The Rain Came

Chinua Achebe’s critically acclaimed novel Things Fall Apart tells the story of a decorated and powerful chief of the Igbo village tribe named Okonkwo. Okonkwo is a strong independent man who came up from nothing in his life and refused to return to earth as the same way he started, he believed he was destined for greatness. Perhaps Okonkwo’s most driving factor for this is his father died a beggar and he became disgusted how his father went out with no achievements or accomplishments to his name. Okonkwo is very prideful as a result of his humble upbringing and believes that the only way one can be successful is through Old Ways of the Igbo Tribe. As a result, Okonkwo is hell-bent

He explores the use of proverbs, figures of speech and aphorisms to demonstrate the significance of their spirituality, social construct and hierarchy. As well, he displays the character transgression in Okonkwo, and how his mental decline foreshadowed his unfortunate future. Paralleling unfortunate futures, language and communication barriers between the Igbo and the European missionaries led to the collapse of the Igbo culture and the grave ultimatum; Okonkwo’s death. With all three in mind, proverbs are a very important aspect of the Igbo language and can demonstrate numerous societal customs and tell a story with few words. An appropriate quote that displays the importance of language, especially in Igbo culture is, “If you talk to a man in a language he understands, that goes to his head. If you talk to him in his language, that goes to his heart.” - Nelson

In the work of African descended writers’, water is used as a common symbol. In Edwidge Danticat's Krik? Krak!, Jacques Roumain’s Masters of the Dew, and Paule Marshall’s Praisesong for the Widow, tears, rivers, the sea and other forms of water are used to symbolize change. More specifically, it symbolizes the change between life and death; freedom and confinement. The three writers use water as an ironic symbol, representing life, liberty, and their contradictions.

This novel is the definitive tragic model about the dissolution of the African Ibo culture by Nigerian author, Chinua Achebe. Okonkwo, a great and heroic leader, is doomed by his inflexibility and hubris. He is driven by fear of failure.

| An example from text that denotes author’s style * And now for all the people of Africa, the beloved country. Nkosi Sikelel’ iAfrika, God save Africa. But he would not see that salvation. It lay afar off, because men were afraid of it. Because, to tell the truth, they were afraid of him, and his wife, and Msimangu, and the young demonstrator. And what was there evil in their desires, in their hunger? That man should walk upright in the land where they were born, and be free to use the fruits of the earth, what was there evil in it? . . . They were afraid because they were so few. And such fear could not be cast out, but by love.

The book, “A long Walk to Water,” has made me apprehend on all of those problems that are occurring in the world, particularly in Africa. The struggle of their lifestyles, which is so much more distinct from ours, has made me realize how fortunate I am to be living where I am, and how safe I am. Their oppositions with war, have split their country apart and has separated millions of lives throughout their country. But just the fact that the book is a true story, just moves me. The time periods of both Salva and Nya are remarkable, and how their struggle has still lasted during all of those years; furthermore, every day is another day of work and survival.

“August 2026: There Will Come Soft Rains” is a story written by Ray Bradbury. The story opens in a living room of a well technologically advance house, where a clock which is voice activated yells out the time, making sure everyone gets up, and also makes breakfast, cleans, and does just about all the household things you are to do. After we read about all the things the house does, we start to notice that the house is empty, which then leads us to learn about the silhouettes on the walls of the house, which we can infer, based on our knowledge of bombs that this is from some type of nuclear bomb. As we read on we learn that the house is the only house left standing in a pile of ruins. After a while the voice in the house starts to play one of Mrs. McClellan favorite poems, which is ironic given the type of situation that the house is unaware that has taken place, the poems talks about nature and how it will still move on and not care that mankind has wiped itself out completely. After the poem, the mood of the story changes the house catches on fire and even with all of its technology it still can’t stop the fire and burns down, the only thing that remains is a wall, which holds the clock that just keeps repeating the date August 5, 2026. From reading the story I think the author plays with the idea that nature is the only thing that can go along its track without any human interactions.

In a freezing class, two brilliant minds unlocked the fiery passion that is their talent one an artist the other a writer. Bringing to light a history long forgotten creating abstract thoughts arbitrary to our own. Komi Olaf the artist and Okey Ndibe the writer not only enlightening the class but also the world with each brush stroke and each word. Every creation stemming from the hands of these masters tell of issues at the heart of Africa from colonialism to existential dilemmas. Thru spoken word, hip-hop, art, music, poems and literature issues close at heart to the artists and to Africa are portrayed. This paper will focus on the art exhibit by Komi Olaf and Foreign Gods inc by Okey Ndibe as spoken by them during their discussion in the class on October 13th. Where the talks focused on the key course objectives being stereotypes, post-colonialism, youth culture, and resistance.

