ugh, nice watch, run it” the first part of these lyrics Cole justifies the crime of robbing because they have nothing. In the second part Cole states that somebody came up to his friend and robbed him of his watch, on this part the sound of a gun being cocked in the background is heard and is continued with the chorus saying “hands in the air now” (Genius). These lyrics not only promote violence but justify why it was okay to do such crimes. The reasoning behind why artists talk about violence is that it’s a way of telling their story. Namir, a rapper in New York says “People have to realize that rappers are just like any other artist or musician. What makes an artist an artist is his artistic portrayal of his life and how he expresses his life through whatever art form that he does” (PBS). With people growing up in terrible environments and music being a way for them to cope the reasoning for the violent lyrics is the artist trying tell their

Hip hop, to me, is the culture I grew up in by default. Starting at an early age, everything around me was hip hop, from the way my parents dressed (hightop fades and door knocker hoop earrings) to what they played on the radio. As I got older I didn’t return to hip hop until much later, and didn’t take it seriously as something I was interested in exploring until I was in high school.

For many years, the youth have been known for singing along to their favorite song and taking that song as whole and using it as their motto for life. It may seem that sometimes these kids do not know what is being said in the music but this shows that they do know what the lyrics are saying. According to Franklin B. Krohn and Frances L. Suazo in their article “Contemporary Urban Music: Controversial Messages in Hip-Hop and Rap Lyrics,” many teenagers and minority groups view rappers as their spokesmen because of their ability to speak in street language and bluntly express their frustration (Krohn, 1995). Unfortunately, hip hop lyrics usually tend to talk about drugs, sex and violence leading kids to think that everything they hear is okay and that is how they have to live their life. Yet, there are artists out there who take their lyricist skills to give positive lyrics and messages in their music, but these songs are not often played in the mainstream.

Frequently, the gansta rap has been the center of attention on national debates regarding the amount of violence in the media and its effects on America’s youth. In some occasions, there have been cases in where political experts and television analysts have accused individual rap starts for real life tragic events. However, it is imperative to understand that if hip hop music is violent, it is because the songs express the reality that African American live on a daily basis. In order to be objective on this matter, it is essential to look past the controversy and acknowledge that it is unrealistic for one particular

Hip-Hop is an extensive and a broad conglomerate of various artistic forms that ultimately originated in the South Bronx and then quickly spread throughout the rest of New York City among African-Americans and other African-American youth mainly from the Caribbean and from Jamaica during the 1970’s. Over the course of decades and recent years, controversy surrounding Hip-Hop and rap music has been the vanguard of the media. From the over hype of the East and West Coast rivalry to the deaths of Tupac, Biggie, and even Michael Brown and Trayvon Martin, it seems that political and broadcasting groups have been injudicious to place essentially the blame on rap and Hip-Hop music for a superficial trend in youth violence.

Music has inspired and touched the lives of many aspiring hip-hop artists which makes it one of the most influential characters in America culture. Hip-hop has become one of the most vital, and profitable, forces in popular culture. Rap music is an international art form and is regularly heard in advertising including radio and television. Hip hop beats have influenced popular music genres from rock to jazz to reggae. The fashions, styles, and attitude of hip-hop have been adopted by America’s commercial culture industries and by youths from all cultural backgrounds. I predicted that hip hop music is here to stay because that 's only way they can convey their story without being arrested. Is here to stay because, the same inadequate education, inequality among poor people, Injustice and police brutality that hip hop music is talking about is still exist in American today.

Hip Hop in the most popular genre of music between all African American communities, not just in America, but worldwide. Hip Hop has expanded itself into music, fashion, advertisement, movies, and it’s given many rappers, and those associated with the genre, the chance to influence their communities, societies and their culture in general, but commercial Hip Hop in the U.S. has branded Hip Hop in a negative way. (The Young and The Hip-Hop, Hip Hop Culture Center in Harlem, 2012, Web, Oct. 27, 2014) This is all due to the negative imagery and negative lyrics like the term nigga, negative implications of Hip Hop include exploiting black adolescent girls, promoting unhealthy lifestyles, and implying that the open use of the word nigga is not harmful. Hip Hop has become a global phenomenon where it has evolved from a genre of music to a lifestyle for the African American community.

“Key for key, pound for pound, I’m the biggest dope dealer, I serve all over town.” Imagine being on a jury of a drug related case and hearing these rap lyrics played as evidence. Would you immediately charge the defendant of drug distribution or would you consider his lyrics as a form of artistic expression? In the court system the disclosure of rap lyrics written by a defendant as evidence is an ongoing controversy that is becoming increasingly popular and accepted. Jurors face a difficult decision on the credibility of the lyrics and how to properly interpret them when used as criminal evidence. Is this really a confession from the defendant? Do the lyrics describe the defendant’s motivations, intentions, or conduct? The debate continues to distinguish the defendant’s words as artistic context or criminal intentions.

     Most rap songs that contain violence reflects incidents that occur in today’s society such as the Rodney King incident. “Rap music brings together a tangle of some of the most complex social, cultural, and political issues in contemporary American society.” Rap and hip-hop artists write songs that promote the killing of enemies as well as targeting institutions such as the church, government, and justice system (Ro 145) Most artists relive their own painful experiences over and over again though their music, delaying their own society’s process of recovery . for example, in 1989