The Propoganda behind the Fascade in the Movie, Casablanca

     In Casablanca, the prominent themes of unhappy love and self-sacrifice set this romantic melodrama apart from most in its genre. These themes are best expressed in the interactions of the three main characters: Victor Laszlo, a heroic political leader; Ilsa Lund, an enigmatic femme fatale; and Richard (Rick) Blaine, a seemingly morally ambiguous night club owner. An unusual love triangle forms with the two men’s mutual love for the intermediary woman. Unlike the archetypal romantic triangle which includes the betrayed husband and the victorious lover, this situation results in unhappiness and loss for all involved. All three are willing to sacrifice for this love,

The characters in Casablanca all contribute to the political allegory, for example Rick is strong and isolated like America, Strasser is the typical Nazi general representing Germany, and Renault is compliant with the Germans like France. American Rick and European Louis look out for each other's interests throughout the film, just as America and Western Europe did once the United States entered the war. Renault had to obey and follow the Strasser?s demands until he had leverage and the knowledge that he could defeat or overcome

Ray points out that this concealing of the necessity for choice also governs the thematic paradigm in Casablanca. The film invites the audience to identify with Rick rather than Laszlo even though official American wartime sentiments are consistently voiced by Laszlo. Rick regularly insists upon unmediated self-interest,"I stick my neck out for nobody", "I'm the only cause I'm interested in", a position that Ferrari explicitly identifies with a discredited American tradition: "My

In the 1942 film, Casablanca directed by Michael Curtiz, is a classic film noir. A film noir or black film, is characterized by the tone of dark elements, physically and psychologically, the element of crime, and the element of World War II and post-war disillusionment with influences of German expressionism. This film captivates the classic film noir characteristics thematically through Rick Blaine’s behavior, the characters and atmosphere, and the significance of the one setting used through the entire film as well as cinematically through the overall cinematic elements that establish scenery.

Nevertheless, it seems that they represent American society in the 1940’s. The character of Rick portrays an unconventional hero who tries to stay outside of everyone’s business, but in the end it is him who saves Laszlo’s and Ilsa’s life. This reminds me of the role of America during WWII. At first, the United States tried to stay out of the war, but when they were forced to react after Pearl Harbor, they got involved. The film also refers to this when Rick asks his friend Sam if he knows what time it is in New York. Before Sam can reply, Rick says that it must be December 1941, which was the time when the attack against Pearl Harbor occurred. Ilsa, on the other hand, represents the role of American women. She is described as the most beautiful woman that has been seen in Casablanca. Her appearance reminds me of the typical image of an ideal American girl – blonde, pretty and conservative. She tries to act in a moral way when she finds out that her presumed dead husband is still alive and she leaves Rick at the station in Paris. This reminds me of how women were treated during the 1940’s. It was their responsibility to take care of the family business, but in the end men would have the final decision. Ilsa tries to get the transit-visa from Rick, but she tells him to decide what she should do next. Rick sends her away with Laszlo and restores the perfect family union between Ilsa and Laszlo. Another

1. What is the setting for Casablanca? How does the film establish this setting? If you were creating a theatrical production of the play upon which the film is based, how would you establish the setting on stage? The setting for the movie looked as if it was around the 1980’s. The movie has a sort of mellow feeling to it because of how calm all the actors and actresses are performing. If i were to do a theatrical performance on this i would have set all the scenes in a way where it would fit the 1980’s attitude, such as clothing and accent.

In the film, “Casablanca”, it showed us that America was neutral in the war as Rick said, “I stick my neck out for nobody.” Rick is portrayed as America, although he seemed as if he was neutral he started to show that he was caving in for the underdog, just as America did when we started to get involved in the War. During the film when the Germans come into Rick’s café, Rick shows that he is aware of what is going on in the War, just as we Americans knew about all the concentration camps. Also, when someone offered to buy Sam’s contract from Rick, Rick said “I don’t buy or sell human beings.” Casablanca shows that America is aware of what is going on and that we are above all of it.

