The Ramayana As A Hero Essay

A hero can be defined in several ways. Someone can be considered a hero by the qualities he or she displays. The epic poem Beowulf, written by an unknown author, describes the most heroic man and role model of the Anglo-Saxon times. This hero Beowulf has all the qualities and traits that a true hero expresses. Beowulf, as depicted in the epic Beowulf, is the prototype of the epic hero, a larger-than-life figure who embodies the virtues and ideals of his culture.

The stories of heroes have been at the axis of nearly all cultures throughout history. Each different type of religion or culture has their own heroes or legends, each one of them having their differences to go along with the beliefs at hand. On the other hand, each and every hero also has their similarities, which therefore makes them the hero. The setting, events, and characters in each and every story may change, but the characteristics of the hero remain basically the same. Each person is usually made into a hero in a somewhat similar fashion. For example, many heroes begin as imperfect characters, and then begin some sort of quest which leads to them becoming a leader of what they are doing, and then the character goes through a

Since long ago, people carried an image of what it means to be a hero. It is evident in some great books one might even say. As in The Epic of Gilgamesh, Antigone, and The Iliad, heroism is displayed and exalted, but what does being a hero mean? Overarchingly, in regards to these works, the heroes earn their titles as heroes by notably doing what is right when the time is right, with humane purpose, and an everlasting message. However, Gilgamesh, Antigone, and Akhilleus, being different in their purposes, everlasting messages, type of heroism as whole, can not compare in regards to heroic status.

To begin, Linda Seger’s article demonstrates how the idea of a hero is universal and is defined by their journey, which is incorrect because other cultures might define a hero as something else. In her article, she tries using ten stages of how a hero is sometimes just an ordinary person. Who then takes in order

In order for a character to qualify as the tragic hero they must posses all of these qualities: high standing, a major flaw, and a downfall. A tragic hero is someone that is usually of royalty, of nobility, honest, or brave. During the story they usually show a major flaw or weakness. This usually leads to their downfall, loss of power, or even death. Many stories have tragic heroes.

Ramayana, translated by William Buck, is an ancient Indian epic telling the story of a prince named Rama who fights against his adversary, Ravana. Although there are many important female characters throughout the book, they are often seen as subordinate to their male counterparts where intelligence and strength are concerned. One character who proves this stereotype wrong is Sita, Rama’s wife, who often shows that she has the capacity of being just as powerful as the men of the story. By being more mindful than most people around her, Sita defies the expectations that many characters have placed on her. Sita lets the reader see another side of women’s power and shows us the strength that women could have. The reason that Sita proves to be powerful is that she seems to have an understanding of the deeper meaning of her life; precisely the quality that men don’t expect her to have.

We have all had someone whom we have considered our hero. We call them our hero because they have exhibited certain characteristics that make us feel safe or protected in harmful situations. A few books demonstrate heroic characteristics masterfully through their characters. Beowulf portrays a strong, self-sacrificing hero. Canterbury Tales shows us a wise and caring hero. Sir Gawain and the Green Knight displays a flawed, loyal hero. These three men give us some of the attributes it takes to be considered a hero. These books tell us that to be a hero, you have to sacrifice, have wisdom, and loyalty.

According to Aristotle, “A tragic hero is a character who is not eminently good and just, yet whose misfortune is brought about not by vice and depravity, but by some error or frailty…” The classic tragic hero has some type of tragic character flaw which creates an inner struggle, leads to his making a serious error in judgment, and leads to his eventual downfall and death.

What is an epic hero? Although we would like to believe that a hero would always be there to save us as needed, that is not always the case. All heroes are different, but what makes them epic? Many would answer that question by saying because they are in an epic poem or story; however, that answer isn’t true. An epic hero, of course is in an epic narrative, but it is what they accomplish in that specific text. First, an epic hero has to make a grand journey and be in the Gods favor or shall we say the chosen one. Also, he has to be seen as superior than any other man. For clarification, the epic hero needs to be bigger, faster, stronger, and wiser than anyone else in the story, except for the Gods of course. Also, and epic hero is also

A hero is described as a figure who is recognized for their extraordinary accomplishments. Joseph Campbell says all hero’s follow a certain path. First, they go through a separation, then an initiation. They go through an initiation to show their worth as a hero, then they return and are reintegrated with society after learning a lesson. Hero’s should also be relatable, which is why they often go through crisis and failures. Even though they contrast each other, Rama from the Ramayana and Gilgamesh from the Epic of Gilgamesh have similar archetypes of the hero.

Heroes are the people who demonstrate qualities of courage or outstanding achievements and are recognized for their influence in the society. Heroic characters are defined similarly in literatures as well. In the two literatures, Sundiata An Epic of Old Mali and The Odyssey, the main characters shape the plot the stories by their heroic abilities. The literatures also tend to illustrate how heroic qualities were perceived and portrayed in societies. Both characters come from different part of the world yet their plots are similar to each other. The protagonist from two literatures is on a quest to go home and to claim their ancestors’ throne, which is righteously theirs.

Throughout the history of epic literature, heroes have been an integral part of many different cultures. Some of these heroes are fierce and powerful, renowned for their skill in battle, while some others and clever and cunning, able to talk their way out of any difficult situation. These traits usually emphasize the values of the cultural from which the hero came, and depending on the culture,traits viewed as heroic may drastically differ. Although there exists a plethora of traits any one hero may have, there are three core characteristic that, in my opinion, a hero must have to be considered a hero: the courage to face hardships, the willingness to make major self-sacrifices for the benefit of others, and most importantly, the dedication to do what it takes to reach their goal.

A tragic hero in literature is a type of character who has fallen from grace, where the downfall suggests feelings of misfortune and distress among the audience. The tragic flaw of the hero leads to their demise or downfall that in turn brings a tragic end. Aristotle defines a tragic hero as “a person who must evoke a sense of pity and fear in the audience. He is considered a man of misfortune that comes to him through error of judgment.” The characteristics of a tragic hero described by Aristotle are hamartia, hubris, peripeteia, anagnorisis, nemesis and catharsis which allows the audience to have a catharsis of arousing feelings.

By definition, a tragic hero is a protagonist that due to some tragic flaw loses everything he has. Throughout history, literature has always been filled with main characters possessing some tragic flaw. In Macbeth, Macbeth’s tragic flaw is his enormous ambition to become king. In Hamlet, Hamlet’s tragic flaw is his need for revenge for the death of his father at the hands of his uncle. In the Epic of Gilgamesh, Gilgamesh’s tragic flaw is his need to be remembered. In the Anglo-Saxon epic Beowulf, Beowulf also has a tragic flaw, excessive pride and the search for fame, which ultimately leads to his demise.

All tragic heroes must have a downfall, something to get their head out of the clouds. This downfall shows the hero that they are not invincible, and that they are very much flawed.