The Punk Movement and Anomie Essay

In this essay, I will be discussing about a social group that took fashion to the next level and create a huge impact in British history were the punks culture during the late nineteen seventies. The punk cultures were to rebel against the government during the great depression and were all about the attitude of the younger generations. During the late nineteen seventies was the time of unemployment and social unrest, a lot of the young white kids felt outcast from the British culture, foreseeing their lives with little prospect and so called “no future”. It was also a DIY “Do it yourself” movement. Younger generation that adopted the punk look often create their own garment by wearing safety pins,

On the other hand, to Graffin, it was a group that he longed to be apart of and to relate to his sense of self. He has difficulties contributing to his different social groups in which Allport mentions this idea, proclaiming that, “Adolescents may view their neighborhood gang as a far more important in-group than their school” (5). This links the two theories together in a sense that an identity role cannot be without an in-group for an individual to honor that role. The hardships Graffin faces at a young age influences his in-group decisions. The punk group bonds over hardships, sex, drugs, and voices their opinions. The group colors their hair, wears tight jeans, and the color black is often represented. Consistently, they are often found disagreeing or questioning the presence of authority figures because of their strong passion as nonconformists. Nevertheless, as Graffin grows up he changes overtime by keeping the same thoughts on the punk subculture, but he moves on with his life in pursuing education. The poverty and divorced parents are Graffin’s ascribed status, but his achieved status is not only becoming punk. It is also earning his master’s degree and continuing his education. Continuing to care for his subculture lifestyle, he wants to better the punk community to be more of a gateway for people to express emotion. Furthermore, he wants to teach

Punk rock music has been used for decades to express dissatisfaction with society, government, or any idea common in mainstream media. Yet punk rock is not simply a tangent of the mainstream, it is a dynamic and fluid genre with many distinct songs. Don Letts, a mainstay in the London punk scene during the 70’s and 80’s, went as far to say that hip-hop was essentially “black” punk. While punk and hip-hop music are stylistically different, the fundamental tone of the two genres is the same. Even throughout the decades, hip-hop has sang the same issues as punk, including the plight of the lower class, police brutality, and gang violence.

The attitude common in the subculture is the resistance to selling out, which means abandoning one’s values and changing in musical style toward pop to embrace anything that’s mainstream capitalist culture in the exchange for money, status, or power. Punk rocks’ common thinking wasn’t only anti-authoritarism, and not selling out but also non-conformity, direct action, and a DIY ethic. The DIY attitude was pointed towards stepping forward and speaking without any restraint. To fight with warrior qualities to achieve what you were striving for. The kind of thinking and motives for punk rock subjects was to not settle for what society made acceptable and standard but to think and work outside of the box that was holding them in.

“He [Pearson’s father] would freak out when he read the song titles to the cassettes that my friends and I would shoplift from the mall…He was certain that I’d become a Junkie if I listened to that kind of music. But with an alcoholic wife-beater father who didn’t give a shit about his son I was bound to avoid the cliched, nihilist aspects of punk culture” (Pearson 12).

Music has been a long standing form of expression for hundreds of years. More recently however, it has become a way for artists to make social commentaries on the society they live in. During the 1970s, Punk bands and Ska bands emerged in England and rose to become a major source of social commentary through their upbeat music. Specifically looking at music from The Stranglers, The Specials, and The Clash, it is clear that lyrics clouded with anger and passion can be best communicated through upbeat sounds and melodies. Each of these groups communicates a need for radical change in society; but each one goes about this in a different way. Through the songs, “I feel like a Wog,” by The Stranglers, “A Message to you Rudy,” by The Specials, and “White Riot,” by The Clash, these bands point out that there is a common enemy in Society. They are forcing the mainstream to realize unpleasant truths about the culture that they inhabit. The future of England was unknown, and these songs were written during a time where people were worried about their place in the world. Faith in the system was dying and these bands gave way to a future generation to improve upon society that will present a more positive and equal multicultural Britain. Through the music it is clear that multicultural Britain was complicated; there were tumultuous times that these bands were commenting on, which pitted races against each other but also brought them together in fighting back against suppressive societal

Music, in the past, has often spelled bad news to society at large. It can challenge norms and invoke a sense of hype in places that modern culture may be uncomfortable with, such as sex, sexuality, and drugs. Personally, when I think of punk music, I see a genre that stands to be individualistic, aggressive, and rebellious. Phrases such as ‘anti-establishment’ also come up. This notion comes from many aspects of punk subculture, including dress, music, performance, and my interpretations.

