The Rape Of The Lock

Throughout different stages in life, everyone embodies different forms of escaping reality. There are several healthy ways, such as exercising or meditating; however, alcoholism and drug abuse are also typical. Whether beneficial or not, everyone needs their own way of detaching from the stresses that come with everyday life. At Nottoway Correctional Centre in Virginia, what are known as lockdowns are often conducted. During lockdowns, the inmates are held in complete isolation and, most of the time, their belongings are confiscated. Mainly, lockdowns occur because of either one individual or a small group of individuals. This leaves the rest of the inmates suffering from someone else’s actions. Through analyzing the overbearingness of

In the Article Locked Away, Patricia Smith argues that jail are being filled with inmates that should not be there. People are being put away for little crimes that should not be enforced. People should not be put away for stealing a candy bar for the fifth time. Any crime that is constantly committed should be informed. When someone believes that they can get away with little petty stuff they will eventually believe they can get away with something bigger. “A california man with five prior convictions was sentenced to 25 years in prison for stealing a slice of pepperoni pizza”(Smith). Not all crimes should be sentenced to 25 years after a third convection. Luckily the State is realising what they are doing is wrong and have realised 6,000

Geoffrey Chaucer’s Canterbury Tales are some of the most widely read and anthologized pieces of medieval poetry. These tales are generally celebrated and enjoyed because of the author’s use of wit and satire, as Chaucer often uses word play and characterization to deliver hard-hitting, yet entertaining truths about his time period. This is the case in “The Miller’s Tale,” which portrays the story of a carpenter with an adulterous wife and the shenanigans that take place during and after one of her affairs. After closely examining “Absalom’s Revenge,” the last section of this tale, it is clear to see that Chaucer uses language, puns, and other writing techniques to provide a commentary on the lewdness of some who lived during the Middle Ages.

The diversity of Brooks’s poetry leaves a reader who first encounters her work to draw, as Bolton argues in Gwendolyn Brooks and the Epic Tradition, “overly hasty conclusions about the natures of her subject and verse form” (56). Brooks’s mastery is found in her extended lyric voice characterized in her various poems. From colloquial language in “We Real Cool” to her tense and complex style in the “Anniad”, Brooks’s audience is just as diverse as her anthology. Hovarth identifies the significance of form in relationship to her

The poem suddenly becomes much darker in the last stanza and a Billy Collins explains how teachers, students or general readers of poetry ‘torture’ a poem by being what he believes is cruelly analytical. He says, “all they want to do is tie the poem to a chair with rope and torture a confession out of it”. Here, the poem is being personified yet again and this brings about an almost human connection between the reader and the poem. This use of personification is effective as it makes the

I read The Lockdown, by Walter Dean Myers. Mr. Vanduyn made us read a book of our own choice and I had read the book within six hours. This book is not that catchy but it makes a lot more sense if I continue to read it more. It is a beautiful and a sad story of a fourteen-year-old boy. His name is Reese and he’s African American. His father is not always there for him and his mother is a drug addict.

George Szirtes article “Formal Wear: Notes on Rhyme, Meter, Stanza, and Pattern” from the Poetry Foundation opens with opinions which focus on limitations of poetic form. As a counter to these common arguments, Szirtes claims, “Verse is not decoration: it is structural. It is a forming principle and words at depth” ("Formal Wear: Notes” 2). He then develops an argument explaining, “the constraints of form are spurs of the imagination: that they are in fact the chief producers of imagination” ("Formal Wear: Notes” 2). Taking these ideas into consideration Szirtes incorporates the idea of language explaining how language connects to memory and imagination which come together to form poetic images. Additionally, when poets use form it develops

The purpose of war is again in question through the ironic titles evidenced in most of Owen’s poems. In ‘Dulce Et Decorum Est’, the sweet and fitting death is contrasted against the bitter and

William Blake’s “London” and Wilfred Owen’s “Dulce et Decorum Est” appear to have little in common. Although at first they may seem different, they have many hidden similarities. Ultimately, Blake and Owen enhance the overall message presented in their poems by allowing the reader to fully gasp the meaning by connecting them through their senses, the overall consequences of the event, and the importance of the issue.

Ross Gay’s book Against Which, portrays his poetry to readers allowing them to gain understanding of the cruel world that one lives in. Moreover, the unusual brutalities that people are inevitable confronted with in life. The common denominators within Gay’s poems such as violence, love, fear, and loss allows the reader to visualize characters’ transformation within his poems. In a world of calamity, Gay has created poems that portray the corporal conforming to gender and sex but also human development. Using a reader-response criticism lens, I will be demonstrating my interpretation of Ross Gay’s poems and the meaning that I believe to be a common interpretation of his work. Within, Gay’s poems, “It Starts at Birth” and Angels Out of Reach” one is able to see a pattern of human transformation. By experiencing pain, love, loss, fear, and wisdom one is able to see Gay’s characters evolve through the narrators and readers gaze. In doing so, one is able to reflect on Gay’s poems and gain wisdom themselves.

In “The Fatal Sisters” Thomas Gray has created a monologue pregnant with references to history, geography, and mythology. These reappearing references and allusions enrich the text, as they allow a closer look at the political situation surrounding eleventh century Britain.  The poems’ sixteen stanzas exhibit an ABAB rhyme scheme, which provides for systematic organization and positive aesthetic effects.  Closer examination of the setting, tone, and imagery of the poem permits insight into the text’s content and artistic genius.

Gwendolyn Brooks is one of the most celebrated poets and some of her poems have been at the center of academic discussion for many years. One of her most famous poems includes ‘The Boy Died on My Alley’, which will particularly form the center of discussion in this study. The study will focus primarily on the critical analysis that helps to define and to unify the central argument. In addition, the study will also examine some of the aspects that make this poem unique and worthwhile. Moreover, the study will critically analyze the techniques used by the author, the arguments that are central to the piece and how these techniques help to define the importance of the literature.

Patricia Lockwood’s The Rape Joke is a risky composition- not because it discloses information about Lockwood’s personal rape experience, but because it does so from a comedic stance, ridiculing the unfortunate event and the events leading up to and after it. While the creation of the poem was prompted due to the sexual assault she experienced, the content and subject are not centered around the incident or the assaulter but around rape culture and the sociological concept of victim blaming, from both society and oneself. There is no such thing as a rape joke-the joke is the incredulous ways society has guided people to respond to it.

The form of ‘God’s Grandeur’ is an Italian sonnet, but with some alteration. Even though Hopkins does not use sprung rhythm here, he varies his sonnet structure from the traditional iambic pentameter. Typically, a sonnet contains 3 quatrains (4 lines) and a couplet (2 lines); the Italian sonnet is characterized by having 1 octave (8 lines) and 1 sestet (6 lines). In ‘God’s Grandeur’ a similar pattern is followed, however, Hopkins presents a technique he often employs in other works as well, that of using the octet to present a personal or a sensory experience and the octet in order to provide some reflection on the topic (Gardner 221).

Alexander Pope's mock heroic epic The Rape of the Lock appears to be a light subject addressed with a satiric tone and structure. Pope often regards the unwanted cutting of a woman's hair as a trivial thing, but the fashionable world takes it seriously. Upon closer examination Pope has, perhaps unwittingly, broached issues worthy of earnest consideration. The Rape of the Lock at first glance is a commentary on human vanity and the ritual of courtship. The poem also discusses the relationship between men and women, which is the more substantial matter in particular. Pope examines the oppressed position of women. Infringement on a woman's personal space, her person and her pride by an aggressive male (the Baron)