The Rats In The Tell-Tale Heart And The Third Man

Edgar Allen Poe uses the man in our story Tell-Tale Heart, the first-person narrator to relate to human reactions to guilt and temptations while suffering from a mental disability. He conveys this message through various literary devices such as symbol, character, narration and historical context.

“The Tell-Tale Heart” is a famous horror fiction by Edgar Allan Poe. Poe is regarded as an important writer of suspense and terror tales. His stories are often composed of dark and terrifying atmosphere, and “The Tell-Tale Heart” is also expressing terror with the story of an insane man killing the old man pitilessly. The narrator plans to kill the old man because of his vulture eye. He cruelly kills the old man and buries him under the floor. In the story, the intense feeling is created through setting, skill of foreshadowing and irony.

Like many of Poe's other works, the Tell-Tale Heart is a dark story. This particular one focuses on the events leading the death of an old man, and the events afterwards. That's the basics of it, but there are many deep meanings hidden in the three page short story. Poe uses techniques such as first person narrative, irony and style to pull off a believable sense of paranoia.

John Green once said, “It's quite rare to find someone who sees the same world you see,” a fitting quote to define the works of American author, Edgar Allen Poe, known for his short stories written in the 1800’s. Famous works include “The Black Cat”, “The Tell-Tale Heart”, and “Berenice" before his untimely death in 1849. Often ridiculed for his absurd stories, Poe was fueled by his many losses in his childhood, including his mother and wife, and alcoholism. Many of his stories are that of the horror genre and often uses an unreliable character. Just as some of his most famous characters, Poe was seen as a mentally unstable man who was burdened by the hardships of his life. Through unreliable narratives, Poe emphasizes fear in the thin line

An unreliable narrator is a narrator that necessarily cannot be trusted by the way they talk, and or the way they describe the way certain events occurred. You cannot believe everything an unreliable narrator says. Edgar Allan Poe’s narrators in “The Black Cat” and “The Tell-Tale Heart” are unreliable because they are both mentally ill or have a serious problem with drinking. When reading a story you want to know all the details correctly and an unreliable narrator can change your understanding of the story, which both of the narrators do in the two short stories. The narrator's show a lot of evidence that they are both unreliable because of their sicknesses.

American journalist David Grann once said, “You want the story to be about something, have some deeper meaning, but there is also an emotional, almost instinctual element, which is, does this story seize some part of you and compel you to get to the bottom of it?” Every piece of text has a meaning that goes deeper than the page it is printed on. Of Mice and Men is an example of this. Of Mice and Men was written by John Steinbeck in 1937. The story takes place in California during the Great Depression, a time where it was laborious to be anything close to successful. Everyone believed that with a minimal amount of hard work and money saved up, the American Dream could be at their fingertips. The two main characters George and Lennie struggle to get land to call their own. Lennie is driven by his dream of tending rabbits, but he makes it challenging when he is the main reason of their setbacks and complications as they move from job to job. Fortunately, George is always there to clean up the mess. Of Mice and Men is studied as an allegory because the characters symbolize problems more substantial than the ones Steinbeck clearly writes about. John Steinbeck zooms in on other problems that America struggles with besides the enticing desire for just materialistic things. Steinbeck criticizes racism, the mistreatment of those who are disabled, and the disrespect of women.

How can you tell if a “bad guy”--the villain, the monster, the thief--is necessarily a bad guy? Is it by the images they choose to ink on their skin? Their crooked smile, or maybe perhaps the way they like to crack their knuckles? Maybe it’s just their attire: it’s too dark, too scary. And what of their eyes? There’s something there...something about the way they’re placed, something about how they flicker and gleam with every mention of what they desire. But what of their feelings? The ever-circling wheels of emotions from deep inside that manage to control the raging tides of life? Do they not care like we do?

Horror is fiction that scares the audience or gives an eerie mood. Each short story develops horror is its own way. “The Tell Tale Heart” is about how an old man is murdered because of his evil vulture eye. “A Rose for Emily” is about how an old woman poisoned her lover to keep him from leaving. “The Lottery” is about how this town has a drawing to see who will be the sacrifice to the crops. Horror is developed in “The Tell Tale Heart,” “A Rose for Emily,” and “The Lottery” with many elements of horror.

Writers can use many tricks to make a story seem more interesting to the reader. From the words they pick to the setting to the time of the day... the possibilities are endless. In the story "The Tell-Tale Heart" by Edgar Allen Poe, the use of light and darkness, the description of the mans eye and the time frame make the story more scary than anything else. Poe also uses suspense at the end to make the readers heart beat faster.

“The Black Cat” and “The Tell-Tale Heart” are both written by a famous American writer named Edgar Allan Poe. In these stories, he writes as a nameless narrator that at first seems calm, but really, has an issue with something to the point where he has to kill it. In both of these stories, he does ending up killing someone or something, which would make it seem like it's the same story, but they have some similarities but a lot of differences which I will explain in the following paragraphs.

In Edgar Allan Poe's short story "The Tell-Tale Heart," the author combines vivid symbolism with subtle irony. Although the story runs only four pages, within those few pages many examples of symbolism and irony abound. In short, the symbolism and irony lead to an enormously improved story as compared to a story with the same plot but with these two elements missing.

Edgar Allen Poe was known for his dark-romanticism writings which evoked horror in readers. Seen specifically in his short story, “The Tell-Tale Heart”, readers are able to get into the mind of the mentally ill narrator who murders an elderly man, one whom he claimed to love. Poe created conflict in this story by having the narrator admit to loving the man and having him be his caretaker. Conflict, and the story line, is created because it makes readers question why he would commit such a heinous crime as killing and dismembering the man. Readers eventually find out that it is the elderly man’s eye that pushes the narrator to do what he does. The narrator is trying to justify his actions and prove his sanity by explaining how he observes

   In Edgar Allen Poe's Short story "The Tell-Tale Heart" much is made of the "evil eye" of the old man. Immediately we are introduced to a man who would never hurt a fly. The narrator of the story even goes so far as to say he loved the old man. This old man is portrayed as one who would do anything for you. However, the caretaker of the old man has one small problem with the old man. The eye that darn evil eye! What could cause a person to become enraged by an eye and only one eye?

The Scarlet Letter, a novel by Nathaniel Hawthorne, depicts a woman ostracized from her town in Puritan New England after her sin of adultery is revealed, although the father of the illegitimate child remains unknown to the town. In The Tell-Tale Heart, a short story by Edgar Allan Poe, the narrator murders an elderly man in the middle of the night and attempts to cover up his crime. Hawthorne and Poe use the psychological torment and suffering of Arthur Dimmesdale and the narrator in The Tell-Tale Heart to convey that hiding one’s sinful actions from society leads to the strong emotions of pain and guilt, demonstrating that one can only end their misery, leading to freedom, by accepting and exposing their mistakes to society.

What happens when an individual descends into madness? This process is the focus of both Edgar Allan Poe’s short story “The Tell-Tale Heart”, and Emily Dickinson’s poem “I Felt a Funeral in my Brain.” Both texts use many structural techniques and literary devices to draw attention to the central idea of insanity. This insanity takes the form of a deviation from what the reader would consider normal. In spite of the two authors’ drastically different writing styles, one element remains constant, the masterful use of punctuation.