Mr. Mdeouze influenced Jose to write that incredible story. He told him enough stories to open up his imagination and produce a beautiful paper. Mr. M taught Jose the power of language. For extra credit for this class, I listened to an interesting lecture about African Storytelling. This is what Mr. M reminded me of. Traditional storytelling is usually told by adults and spoken to children about life, rewards, and consequences. The fables are usually metaphorical stories that have to do with lessons children will learn in their daily lives. While Jose listened to Mr. M’s

The impact of Ikemefuna’s death on Nwoye is devastating. Something gives way inside of him when he thinks of his father and the killing of Ikemefuna. The fear of his father and the horror over the sacrifice of Ikemefuna separates Nwoye from tribal customs and the sense of community. His family’s banishment isolates him further. Hearing the Christian hymns, which cater to

The sacred traditions, customs, and beliefs of ancient Mali is a story of epic proportions. To retrieve the great lineage of the First Kings of Mali and learn the history behind certain rituals told by an exquisite narrative that is perfectly woven together through different stories. The legend of Sundiata stresses the importance of understanding and respecting one’s history. In D. T. Niane’s “Sundiata An Epic of Old Mali,” the African history of Mali is presented through tribal customs, honor, and jealousy between brothers.

In 2009 one young man changed the lives of thousands by telling his story of hardship, survival and innovation to the world. The book, "The Boy Who Harnessed The Wind" by William Kamkwamba reveals in great detail the complete blindness that our western society possesses regarding the truth of life on the continent of Africa. As citizens of the western world we have a tendency to see only the statistics and politics of the wars, famines and disasters that occur in developing countries while failing to even consider the human beings struck down by them. In this detachment we pass judgement upon the entire nation as a whole, forgetting the millions who do more in a single day with what little they have than we do with our abundance in a

Fear is a powerful tool that if used incorrectly, can control how one lives. Okonkwo’s life is one that is dominated by fear. Chinua Achebe’s Things Fall Apart follows the Ibo people, set during the time of the colonization of West Africa, in the town of Umoufia. The protagonist, Okonkwo, is a strong follower of his culture’s rigid expectations and practices. While Okonkwo’s steadfast adherence earns the respect of the townsmen, many detest the cultural expectations and practices they are forced to follow. When Christian missionaries introduce Christianity to Umoufia, many of the Ibo people are quick to convert, including Okonkwo’s own son. This new religion slowly undermines the Ibo culture and religion Okonkwo firmly believes in, leading to his downfall. In Chinua Achebe’s Things Fall Apart, Okonkwo’s fear of weakness along with the arrival of Christianity causes Okonkwo’s downfall.

Achebe’s essay “An Image of Africa” analyzes the book Heart of Darkness by Joseph Conrad. He dissects the false representation of the african people and the bias in his book. In “Heart Of Darkness,” Conrad feels that the people of Africa are undeveloped and they are savages; he looks at all their culture and tradition and only sees it as uncivilized, he has no appreciation for their beliefs. This relates to Achebe’s book, Things Fall Apart, because Conrad’s views represents the white colonist and their feelings towards the africans. The colonists did not respect their culture or their gods. Okonkwo is well-respected by his tribe, he is extremely traditional and values his culture. The colonists are a threat to that because they do not understand or respect the African ways, they want to change it and convert them to Christianity. Okonkwo has a need to stand up for his culture and his beliefs, he feels he has to be able to prove that he is a strong and powerful man. Okonkwo worries that if he does not protect his customs, he will be seen like his father: cowardly and feminine. He has been haunted by that fear his whole life, “It was the fear of himself, lest he should be found to resemble his father. Even as a little boy he had resented his father’s failure and weakness, and even now he still remembered how he had suffered when a playmate had told him that his father was agbala”(Achebe 12). His need to distinguish himself from his father and protect his people are what drive him to make do things like kill Ikemefuna and the messenger. Things fall apart for Okonkwo because the other villagers do not have the same passion and drive as him. The

African heritage emanates from a different tone and poetic genius in in Gabriel Okara’s poetic imagination in Fisherman Invocation. Okara concerns with the problems of man and human existence. Okara’s love of music, art and literature is reflected in his close attention to details of scenery. Also as a painter, Okara’s ability to create an atmosphere, a mood or a situation is one of his greatest poetic styles. Fisherman’s Invocation centers around the plight of human condition, and particularly, Okara’s attention to the Nigerian people who have gone through the periods of national and personal conflicts and crises. Okara meditates on the indigenous imagery, and the traumas and tribulations of nation building that left Nigerians divided.