The Protagonist in Sister Carrie by Theodore Dreiser

Passion and control correspond to voice and silence, as expressed by the three relationships in Janie's life. Hurston brings together the men and women in her novel, comparing Janie's personal growth to the three significant men in her life ( Logan, Starks, Tea Cake, which all three were her husband.)

Jane’s goal is clearly much higher than reproducing other’s works. She sees herself acquiring the skills of a professional artist. Jane

In spite of the way that Connie tries to show the nearness of being a created woman who has learned about men, her involvement with Arnold reveals this is only an execution. She has made an engaging grown-up personality through her dress, hairstyle, and general direct and gets the thought she hopes for from young fellows. Regardless, Connie dumbfounds her ability to summon thought from young fellows with her longing to truly have

One of the biggest conflicts between Bernice and Marjorie is one over a boy named Warren. Warren grew up across the street from Marjorie, he was “crazy about her” since the beginning; however, the feelings were not reciprocated on Marjorie’s behalf. As the story progresses, Marjorie takes on the task to transform Bernice into a new woman. Bernice’s new appeal is soon taken into consideration when Warren gains an interest in the new Bernice. Even though Marjorie didn’t have feelings for Warren, she still became jealous. Marjorie’s new goal was to destroy the relationship between Bernice and Warren. Marjorie becomes successful in accomplishing her goals by putting Bernice’s reputation at risk.

The book uses fictional documents, such as book excerpts, news reports, and hearing transcripts, to frame the story of Carietta "Carrie" White, a 17-year-old girl from Chamberlain, Maine. Carrie's mother, Margaret, a fanatical Christian fundamentalist, has a vindictive and unstable personality, and over the years has ruled Carrie with an iron rod and repeated threats of damnation, as well as occasional physical abuse. Carrie does not fare much better at her school where her frumpy looks, lack of friends and lack of popularity with boys make her the butt of ridicule, embarrassment, and public humiliation by her fellow teenage peers.

In the beginning, Janie is captivated by a bee that associates with the blossom of a flower. She sees a “bee sink into the sanctum of a bloom” and meet with the “love embrace and the ecstatic shiver of the tree” which was “creaming in every blossom and frothing with delight” (p 11). Hurston incorporates the bee and the blossom symbol to represent Janie’s desire for love’s pleasure. The author reveals to the audience of how she is taken away by the overwhelming desire and passion shown from the “creaming” of the tree and the bee. This marks her virginity as she is presented pleasingly to the desire of lovemaking, yet also conserve her purity through creating her expectations for her later affectionate lovers. Further, Hurston portrays the shattering of Janie’s bee and blossom dream when she is left to realize that being with Joe and his personality is an illusion as he slaps her. She “stood where he left her for unmeasured time and thought” and saw that “her image of Jody tumbled down and shattered” causing her to have “no more blossomy openings dusting pollen over her man” (p 72). Hurston revealing Joe’s actual image to its reader depicts Janie’s apprehension of how he was never the man of her dreams and just persuaded herself to believe that he was just a better man than Logan. She is left with the

Cora Tull, a devout Christian, mother and wife, is the quintessential Southern woman. She uses these traits to ascribe purpose to her life and in turn impose the same purpose on others. In the novel’s first mention of her, she appears to be a true lady, graceful and forgiving while paraphrasing scripture in nearly every verbal exchange. She even praises her friend Addie’s superb baking skills, but in the same breath internally judges her for “laying there at the mercy and the ministration of four men and a tom-boy girl” (6). To Cora, Addie’s state of living is repulsive- no real woman would let herself deteriorate in such a manner. However, exhibiting true Southern womanhood, Cora keeps her criticism to herself.

From her first kiss to the tragic death of her soul mate, each quest for love and enlightenment lends shape to Janie’s emerging voice. For example, at the beginning of Hurston's narrative, Janie quiets her inner voice by succumbing to Nanny's influence

As the women walk through the house, they begin to get a feel for what Mrs. Wright’s life is like. They notice things like the limited kitchen space, the broken stove, and the broken jars of fruit and begin to realize the day-to-day struggles that Mrs. Wright endured. The entire house has a solemn, depressing atmosphere. Mrs. Hale regretfully comments that, for this reason and the fact that Mr. Wright is a difficult man to be around, she never came to visit her old friend, Mrs. Wright.

