The Red Chamber

This book is an autobiography of a man who became The Emperor of the Manchu Dynasty, at two years of age, named Henry Pu Yi. He lived a life as an emperor up until China’s government became republic and seized his powers. Until then, he continued his life back in Tientsin and tried to continue his legacy by being head of a Japanese puppet state. In spite of all his hard work, he still encountered a lot of temptations along the way and problems which is the hardest to solve. This story narrates the unusual social transitions of a man who was born ordinary,

The Red Room’ written by H.G.Wells is a short story that breaks from his usual science fiction by choosing a gothic horror for this epical short story.

Originally, Liang’s “parents were deeply involved in all the excitement of working to transform China into a great Socialist country” (4). Over a serious of unfortunate events, though, he became the child of a “Rightist’s cap” mother and a “Reactionary Capitalist stinking intellectuals” father (9, 51). Impacted by the shattering of his family and horrific bloodshed created by fighting, Liang Heng began to question the Cultural Revolution. He claimed that his “family had scarified so much… but it had given [them] nothing in return” (148). Liang Heng presents his shift in ideology to demonstrate that most Chinese were no longer in support of a Communist nation. His “troubles were common enough and anyone could see there was a discrepancy between the glorious words of the newspapers and [their] painful reality (232). Even Liang Heng’s father, after many years of devotion, found that he could no longer defend the Party’s policies after he experienced the ill-treatment of the peasants in the country

Elliott is a notable researcher of Qing 1644-1911 China who has some expertise in the historical backdrop of its Manchu originators, In Emperor Qianlong: Son of Heaven, Man of the World, Elliott has turned his extensive semantic and chronicled abilities to a life story of the enduring Hongli 1711-1799, who from 1735 until the point when 1795 ruled as Emperor Qianlong, managing a time of amazingly quick social, scholarly, statistic what's more, natural change, Qianlong's mind boggling identity and rule are analyzed once again in Elliott's investigation. There are numerous cases of this with tests of these sonnets by Qianlong himself all through the book and pictures of himself, generally in a purposeful publicity style however. The book gives an awesome short clarification of how Qianlong ruled the country and how he lived in his home life. It points of interest his spouses and the amount he loved them and what he did with them on their many voyages together over the Chinese farmland. It really expounds the amount Qianlong was influenced by the passing of his first spouse and how it may have had an effect on how he led from subsequently.

This memoir of Ma Bo’s sent shock waves throughout China when it was published and was even first banned by the Communist Government. This passionate story paints a clear picture for what the Great Chinese Cultural Revolution was really like. Many Chinese living today can attest to similar if not identical ordeals as expressed in Ma Bo’s story. The toils of being a young Red Guard in inner China were experienced by many if not millions. The horrors and atrocities were wide spread throughout the country, not just in Inner Mongolia. The experiences illustrated in Blood Red Sunset uniquely belong to Ma Bo’s entire generation of mislead Chinese. As expressed in the books dedication the Cultural Revolution

Liang Heng and Judith Shapiro's "Son of the Revolution" is a comprehensive story of Liang Heng's life on growing up during the chaotic times of the Chinese revolution. The purpose of this novel was to depict the horrors and hardships of life during the revolution period in china during Mao Zedong's reign. In the beginning of the book, the author portrays that news and ideologies always stated that the government was working for the good of the people of the country. However, as the book unfolds the author reveals that the government is actually exploiting the people through misuse of people's trust. The book also provides insights into the Chinese life during the period of 1954-1978. This 24 year period saw major

In Jan Wong’s entrancing expose Red China Blues, she details her plight to take part in a system of “harmony and perfection” (12) that was Maoist China. Wong discloses her trials and tribulations over a course of three decades that sees her searching for her roots and her transformation of ideologies that span over two distinctive forms of Communist governments. This tale is so enticing in due part to the events the author encountered that radically changed her very existence and more importantly, her personal quest for self-discovery.

