The Reality of Jacob Riis' How the Other Half Lives Essay

Earlier this year, I read Jeannette Walls’ memoir The Glass Castle. The Glass Castle tells the story of Walls and her siblings as they experience an impoverished childhood and attempt to escape the poverty-stricken lives of their parents. In her descriptions of her life and the lives of her family members, Walls influenced my ideas about poverty, homelessness, and escaping hard lives.

There are three distinct classes of houses in the tenement-houses; the cheapest is the attic home. Three rooms is next and is usually for very poor people. The vast majority of respectable working people live in four rooms. Each of these classes reflects the needs and resources of the renters in that the attic home, for example, is generally one small room and is usually rented out by a lonely elderly person with not much money. Three rooms generally consist of a kitchen and two dark bedrooms and are usually rented out to very poor people who have a

"When once I asked the agent of a notorious Forth Ward alley how many people might be living in it I was told: One hundred and forty families, one hundred Irish, thirty-eight Italians, and two the spoke the German tongue(How the Other Half Lives,p.3). There was not one native born american in the court, or in any of the tenements. The irish were the true cosmopolitan immigrant. All-pervadin, he shares his lodging with perfect impartiality with the Italian, the Greek, and the "Dutchman," yielding on to sheer for of numbers, and objects equally to them all. The city maps were colorized for each nationality, if you were to look at a map at that time, Irish were mostly on the West Side and the Germans were mostly on the East Side. Mixed in where Italian, who pushed there way up, where "Little Italy" came to be. The less aggressive, the Russian and Polish Jew, are filling the tenements of the old Seventh Ward to the river front, while disputing with the Italians, over every foot of avaibility on Mulberry St. "The italian and the poor Jew rise only by compulsion. The Chinaman does not rise at all; here, as at home, he simply remains stationary. The Irishman's genius runs to public affairs rather than domestic life; wherever he is mustered in force the saloon is the gorgeous centre of political activity(How the Other half lives,p.25)." The germans

Riis described how some Italians were given board as long as the Italian made enough ash-barrels to feed him, which unfortunately caused many Italians to get use to free rent and thus many were driven to another dump. Riis did not care much for the Italians, because of their lack of focus and life style. One of the well-known tenement housing "the Bend" was labeled as one of the bad tenement houses, and even the optimists agreed. It was said that the more you had done the less it has seemed to accomplish in the way of real relief (p 46). Also under the pressure of the growing Italian community, the standard of breathing space required for an adult by the health officers was cut from six hundred to four hundred cubic feet. With such increase in population in certain tenement housing the sanitary policeman would locate the bulk of his four hundred, and the sanitary reformer gives up the task in despair (p. 55). I personally think what he is saying is that the community and government waited too long to start helping the lower class. That the problem of overcrowding and of health regulations had gotten too far out of reach for us to help them. I had mentioned

In Li’s commune, the housing was not up to today’s standard. They lived in abject poverty. There was barely any available space in the house to accommodate everyone.

Infested with experiences and resentment like the rats in the tenements of contemporary New York City, Riis argues that the other half: the good living half; does not care about the struggles of the other half:

Riis wrote about different ethnic groups when he was living in New York. He wrote about greedy Jews, drunken Irish, and sloppy Italians. Riis also wrote with Christian morality. He blamed the faults of the above mentioned people on the poor living conditions that they were in. Like any other photographer or author, Riis’s motive must be figured out. It was already clear that he wanted change for the slums but in his pictures, the authors of the passage describe some pictures having Riis’s Christian morality in play. Riis highlights the needs for stable, wholesome families. The picture of page 191 is an example of a non-wholesome family. The home is supposed to be a resting place but factory work made its way into the home, making the entire family work. Photos like these were examples of Riis’s motives behind his photos. The photo on page 193 called “Room in a tenement flat” showed a family portrait. The room that they were in was very crammed and Riis again shows a family in poor living conditions. Riis also photographed many children, like the ones in “street arabs” on page 195. The photo is heart wrenching and captivates any viewer because of the pitiful place they had to sleep in.

many of the wealthy families although aware of the reality most ignored it. The new incoming immigrants were not as aware of the actuality of western life. Despite their lack of knowledge, in their native countries their lives apparently were much worse when compared to America. There were many reasons that native Europeans left, the lack of democracy was one. As stated earlier a majority of Europe was a monarchy at the time; the commoners had no free will basically. An insignificant amount of people who left for religious freedom. This book shocked society into facing these problems. The fact that Riis did not paint some pretty story for the reader to read and be happy; he stated the facts. He did this to clarify the need for reform throughout the city. Although Riis showed prejudice against certain members of the slums. Riis’s novel sparked interest in the readers the nation called for reforms. His book was written near the start of the Progressive Era. New reforms for the betterment of society were being made. One that helped tenements was the Tenement House Act of 1867 which clearly defined what a tenement must and must not have. Riis’s friendship with Roosevelt helped him to bring upon changes like the park that is now named after him; he said that crime would drop if only the kids who lived in the slums were able to have fresh air away from temptation. With Roosevelt’s