The following passage is an excerpt from Katherine Anne Porter’s short story “The Jilting of Granny Weatherall.” Read the passage carefully. Then write an essay in which you analyze how such choices as figurative language, imagery, and dialogue develop the complex emotions the character is feeling.

When Janie was about sixteen, she spent a spring afternoon under a blossoming tree in Nanny?s yard. Here she comes to the realization that something is missing in her life? sexual ecstasy. The blooms, the new leaves and the virgin- like spring came to life all around her. She wondered when and where she might find such an ecstasy herself. According to Hurston, Nanny finds Janie kissing a boy named Johnny Taylor and her ?head and face looked like the standing roots of some old tree that had been torn away by storm? (12) . Nanny can think of no better way to protect Janie than by marrying her to a middle-aged black farmer whose prosperity makes it unnecessary for him to use her as a ?mule? (Bush 1036).

. Bernice’s cousin, Marjorie, is the socialite of her town. The Queen Bee. All the girls want to be her; all the guys want to be with her. She has Warren, her unofficial boyfriend, wrapped around her finger. But everyone cannot see the real Marjorie, Her true insecure side. They don’t understand that she puts them down to make her feel better about herself, trying to make herself feel superior. Marjorie is putting on a front to give the idea that she is happy and perfect. Underneath, she is a cold and jealous person. She is the one pressuring Bernice, not knowing that it is the way she copes with her own insecurities. Marjorie, although more confident than Bernice, also shows

Finally, the reader is introduced to the character around whom the story is centered, the accursed murderess, Mrs. Wright. She is depicted to be a person of great life and vitality in her younger years, yet her life as Mrs. Wright is portrayed as one of grim sameness, maintaining a humorless daily grind, devoid of life as one regards it in a normal social sense. Although it is clear to the reader that Mrs. Wright is indeed the culprit, she is portrayed sympathetically because of that very lack of normalcy in her daily routine. Where she was once a girl of fun and laughter, it is clear that over the years she has been forced into a reclusive shell by a marriage to a man who has been singularly oppressive. It is equally clear that she finally was brought to her personal breaking point, dealing with her situation in a manner that was at once final and yet inconclusive, depending on the outcome of the legal investigation. It is notable that regardless of the outcome, Mrs. Wright had finally realized a state of peace within herself, a state which had been denied her for the duration of her relationship with the deceased.

Mrs. Pontellier has an affinity to painting and the narrator enjoys writing, though both only began doing so during the course of the novel and had not practiced these art forms for years prior. The urges within these women become overpowering, yet their societies allow no outlet, ultimately killing their passion along with their sanity or their person. These societal pressures, that never allowed women to reach their full potential or made living independent of man impossible, were visible through the mindsets of the male figures surrounding them.

Hurstwood feelings or opinions; she and he daughter viewed Mr. Hurstwood as a money supporter only. They assumed that he must give them the money that they want regardless of the amount or how often they ask for money. On the Contrary, It was clearly shown in the novel the deterministic side in Mrs. Hurstwood character. Her stricken attitude that she want to do her plans. She did not seem to care if her husband did not go with her to the vacation. Mr. Hurstwood was tired from trying to attack her to prevent her from controlling him. She didn’t care how gently her husband treated her. When she knew that her husband is going out with another women, she did not feel sad, rather, she immediately faced and attacked him that he was guilty. She did not give him a chance to discuss the issue with her. Her main concern was to gain power over her husband in order to get money from him as much as possible. As indicated in Sister Carrie, “’I’m not dictating to you,’ she returned; “I’m telling you what I want.” The answer was so cool, so rich in bravado, that somehow it took the wind out of his sails.” She send him a message saying that if doesn’t provide her with the money that she want she is going take to different