The Sun of the Revolution by Liang Heng, is intriguing and vivid, and gives us a complex and compelling perspective on Chines culture during a confusing time period. We get the opportunity to learn the story of a young man with a promising future, but an unpleasant childhood. Liang Heng was exposed to every aspect of the Cultural Revolution in China, and shares his experiences with us, since the book is written from Liang perspective, we do not have a biased opinion from an elite member in the Chinese society nor the poor we get an honest opinion from the People’s Republic of China. Liang only had the fortunate opportunity of expressing these events due his relationship with his wife, An American woman whom helps him write the book. When

The Han dynasty was a golden era for China. It saw the greatest land confiscation of the nation’s history and economic success. In this paper I will be focusing on the structure of the national government, the monopolizing of iron and salt, the Yumen Pass and the Yellow Turban rebellion. Join me as we take a trip back in time to visit a time in Chinas history that is highly revered.

As China faced new international pressures and the change to a communist society, gender relations transformed women from servants of men to full independent workers, who finally became soldiers of the communist state. In Jung Chang’s novel, Wild Swans, the three women – grandmother Yu-Fang, mother Bao-Qin and daughter Jung Chang – exemplify the expected gender roles of each generation. I will argue that Confucian society presented few economic opportunities for women to support

Timothy Brook’s book, The Confusions of Pleasure: Commerce and Culture in Ming China is a detailed account of the three centuries of the Ming Dynasty in China. The book allows an opportunity to view this prominent time period of Chinese history. Confusions of Pleasure not only chronicles the economic development during the Ming dynasty, but also the resulting cultural and social changes that transform the gentry and merchant class. Brook’s insights highlight the divide between the Ming dynasty’s idealized beliefs, and the realities of its economic expansion and its effects. Brook describes this gap through the use of several first hand accounts of individuals with various social statuses.

Medieval China, as seen in the Stories from a Ming Collection, was characterized by distinct separations between men and women’s abilities, typical old fashioned family structure, and a desire to advance their social status. Throughout all the stories in this book, it dives deep into different aspects of how men and women are treated, how families were structured and how that affects their lives, as well as the values these people held. A very common trend in the stories was how different men and women were treated and the limitations they may or may not had.

In late imperial China the ideal family was “five generations under one roof” but due to a number of factors this type of family was very rare (Eastman 16). One obvious and simple reason being the low life expectancy during this time period. When most people did not live past 30, having three or four generations alive at one time were small. In addition to having many members of the family alive at once, this ideal of family required that they all cohabitated and coexisted with one another. In the fictional Jia family there are many stressed relationships due to the strain of keeping a large family afloat. In Dream of the Red Chamber, Cao Xueqin uses the story of the Jia family’s decline to show how this ideal family type is unattainable in the long term, as well as lens to evaluate feudal system during Qing dynasty.

Throughout this exercise, I will review “Malice in Wonderland: Dreams of the Orient and the Destruction of the Palace of the Emperor of China” written by Erik Ringmar (2011). This historical analysis is particularly interesting to me as it portrays different western accounts of the Yuanmingyuan, which was once a powerful historical symbol of the superiority of the Chinese Empire; to its wilful destruction to demonstrate French and British supremacy. The destruction of Yuanmingyuan is outraging me as their conducts show more about barbarian behaviours than civilised values that such “developed countries’ proclaimed. Moreover, the text in its simplicity of writing-style made an impression of amazement on me through the expression of wonder, but also, it was a very smooth reading due to the coherent and organised manner in which the author expressed himself.

The rich raspberry red blanketed over the canvas is more than enough to entice it’s viewers. The Red Room, made by Henri Matisse in 1908 is and has been a highly popular piece of artwork. The art piece captured what it meant to be a fauvist artist with its bright colors and unrealistic appearance. Matisse and other fauvist artists decided to go against what society decided was normal at the time and succeeded. My recreation of the Red Room uses the same intensity of color, line, shape, form, texture, space, unity, balance, contrast, emphasis, rhythm, and proportion to represent the greatly valued art piece.