The Pros And Cons Of Horror Stories

Watching frightening films such as “It,” Stephen King’s masterpiece, which is engrossing its monumental audience, is a favorite pastime of many young people. This industry is vast and creates a large amount of wealth for many of the people behind it. However, parents should diligently research these films’ psychological effects on minors before allowing their children to engage in this form of entertainment. After all, “‘Given that very young children may not yet know what types of stimuli frighten them most, nor do they enjoy the power to choose which media the family will view, they are in special need of protection from exposure to such scary stimuli before coping strategies are necessary’” (“Scary”). This shows that parents must carefully consider the content they allow their children to see. People watch horror movies for myriad reasons, as shown in Stephen King’s essay “Why We Crave Horror Movies,” and watching these films have both positive and negative effects that parents should be aware of, which are displayed in Stephen King’s essay “Why We Crave Horror Movies” and in the USA Today article “Scary Movies and TV Programs Have Long-Lasting Effects.”

My grandma once told me, “If you stay up too late at night, the boogeyman will get you”. I never believed her but I knew I wouldn’t want to see the Boogeyman if he actually existed. Most people would actually want to watch these horrible beings. In this case, they would want to view a horror movie such as “Friday the 13” or “Nightmare on Elm Street”. It is part of our Human Condition to be attracted to the films and asking for more. Stephen King’s claims in “Why we crave horror” asserts us that humans crave horror to face our fears, to re-establish our feelings of normalcy, and to experience a peculiar sort of fun.

Many people have problems with the violent programs on TV, and they don’t want them to be played on TV because of their kids. They get scared when inappropriate shows are on TV. In the essay “Now You Take “Bambi” or “Snow White” — That’s Scary” author of horror novels, Stephen King argues against a ban on airing violent television programs to prevent children from being frightened. He begins his essay with an imaginative rendering of the plot of “Hansel and Gretel,” and points out the fact that children are exposed to scary stories in fairy tales. He explains that he has written both series that are and are not appropriate for young children. He has screened the movie versions of his stories and decided which stories are off limits for his children and insists other parents do the same. As support for his argument, King refers to the repeated suggestion that various forms of entertainment, even scary forms, are cathartic, and they offer a way for people, including children, to enter a scary yet controllable world for a limited time, where they can express and release their fears and aggressions. Therefore, King believes that children have the right to experience scary TV programs and movies, but a mature adult should decide what children can and cannot watch. He

Horror is the genre that keeps the reader on their toes for nights upon end. It keeps them thinking. Thinking about how cruel and disturbing someone, or something, could possibly be. Thinking about what in the world happens to a character after the story drops off in a cliffhanger. Thinking about the probability that the events in the narrative could transpire in real life. Thinking about how likely it is for those things to happen to the reader. Refusing to look out their window in fear of seeing the glimpse of a murderous face, and listening to every sound with acute accuracy, praying that the noise is not one of a stranger creeping up the stairs. Scary accounts make the reader live in fear whenever the

In the essay, "Why We Crave Horror Movies" by Stephen King the author tries to prove that the modern day horror movie is are relief of violence, are fix of adrenaline and fun, and also something that can dare the nightmare. In a lot of ways these things can be related to real life situations. My relief of violence is playing video games, and my fix of fun and adrenaline is when I play football, and something that dares my nightmare is when I challenge my brother.

“Why we crave horror movie” is a type of mini review written by Stephen King in playboy 1981 in which he had discussed, various features of the horror movies. Stephen King is an American writer well famous for writing the horror movies and is popular in the world of literature as Richard Bachman. In this mini-review King had used an ethical approach to delineate the differences between the some of the horror movies and to highlight certain psychological factors responsible for people’s craving for the horror movies. In this piece of writing, King had spotted certain emotions that become reason for this psychological drive. Moreover, he by using his straightforward approach

The foundation of horror genre was set by monsters that not only haunted your dreams but also conveyed rich themes found deep beneath the surface. Vampires are considered a symbol of seduction and sophistication while Frankenstein monsters represent misunderstanding, oppression, and rebellion. Some of the strongest symbolism is found in standard films of the horror genre does not come from the frequently updated relics. Utilizing fear and horror as mechanisms for subtext, social commentary, and symbolism, George Romero created a new horror genre, one that scares and shines just as much as great horror classics. Romero’s Night of the Living Dead revolutionized the once stagnant zombie film and made into something unstoppable, still to this day zombie movies rake in millions of ticket sales at the box office while remaining culturally relevant.

