The Prophet Of Small Things By Jhumpa Lahiri

time in his life. The theme of name and identity in Lahiri’s novel the Namesake is obvious.

Gogol grapples with his name throughout the majority of the novel, yet this tension was in the makings even before his birth. Ashoke and Ashima being immigrants set Gogol up to live in two different cultures, American and Bengali. Many children of immigrants may feel like Gogol, having one foot in each world. Gogol framed his struggle with cultural identity through something tangible, his name. In Jhumpa Lahiri’s novel, The Namesake, Gogol’s struggle with cultural identity is exposed most greatly by the name others call him and his reaction to it.

The dominant idiom of Indian writing today is firmly entrenched in pain, anxiety of displacement, nostalgia, yearning to belong to roots, and so on. Arundhati Roy’s The God of Small Things and Kiran Desai’s The Inheritance of Loss are two such novels that explore the tragedy of man on several levels using different perspectives. Both the novels are about averted culture-clash tragedies, homogeneity vs. heterogeneity, and about Indian sensibilities.

A person’s heritage and cultural identity may be lost when moving to a new country where the culture is different and other cultures are not easily accepted. In the short story “Hindus”, Bharati Mukherjee uses setting, characters and the plot to discuss what it is like to lose your cultural identity while being a visible minority in America. Mukherjee uses the plot to describe the events that take place in the main characters life that lead her to realize how different the culture and life is in the America’s. She also uses the characters as a way of demonstrating how moving away from one’s culture and heritage can change a person’s perspective and ways of thinking. Mukerjee also uses setting in her story to identity the physical differences in culture between living in India and America. Alike the setting and characters, the plot helps describe the loss of culture with a sequence of events.

Forming a new identity in a foreign country is not an easy task. Immigrants usually face challenges to identify themselves. Identity formation is the development of one’s distinctive personality due to particular reasons such as new environment, new culture and conflicts. During the process, some characters from Jhumpa Lahiri’s The Namesake either create or deny the bond with their own culture; some undergo conflicts among generations. Those processes reflect significantly in Ashima and Gogol throughout the book. The degree of assimilations determines to what extent the characters have formed the new identity in the new culture.

In Mira Nair’s film, The Namesake, the disparate cultures of India and America affirms to the binary paradigm of “the one” and “the other”, manifesting the dominance of one from the other and its impact to influence and cause cultural and identity issues. The collision of the two cultures forms a process of trying to construct an identity and a destruction of an ethnic identity, with different factors to consider such as space and other sociocultural codes. This film about the Indian American also shows the concept of model-minority image, standards and expectations imposed to Asian Americans. The Namesake embodies the cultural and identity issues of an Asian American, particularly the Indian Americans, exemplifying the experiences of the

The Namesake, written by Jhumpa Lahira, a famous Indian writer who won the Pulitzer Prize for her story collection Interpreter of Maladies, brilliantly illustrates the immigrant experience and the tangled ties between generations. In this novel, the main characters Ashima and her husband, Ashoke, were first generation immigrants in the United States from India. The whole story begins with Ashima's pregnancy and her nostalgia of her hometown, and a sense of melancholy revealed from the first chapter. While Ashima felt insecure and worried about her new life in the United States, her husband Ashoke, rather wanted to settle in and struggle for a new life. All of uncertainty and reluctance of this new-coming couple faded way when their son,

The novel The Namesake written by Jhumpa Lahiri writes about the struggle and hardships of a Bengali couple who immigrate to the US from India to create a lifestyle outside of everything they have known all their lives. The story begins as Ashoke marries Ashima and brings her to the Massachusetts. Their first child’s name is Gogol, which they didn’t intend on naming initially but because of different mistakes, Gogol has officially become his name. This book/film gave a pleasant insight into identity

The author Jhumpa Lahiri shows how much Gogol has developed and matured throughout the course of the novel. From the the beginning of The Namesake to the end, Gogol is shown developing intellectually. Gogol intellectually improves himself by allowing himself to be more acquainted with his name and identity which gogol prefers to be referred to as. In the third chapter of The Namesake, Gogol takes on one of his first challenges when Gogol is introduced to his first year school. Gogol is perturbed when he finds out that Ashok and Ashima were allowing the other children to call Gogol by his “good name,” Nikhil instead of Original name Gogol. Although, Gogol had never had someone refer to him by anything other than Gogol throughout his entire life, Gogol is perplexed as to why he is being referred to by two names. The Principal of the school refers to him as “Nikhil” in a conversation, Gogol chooses not to respond. As Gogol is in the office with Mrs.Lapidus Ashok says “Go on Gogol”. In doing so Ashoke bagans to worry that by doing so Mrs.lapidus would began to catch on, however,

