Star Wars: The Problem With Science Fiction Movies Today

Science fiction is broadly defined as a film about the future or alternate realities, often but not always set in space, and frequently incorporating horror elements, science-fiction movies are wildly popular among fans (Goodykoontz, 2014). As a subgenre of fantasy, science fiction enables viewers to relate to themes from an idealized alternative version of reality (Edwards, 2014). Star Wars: Episode IV - A New Hope is a feature-length film that fits this genre perfectly. Star Wars: Episode IV - A New Hope unfolds as princess named Leia is held hostage by the evil Imperial forces in their effort to quell the rebellion against the Galactic Empire. Luke Skywalker and a smuggler named Han Solo team together with the lovable droid duo, R2-D2 and C-3PO, to rescue the beautiful princess and restore justice in the galaxy.

Star War, Star Trek, those are probably the names that pops into your head when you think of science fiction. However, for over a hundred years, artists and philosophers from all around the world, has never been certain of the true definition of Science Fiction. Although, individual definition of science fiction has erupted in the few decades, especially during the 19th century, when the idea of extraterrestrial surged the media. Today, there are numerous definition of science fiction, each different from one another in its own element. For example, science fiction stories, according to Ray Bradbury are a possibility that has happened in the past or will happen in time. This means that science fiction is the past, the present and the

With the record setting release of Star Wars: The Force Awakens the sci-fi franchise is the center of attention. No small talk begins without saying, Have you seen the new Star Wars?

Some science fiction is really not much different than any other sci-fi story and does not really require the reader or viewer to think very deeply. However, Arthur C. Clarke's "The Star"

The first Star wars movie “STAR WARS: EPISODE IV A NEW HOPE” was a game changer in the world of movies. According to the National Information Services, LLC “STAR WARS: EPISODE IV A NEW HOPE” made $1,554,475 just in the opening weekend on May, 25,1977 and made a whopping $786,598,007 according to the worldwide box office ticket registry. "Box Office History for Star Wars Movies." Star Wars Franchise Box Office History. Nash Information Services, LLC., n.d. Web. 09 Sept. 2016. This film is idolized by millions Americans and foreigners and we can all thank one man for it. George Lucas. A lot of opinions have been formed about all six of the Star Wars movie some good some bad. Throughout this essay I give you data on Star Wars, background information on George Lucas the creator, George’s mindset on the changes of the originals and prequels, my judgement on fan reactions and George’s decisions, and of course the opinions of the beloved fans who made Star wars famous.

In conclusion, science fiction is ultimately a genre of displaying humans present state of being and displaying how catastrophic the future can be if we neglect to point out the flaws and challenge each other. Science fiction of course contains information on aliens, futuristic-looking gadgets, distant worlds, and robots but in the core of it all, sci-fi is the ultimate genre of warning. Warning of hazardous technological advancements and utter carelessness to the craft of inventing. Be careful of what the future holds. The future started yesterday and we’re already

The dramatic war-like classic of a long time ago in a galaxy far, far away, it is Star Wars. It made a huge impact in the 70s for its THX digitally mastered sound, new visual effects, but most of all the marvelous theme, without which, Star Wars would not be half the film it is now. It took the science fiction genre to a whole new era. Therefore, Star Wars IV is the best science fiction movies of all times.

Star Wars is a classic representation of the science fiction genre of the 1970s and 1980s because it has helped to popularize

The future looked bleak, and literature of the period reflected that. Grim dystopias were the order of the day in science fiction. Then came Star Wars, a futuristic tale coated in a shell of fantasy, chivalry, bravery and knighthood. It promised hope, in a time where societies had little left to spare. This lead to the unexpected and unprecedented success of Star Wars.

George Lucas’ space epic has colonized our imagination(rogerebert). If Star Wars: A New Hope was never made it would be hard to imagine. Other filmmakers would not be as driven to meet the same expectations as A New Hope did. Kids would not have had something they are interested in and a fan of as much as Star Wars did. Since Star Wars: A New Hope was the first movie, if it were never made we would not have the entire series, which was fantastic and had stunning features being displayed and some of the best characters ever created, and ended up making 215 million dollars in the U.S and 337 million

Few great filmmakers can write and oversee the production of a film that will be relevant and built upon for the next 4 decades. Even fewer filmmakers can be regarded as the person who changed cinema forever. George Lucas did all of this in 1977 with the release of the film he created, originally called, “The Star Wars.” He had this idea after his first feature length film “American Graffiti” in 1973. This film became popular and he later pitched his idea for a space opera to the production company. They agreed and Star Wars was born. In the beginning, it was meant to be one film, which would entail all of the story for the three films in the original trilogy, A New Hope, Empire Strikes Back, and Return of the Jedi. Due to budget

Science fiction is inherently predictive. The works created under this genre often delve deeply into important issues, including anything from scientific advancements to the ramifications of  societal control. As we break through the caution tape set up by those attempting to warn of us our future, the utopias of yesterday become the dystopias of today. A world full of possibilities becomes distorted by our own desire for power and control. Though fiction turned occasional fact, science fiction has become a precursor to important discussions regarding the advancements of yesterday, today, and tomorrow.

The science-fiction film genre serves as an excellent medium for examining shifting power structures, social paranoia and Cold War politics during the 1950s. A number of films released during this period, including: Invasion of the Body Snatchers (1956), The Day the Earth Stood Still (1951), Them (1954) and Attack of the 50ft Woman (1958), are particularly symptomatic of the social and political atmosphere of the time. These films navigate not only narrative based issues such as the threat of aliens and science experiments gone wrong; but also wider issues of the time, such as the Cold War, changes in the US film industry, urbanisation, politics, the growing power of women and most significantly, social concern about nuclear energy.

The good thing about films is that we not only have the opportunity to choose from a wide selection of different genres, but also compare them and understand their purpose in the world. The Horror genre has used the basic principles throughout time, and as a result, films of this type have not proven to be as timeless as another genre: Science Fiction/Fantasy. At first, these two genres might at times seem similar as they have at several occasions been blended together, but their basic, common theme serves different meanings about humans. I shall compare and contrast these two genres and focus on both classic films and modern films. From the Horror genre perspective I shall discuss Psycho (1960) and The Mist (2007), while in the Science Fiction/Fantasy genre I will examine 2001: A Space Odyssey (1968), Pan’s Labyrinth (2006), and Serenity (2005). Although the Science Fiction/Fantasy genre and the Horror Genre share some similarities, the differences lie in their focus on human progress.

Most of the science fiction works contain a crucial message that the writer wishes to convey to the viewers. There are two categories of film message, one is positive and the other is negative. A positive message is one that is expected to have favourable outcome to the audience, and continuously aiming to promote better societal changes. In contrast, a negative message is one that could deliver threats or unpleasant information to the audience, which could have significant impact on the normal order of the society. This essay will argue that if the message contains positive elements, then it is not a bad sign to embed science fiction works with a message. First, this essay will suggest that the well-integrated message within a particular