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The Professor 's House By Willa Cather

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The Professor’s House by Willa Cather is a thoroughly Modern novel, saturated with the period’s characteristic indifference and sense of disillusionment with the contemporary social order. The novel is subtle, however – the literary Modernism of each character and theme is cloaked in nuance, and could go unnoticed by a casual reader. The narrative unfolds in a clear and explicit manner, but can be falsely assumed to lack a clear moral resolution based on the ambiguity of its conclusion. Gender differences and roles are central to the story, and serve to illuminate Cather’s ultimate conclusions. Through The Professor’s House, Cather advocates the reinvention of traditional gender models to combat Modern indifference. The dress forms that reside in Professor St. Peter’s study, used by Augusta, the St. Peters’ seamstress, are an analog for two traditional roles of women and each can be ascribed to the female characters of the text. Descriptions of the two forms reveal associations with two distinct and antiquated roles for women. The first form, called “the bust” by Augusta, appears “ample and billowy (as if you might lay your head upon its deep-breathing softness and rest safe forever)” (Cather 9). However, to touch it is “very disappointing to the tactile sense, yet somehow always fooling you again” (Cather 9). The first form is tied to motherhood, because of “the part for which it was named” (Cather 9), yet is not a sympathetic figure. “The bust” is fundamentally

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