Interpreter of Maladies is a collection of fictional short stories by highly acclaimed author Jhumpa Lahiri. The book illustrates the lives of first- and second- generation Indian immigrants as they face the challenges and struggles of living a culturally conflicted life in the United States. Lahiri herself was a part of an immigrant household. She was born in London in 1967. Her mother and father were both immigrants from India. They moved to the United States when she was two years old. Because her mother wanted her to grow up aware of her Indian, specifically Bengali, heritage and traditions, they frequently visited their relatives in Calcutta. Although Interpreter of Maladies is considered fictional, critics suggest that it is also autobiographical because most of them are adapted from her friends’, parents’, and acquaintances’ lives. This paper will focus on three specific stories in the book namely: When Mr. Pirzada Came to Dine, Mrs. Sen’s, and The Third and Final Continent. The aforementioned stories deal with the struggles and challenges faced by most immigrants, specifically, how they deal with the clashing cultures of their old heritage and their new world. Lahiri’s Interpreter of Maladies illustrates that although migration entails struggles and sacrifices, the expatriate characters decided to move to a foreign land because of their hopes for a better future, but the strong sense of attachment to their Indian heritage made it difficult for some to adapt to their

Eliade, in his book “The Sacred and Profane,” poses an interesting conjecture that all people are inherently religious. What one does and the decision they make in their lives are all reflections on what they find sacred. Sacred in this context is an extension of one’s belief held up in high esteem to the point where what is deemed sacred is god like. Religion is the frame that interprets what is sacred and gives it a name and a face. Christians, for example, view Christmas as a sacred time as it is the season of the birth of their savior; Jews view the Passover as sacred as it represents a time in their religious history where God passed over the Jews while sending a message to their enemies. What is sacred can manifest itself in any shape, form, or time; truly entering the fourth dimension of space. If something sacred is god like, what is sacred to those who do not have a God? How can something be sacred if there is not a frame of reference for the thing to be sacred? How can every decision a person makes be reflect what they find sacred, if they do not have a religious language to reflect this phenomena?

The lives of Muhammad by Kecia Ali is a modern book that describes the way the life of the prophet has been told by past authors. It looks at the manner in which he lived his life and some of the decisions that he made. However, many other authors who have written about the life of Prophet Muhammad but Kecia Ali bring out the unspoken perspective that many people hardly notice. She shies away from describing the truth spoken by anti-Muslims and Muslims alike. On the contrary, she analyses both factions of the narrations and tells the story of Muhammad in a new light.

All around the world people struggle with a sense of self-individualization, which is the internal battle each person has to face in order to discover ones true identity. The quest to find oneself is a difficult and lengthy endevor that can take a lifetime to accomplish. Some if not most people never reach a point where they can truly face who they truly are. In the Novel The Namesake by Lahiri, identity is illustrated by intensely examining the importance of ones background, name and culture. The main characters in the story try to uncover the reasoning behind their lineage, which they belive will lead to discovering the answer destiny in life. Playing on this belief the Ganguli’s sustain the element of traditions with them and practices

It's the smallest things in life which are most often overlooked and sometimes completely ignored. In the novel “The God of Small Things”, Arundhati Roy presents minute details about each character and how their lives are changed based on the societal norms in India. Not only does Roy address the importance of “small things”, but she also gives the title “The God of Small Things” to Velutha, an untouchable who is amongst the lowest social class of India according to the caste system. Although Velutha’s social status is practically worthless, him being given the title, “God of small things” represents all the small things within the story that are overlooked. In a society where big things such as information about social caste system, wealth, religion, political standings, and marriage are important, Roy repeatedly emphasizes the small things having the most impact on the characters within the story. Take Baby Kochamma, Comrade Pillai, and Velutha for example, the society they live in are mostly concerned on social status and politics as opposed to important minute details that shape the way they think. By making Velutha the god of small things, someone who’s at the bottom class structure in India, Roy shows that it is wrong to live accordingly to the ideas confined by society.

In the novel The God of Small Things by Arundhati Roy, the reader notices the differences between the modern American view of politics and society between the politics and society in the novel. This novel takes place in the southwestern part of India in a town called Kerala and is focused on the wealthy family of the Syrian Christian Ipe family of Ayemenem. Within this family, many of them have problems in their lives and as a result, go to the house once their problems have taken a turn for the worse. A major theme of this story is the society of India and the caste system that is in place. Some characters that were majorly affected by the caste system are a woman named Ammu and her two children, Estha and Rahel along with an Untouchable named Velutha. Besides the caste system Ammu and her children must worry about the social system and the outcomes of actions that are not socially acceptable. Another recurring theme of this novel is the change in political stances in the country of India and how it affects the characters. Since the Ipe family is wealthy, they own a factory called “Paradise Pickles and Preserves” and some character struggles revolves around the fact that there is a motion for a change in politics. Although the novel can be understood on its own, it makes it more understandable if the reader learns about the political history of India and an understanding of the caste system. Besides the political history and caste system the view on gender in the country of