The Realistic Touch “The simplest way to define narrative is as a series of events in a specific order – with a beginning, a middle and an end.” (Bennett, A., & Royle, N. ,1995). A chronological order of events is usually the way to describe the narrative structure. When one reads a story, the main three things that grasp his or her attention are the climax, the characters, and the ending. But is the narrative structure all that a short story needs to be interesting? Raymond Carver is one of exceptionally talented authors who sets aside this structure and writes in his own terms and rules. Most of his most famous stories lack intensity and well-developed characters. Some of them even end with nothing but raw confusion. Three of these amazing …show more content…
The typical narrative is mostly famous for the intense powerful and anticipating climax it uniquely adopts. Readers are mostly attracted to those intense moments which a story holds. Yet, no matter how monotonous and confusing Carver’s stories are without their climaxes they always seem to keep the audience going. This method of keeping his stories on the same beat allows Carver to capture a dirty and dark realism of what life really is. His stories are so real that they make people feel uncomfortably hooked to them. This lack of climax is perfectly illustrated in Carver’s “Why Don’t You Dance?” since literally nothing happens during the progress of the events of the story. The young couple goes to a yard sale, drink beer with the owner, and listen to old records, dance and then the story cuts to the girl trying to tell everyone what had happened but in vain. The story walks on the same empty rhythm from beginning to end. This monotony is mostly present in the way Carver keeps repeating the action word “said” in all the dialogues like in this conversation between the girl and the man, “‘Those people over there, they’re watching’, she said. ‘It’s okay’, the man said. ‘It’s my place’, he said…” (Carver, 1981). And the dialogue keeps going on with that tone. Another example of this lack of climax is in “So Much Water So Close to Home” which is roughly based on a woman’s thoughts towards her husband who she suspects of murder. The whole story just goes on about her mind’s venture through emotions and flashbacks and conclusions. The story then ends with her giving up all those thoughts which made up the whole story and accepting her husband’s offer to sleep together before their son comes home. This lack of climax, which allows the reader to stay
"Stories that show all too clearly how airily Faulkner can reproduce the manipulation of the reader's emotions is the real aim of the commercial short story. (Kazin 162) . "The total story says what has been said in so much successful literature." (Lewis 157) . "Man's plight is tragic, but that there is heroism in an attempt to rise above it."(Lewis 157) .
The two stories of “The Story of an Hour” by Kate Chopin and “Popular Mechanics” by Raymond Carver are similar yet differ in a way. The biggest and most noticeable similarity is the irony that these stories consist of. Both of these stories can be made apparent of the horrific ironic endings. However, these two stories’ writing styles differ in many ways.“Popular Mechanics” is apparently written using minimalism ideas, where “The Story of an Hour,” has some minimalism but is more of a classic short story. The two stories could be categorized as minimalism stories but written in different styles to portray different meanings. There are many comparisons between the two stories but they also reveal different ideas and meanings.
Stories use narrative to involve the responder in a range of experiences. Storytellers use narrative techniques to establish a setting and shape the characters personality. This is shown in Henry Lawson’s short stories the drover’s wife and the loaded dog as well as Roger hargreaves picture book little miss sunshine.
A novel is only as great as its author’s efforts. The ability to tie everything together in the end of a novel without leaving any unsolved questions, or relying on the ex machina technique, is the goal in which all inspiring authors reach for. Novelist Edith Wharton once said, “At every stage in the progress of his tale the novelist must rely on what may be called the “illuminating incident” to reveal and emphasize the inner meaning of each situation. Illuminating incidents are the magic casements of fiction, its vistas on infinity.” This idea came from Wharton’s own work, The Writing of Fiction. In a different work of hers, a novel by the name of Ethan Frome, Wharton explores the concept of the illuminating incident very thoroughly. I have
The short story “Why Don’t you Dance?” by Raymond Carver follows the story of a young couple having a strange encounter with an older man who has seemed to have lost someone close to him who also tries to connect with their relationship in an absurd way. The old man sets the mood for the reader by having all his furniture organized outside his house the same way it was inside. The old man and the girl had a dance together, essentially, it was the strangest part of the story. The way the author wrote this short story affects the way the reader comprehends the theme. The author develops the overall theme of the story by using diction, symbolism, structure and absurdity throughout the text.