“Ads implied that if you bought a war bond your sacrifice was on par with that of the man in the front lines.” (74) The US government and industry played on Americans’ sense of patriotism in order to get them to support the war or buy their products. However, “Advertising had inherent problems as an educational tool. It is by nature emotional, rather than intellectual; it sells feelings rather than ideas.” (73) Government propaganda and business advertising were not the only factors in forming the inaccurate myth of the Second World War. Hollywood made films where “people get blown up with their clothes and fall gracefully to the ground” (100). Through the realism of motion pictures, such as 1998’s ‘Saving Private Ryan’ and 2001’s ‘Pearl Harbor’, Americans were falsely led to believe in a glorified war.

During World War II, ¨[h]undreds of short films, featurettes, and feature films were produced.¨ (ibblio.org.) The OWI produced 267 of these newsreels between 1942 and 1946. These ¨[n]ewsreels averaged 10 minutes in length and consisted of...events from the home front.¨(WWII UN Newsreels) These newsreels were often shown in movie theaters before the feature film, in order to make people pay attention and be completely ´informed´ about the war. A famous example of a newsreel is D-Day, about a decisive battle where the Allies invaded German controlled Europe in their campaign to liberate

In the film Casablanca they show various different aspects of American culture during the wartime forties. These things are cumulated in the films sole American, whose name is Rick. However this film not only shows the culture of Americans but also shows a look into what Americans viewed the war as. The values of people and what was considered obtuse for society are ever changing, and you can see this as plain as day within the movies and films of the time. Casablanca is an amazing example for this because it is special in the fact that it’s the only play written during the time that was never played but was instead turned straight into a movie. Now let’s take a more in-depth look into the movie and how it’s connected to the people who were meant to watch it.

The film showed me a lot about the horrors of the war. It was a very hard and long war.

Casablanca, first released on January 23rd, 1943 is undoubtedly one of the masterpieces of Classical Hollywood film. Written and released in the midst of World War Two it explores themes such as love, desire and especially sacrifice. Although the love story of the protagonists is the cause and catalyst for most of the narrative, one would not necessarily associate it with the conventional Classical Hollywood love story. Rather as a fabula based on the principle of the importance of sacrifice in order to overcome a common enemy, in this case the Nazis. Casablanca does indeed contain many of the common characteristics identified with the Classical Hollywood film. An example being the the way director, Michael Curtiz used a mainly chronologically ordered narrative structure and the utilisation of a Cause and Effect chain. In this essay I will looking at the various ways I believe this film does fall into the criteria of a Classical Hollywood narrative and also how some could perceive that it does not.

The film Casablanca directed by Michael Curtiz and released in 1943—at the height of World War II—is set in December 1941 in Casablanca, French Morocco. It is a time of escalating power of the Nazi party, which attempted to gain control of most parts of the world starting with Europe and Northern Africa. As a result of the ascending power of the Nazis and anti-German sentiments, many Europeans were desperate to flee their homes. Because Casablanca was not yet taken over by the Germans due to its distance from Europe, it served as the holding place or middle ground for those trying to escape Europe, assuming they could get there. People would travel from Europe to Casablanca in hopes of receiving letters of

Clayton R. Koppes asserts that “in the OWI/Hollywood vision, the [Second World] war produced unity”. While many focus on the immense rifts of the Second World War, it is clear that cinema of the period took a different approach due to the pressure for national unity. The film industry played a pivotal role in wartime propaganda, and as a result shaped hearts and minds for citizens both at home and for those fighting overseas. Despite the struggle of the period, wartime unity in cinema was nevertheless forged in the fiery crucible of war.

During World War I many Americans could not be bothered to care about the current events in politics. The populous generally agreed that Americans should do their best to remain neutral and uninvolved. Murray Burnett was a 27-year-old English teacher who wrote a play titled, “Everybody Comes to Rick’s” in attempt to warn the public that this war was coming to America as well. He was inspired to do so after making a trip to German-occupied Vienna in efforts to help Jewish relatives. After the Pearl Harbor attacks leading into World War II America was forced into the war. This play later became more commonly known as the play that inspired of Casablanca. This film likewise chased many of the same political goals to influence American audiences to open their eyes to the world’s current events rather than settling for an illusion of isolation (Gluck, Robert). While many see Casablanca as another typical studio produced movie of its classical era, the crafty use of classical Hollywood narrative structure and development of character enables this movie to have a stronger political message and influence.