Nevertheless, punk shouldn’t be held to such high standards of influence. It’s influential; it’s something that made misfits feel as though they had a place, but not something to be held to the unattainably high standards. All things considered, it did do something positive, it provided a home and inclusive environment for those who were frustrated and just plain angry.

The peaceful life of the English society of the 1960s was struck by the clashes between the Mods and Rockers. Both Mods and Rockers were called “gangs”, which is a “structure sharing the same ideas, attachments and solidarity” [7]. Every gang usually has its own “interests, activities, membership, and status” [7]. Usually such groups appear spontaneously. Both gangs - Mods and Rockers - “represented opposite tastes with regard to a number of social conventions such as clothing, grooming, music, and so on” [7]. For example, the Mods (modernists) preferred to wear suits and pointed shoes, listen to Jazz and Rhythm & Blues style of music and ride scooters. In their

Mike Ness is the lead singer and has seen how the “punk rock style” changed from being looked down upon and then slowly became culturally accepted. The “punk rock style” in 2014 is very criticized and looked down upon within our society. In my experiement culture shcok was probably the most prevalent sociological

“The History and Evolution of Rock and Roll” says “The founding fathers of punk were The Ramones who combined anarchism and teenage rage with rock and roll. Other bands such as The Sex Pistols and The Clash helped popularize and redefine punk rock. This powerful and intense new genre of music influenced many bands in the future”. An unfamiliar sound deviated from the typical Rock and Roll and it made Punk which the teenage population identified with. Heavy metal was also a uprising in the early 1970’s.

     The punk subculture is often seen as a rebellious group of misguided youngsters who often come from lower class dwellings and haven’t gotten the attention that they needed so they dye their hair, dress differently, and act differently. In Facing The Music edited by Simon Frith, Mary Harron reduced the meaning of punk to “the spectacle of middle-class children dressing up in a fantasy of proletarian aggression and lying desperately about their backgrounds” (History). The flipside to that is that maybe these youths are expressing their individualism and choose to stray away from

Most of the original rebellion was directed towards the British class structure. They wanted to express their disapproval of the structure that governed their country. In The Jam’s “Eton Rifles”, the band sarcastically attacks the upper class, calling them arrogant and preaching to them that rugby is the only thing making them strong (Punk 68). The Sex Pistols’ album “God Save The Queen” portrays the Queen of England with a safety pin through her nose on their cover. The reaction to this outburst of shocking rebellion from the mainstream society was a strong, displeased one. American writer Greil Marcus defined punk as, “…refusing the future society has planned for you.” Thousands of social misfits attempted just that. Through the many causes for this rebellious political expression: communism, anarchy, feminism, etc., the punks of England had a focus and a reason. It was this that made the “punk” a valid, yet undesired member of society, and the British public got to see this sociological change first hand (Chamberlain par.8). Although this movement was short lived, its impact was a phenomenon, and its effects were long- lasting, which distinguished this group from previous generations.

In order to understand the topic that is to be discussed in this essay, one must first understand two seemingly unrelated topics. Those topics are feminism and punk rock. These two social movements spawned the love child that has come to be known as the riot grrrl movement. The history of the riot grrrl movement is deep and intensely intertwined with themes of monumental social change, musical evolution, and the previously unseen all-encompassing nature that is unique to third wave feminism.

With the economic decline and availability of jobs with upward movement, a culture of youths formed in Britain that challenged the ideals and cultural norms of the generations that came before them. A consistent movement from traditional society through youth subcultures brings light through the eyes of the musicians that describe their generation’s feelings of homelessness in an era filled with unemployment, low wages, and violence. The insurgence of the counterculture movement, poor economic conditions, and the commercialization of previous Rock and Roll music in Britain directly led to the punk subculture because it allowed youths to speak up about their conditions and frustrations through an easily understood and accessible medium while maintaining a different stance than their predecessors.