Carver’s use of third person objective affects the story by helping his writing technique of extreme simplicity. Because we can’t see into any of the characters minds, less details are presented, leaving the story more plain. “‘I couldn’t wait’ he said. That night they made love again.” This quote shows Carver’s flat prose. There are an abundance of descriptive actions and dialogue
Ever since the invention of language, humans have been obsessed and intrigued with the aspect of storytelling. Each story, whether written or spoken, holds an important theme within its creative words and exciting plot. While each story is special and unique, over the course of history, different periods of literature have formed where authors tend to focus on similar themes and messages. One of which was the American Romantic era, where authors used their stories to challenge the boundaries of society, and delve deeper into what makes people inherently human, both the flaws and perfections. Some of America’s greatest works of literature were born in this period, like those of Poe, and Hawthorne. A very common literary theme during the romantic period was that of good versus evil, in both individual characters and society as a whole; this theme is especially evident in works such as The Tell Tale Heart, The Raven, and Young Goodman Brown.
Short stories have fully developed themes but appear significantly shorter and less elaborate than novels. A similar theme found in short stories “Winter Dreams” written by Scott F. Fitzgerald and “A Rose for Emily” by William Faulkner included the social and environmental influences that encouraged and controlled the character’s life and decisions. In “Winter Dreams”, the main protagonist-- Dexter-- fell into a fixation over a young, whimsical blueblood, Judy Jones. His obsession led him to believe that Judy Jones reciprocated his feelings for her, leaving him bare and mortal-- despite prior beliefs. Following her father’s death, Miss Emily fell into a dark obscurity due to the pressure and compulsion of having to carry on the honorable family name. While using a unique point of view (first person peripheral), “A Rose for Emily” followed a mysterious and desirable woman named Miss Emily as her hometown tried to understand her peculiar ways and began to find her disgraceful. By comparing and contrasting these two literary pieces, a similar organization-- including the writers’ purpose and themes-- should become clear. By using literary devices-- such as point of view, dramatic irony, detail, and figurative language-- Scott F. Fitzgerald and William Faulkner conducted two short stories similar in aim and reasoning, probable for contrasting and comparing elements within the parallel writings.
With a unique and brilliant style of writing, Raymond Carver has left a lasting and outstanding impact on the history of short stories. Even though Raymond Carver left a long impact, his life was of the opposite. Like Raymond Carver’s famous award winning stories, his life was short. Raymond Carver was born on May 25th, 1938 in Clatskanie, Oregon, a mill town on the Columbia River. Carver grew up in Yakima, Washington. Carver had three members to his small family, his mother, his father, and brother. Carver’s only had one sibling, his younger brother, James Franklin Carver. Carver’s mother worked as a waitress and a retail clerk while Carver’s father worked as a fisherman and a saw mill worker. Many say that a skilled sawmill worker and
Raymond Carver was a master of the short story during the mid nineteenth century due to his unique minimalistic style. Carver has his own artistic signature when it comes to writing, he tells his stories using the least amount of words possible to get a point across. This method leads to a creative piece of literature with strategically placed vocabulary to stimulate hidden meaning and different forms of communication throughout the plots as shown in
Typically a story begins with an exposition, which introduces the characters, setting and plot. In the short story ?Popular Mechanics? by Raymond Carver, the exposition is excluded. The story begins with a short rise in action, moves quickly to the climax and totally omits the resolution. Carver uses third person objective narration to reveal the actions and the dialogue between a man and a woman. The narrator gives very little descriptive details, never revealing the characters? thoughts or their motivation. This allows the reader the freedom to interpret and develop their own opinions of the setting, plot, and characters of the story. This also stimulates the reader to
“Fiction has been maligned for centuries as being "false," "untrue," yet good fiction provides more truth about the world, about life, and even about the reader, than can be found in non-fiction,” says Clark Zlotchew, a renowned author. This begs us to question, how do short stories portray relevant issues in society?
This bitterness and sarcasm is revealed as strong characteristics of the narrator. Throughout the majority of the story, the narrator continues shows his distaste for any "happy" situation. Much like the hyphenated asides, Carver implements fragmented sentences behind description, to show the narrator pausing for a moment of color commentary.
To a reader unfamiliar with his work, Raymond Carver's short story, "Little Things" may seem devoid of all literary devices owning to good writing. Fortunately, these people are mistaken. With his minimalistic style, it is what Carver doesn't write that makes his work so effective. Most of Carver's short stories describe situations that many people could find themselves in and that is why his work is so appealing to readers. They are not restricted to harsh explicative details or over-dramatized language, but are allowed to create their own rationale for the actions of the characters and the consequent results.
The short story is a concise form of narrative prose that is usually simpler and more direct compared to longer works of fiction such as novels. Therefore, because of their short length, short stories rely on many forms of literary devices to convey the idea of a uniform theme seen throughout the script. This theme is illustrated by using characteristics that are developed throughout the story such as, plot, setting and characters. The three main components are developed throughout the story in order to guide the reader to the underlying theme, which is necessary as a short story lacking a theme also lacks meaning or purpose.