Do you enjoy watching murder, the paranormal, and any other morbid scene which makes the hair on the back of your neck stand up, your palms sweat, and your adrenaline surge? Why people enjoy watching murder, tragedy, and carnage in their spare time has been a mysterious phenomenon. If these gruesomely horrific scenes would not be enjoyable in real life, why is watching a recreation of it so riveting? Stephen King, a world-renowned horror novelist, wrote “Why We Crave Horror Movies” to give insight as to why horror movies, although gruesome and morbid, captivate audiences. King also aims to persuade readers to continue to watch horror movies, arguing that they are a crucial part of keeping sanity. King delves into this psychological aspect of humans and believes that the desire to watch horror films is a normal tendency of humankind. “Why We Crave Horror Movies” includes appeals to emotion, logic, and author credibility in order to convince readers of the positive, normal desire to watch horror films, why it is important to watch them, and why the reader should believe what the author is saying. King utilizes the rhetorical devices—pathos, logos, and ethos—in an effective way through the use of metaphor, logic, humor, and emotion to persuade readers that watching horror films is normal.

Further, King goes on to state that when we watch a horror movie, “we are daring the nightmare,” meaning we are almost begging to be scared. King also states there are multiple reasons for this, but one of the main points is “to show that we can, that we are not afraid.” He then appeals to the audience experiences by making his paper more relatable and comical when he compares horror movies to roller coasters. King states, they are both usually liked by the young, but once their age reaches to the forties or fifties, “one’s appetite for double twists or 360-degree loops may be considerably depleted.” Additionally, King uses his clever collage of comparisons to explain one of the horror genre’s many intentions are to show us right from wrong. Which might also provide some of us with “psychic relief,” throwing ourselves in a place where intensive questioning is unnecessary, giving people a small break from their complicated daily life.

Moreover they deal with our most primal nature and its fears: our nightmares. Some horror films exhibit a substantial

The novel Dracula had, and still has an immense effect on horror through its use of literary elements which are observable in horror movies. Bram Stoker's Dracula was revolutionary in its use of literary devices such as dramatic irony, to convey suspense, and the use of sexuality in literature. These devices were adapted to film in early horror movies and continue to appear till today. Dracula was very influential to the film industry when it comes to horror movies because horror movies draw a lot of devices used in Dracula and use them in their movies, this can be seen in movies such as Halloween, Friday the 13th, and the movie adaptation of Dracula.

I looked up at the black sky. I hadn't intended to be out this late. The sun had set, and the empty road ahead had no streetlights. I knew I was in for a dark journey home. I had decided that by traveling through the forest would be the quickest way home. Minutes passed, yet it seemed like hours and days. The farther I traveled into the forest, the darker it seemed to get. I was very had to even take a breath due to the stifling air. The only sound familiar to me was the quickening beat of my own heart, which felt as though it was about to come through my chest. I began to whistled to take my mind off the eerie noises I was hearing. In this kind of darkness I was in, it was hard for me to believe that I could be

Horror is designed to scare, cause alarm and dread, while also entertaining the audience at the same time in a cathartic experience (Dirk, 2016). Horror films are meant for a specific type of audience that enjoy scary films. Dirks (Tim, 2016) approach to genre horror, is that films went back as 100 years ago, from the earliest days our vivid imagination in seeing ghosts in the shadows to be connected emotionally of the unknown, and fear things that are improbable. You watch a horror film, it makes you aware of the scary surroundings, the essence of fear itself, without actually being in any sorts of danger. Dirks argues that there is a fun and thrill factor in being frightened, or watching something disturbing. It gives you that feeling of an adrenaline rush, as well as having that feeling someone is actually next to you lurking in the dark (Dirk, 2016).

In horror stories there is just enough mystery to make you want to know more, and enough danger to make you glad this is fiction. Scary stories can allow people to conquer their own adversities. We all have our demons, things we’re afraid of but don’t want to admit. Some horror novels play on common fears like IT by: Stephen King which uses clowns as the source for fear, Chucky which features menacing dolls and Contagion which portrays rampant pestilence. By vicariously facing your fears in a novel, you’re able to tame them in real life. Sometimes even watching a character deal with the monster uplifts you to face your own fears. The concept of gruesome entertainment is all in human psychology. In order for us to be entertained, we have to feel the story being told. Scary stories bring us the adrenaline rush, the exploration of the unknown, and even the upliftment we all crave. Luckily the monsters in these stories are all fiction and cannot harm us in real life. Until they show up the next night, waiting for you in the

It’s strange trying to think about these original film properties—Frankenstein and Dracula, respectively—as serious pictures, void of camp and cheese. However, most of this comes from age. It’s interesting then, watching the Hammond-era films, and trying to view them as anything remotely serious. They aren’t. However, they do, at times, manage to disguise themselves as such. In reality, these movies are no Rosemary’s Baby, but rather the birth of a new brand of gothic horror—the gore filled, B-movie, spin-off franchise films; a weird series of twisted exploitation reboots, upping the ante and upping the ridiculous names. The two things that immediately came to mind when watching these films is the obvious influence they had on the work of Mexican director Guillermo Del Toro, and Kate Bush’s song “Hammer Horror” — I admire both artists greatly, so I went in the Hammerverse with my eyes wide open.