Life in tenements was tough because as the population was increasing exponentially; the quality of life was becoming increasingly crowded and unsanitary. Since these buildings were in high demand, housing over two thirds of the population of New York, they were commonly made of cheap materials. Maks’ family’s rooms were not well made because “the ceiling is tin. The floor is wood. As for the walls, they’re all faded green with a few cracks” (Avi 54). The buildings themselves were packed with inhabitants so that the landlords could pack more money in their back pockets. The tenement flats were very dimly light, which left many lowlifes living in low light. There was a lack of light put on the subject, and some of the regulations to have better sanitation

In Nickel and Dimed: On (Not) Getting By in America, Barbara Ehrenreich tells a powerful and gritty story of daily survival. Her tale transcends the gap that exists between rich and poor and relays a powerful accounting of the dark corners that lie somewhere beyond the popular portrayal of American prosperity. Throughout this book the reader will be intimately introduced to the world of the “working poor”, a place unfamiliar to the vast majority of affluent and middle-class Americans. What makes this world particularly real is the fact that we have all come across the hard-working hotel maid, store associate, or restaurant waitress but we hardly ever think of what their actual lives are like? We regularly dismiss these people as

The tenements where immigrants lived were unacceptably tiny and unsanitary. The East Side was packed at the rate of 290,000 per square mile at one point, while the greatest crowding of Old London was at the rate of 175,816 (12). Due to this overpopulation, diseases spread rapidly and killed thousands of unprotected tenants. Tenements also lacked fresh air because they did not have windows, which contributed to the fast advancement of cholera until around 1869 (14). One of the homes that Riis visited had “half a dozen persons washing, cooking, and sorting rags, lay

In “Invisible Child,” a New York Times article written by Andrea Elliot, we follow a day in the life of a young African American girl, Dasani, growing up in New York City. However, instead of living in an “Empire State of Mind,” Dasani lives in the slums, growing up homeless with her two drug addicted parents and seven siblings. Dasani often finds herself taking care of her siblings, making sure they have enough to eat, tying shoelaces, changing diapers, getting them to the bus stop in time, and the list goes on. An 11 year old girl, essentially taking care of a whole family, as well as taking care of herself by going to school, receiving an education, and partaking in extra-curricular activities. Elliot captures the life and struggles of a family well under the poverty line, giving us an unprecedented look into what Dasani must do each day not just to grow up in New York City, but to survive.

How the Other Half Lives: Studies among the Tenements of New York (1890) was an early publication of photojournalism by Jacob Riis, documenting squalid living conditions in New York City slums in the 1880s. It served as a basis for future "muckraking" journalism by exposing the slums to New York City’s upper and middle classes. This work inspired many reforms of working-class housing, both immediately after publication as well as making a lasting impact in today's society. Vivid imagery and complex syntax establish a sympathetic tone which Riis uses to expose poverty to the general public and calls upon them to take action and make a difference.

The book is far from a complete history and instead focuses on one specific sector of British history, the plight of the poor in early 20th century Manchester. Three main points seems to fight their way to the forefront, as they drive the direction and tone of the book. The first main point stressed is the elaborate and complex social stratification. Roberts says on the first page, "I grew up in what was perhaps an ideal

Likewise, they continued to suppress the individual as they developed using silence as a method of control to build up their “class-conscious conservatism” that unknowingly evaded the moral standards of the modern time (Burt). New York was incapable of opening its eyes and finding meaning in its world; the people “could only look blankly at blankness,” unable to find purpose behind the unpleasant (Wharton 28). Society spreads unpleasantry through gossip and rumor to alienate different and innovative individuals to ultimately stifle the revelation of a changing world. Society reflects one of its pitfalls when involving itself in the infliction its own unpleasant nature on the individual, defeating its own initial purpose of censoring the disagreeable. The systems within society avoid the harsh truths of their lack of integrity while being hypocritical of their own principle; they continue to defend a false sense of security that existed within the boundaries of conformity. To accentuate their disparity, Wharton generates a symbol of aversion and controversy that displays the invisible evils that New York has to offer.