Essay on The Red Convertible, by Louise Erdich

While they were on the road where Lyman said could have been anywhere, they encounter a girl named Susy who needed a ride to her home in Alaska. Once they got there, Henry and Lyman were welcomed with opened arms. "We got up there and never wanted to leave... Her family really took to us. They fed us and put us up" (Erdrich 2). Henry seemed to be liked in all the interactions he has with other people. His social skills were great, and he acted no different from other normal people, so he had no reasons to be considered an outsider. His personality was playful and careless, as evident from all the driving around without knowing where they were going. Henry plays around with Susy and seemed to have formed a good relationship with her very quickly. She even seemed bummed out when Henry and Lyman had to leave. Susy states "I told her it was time for us to go. She stood up on a chair. 'You never seen my hair'" (Erdrich 3). Henry was a very easy guy to get along with we don't

The car was in good shape before Henry went off and joined the Marines but Lyman wanted it in perfect condition for when his brother arrived at home. The red convertible to Lyman is everything that he wants his relationship with his brother to be once he returns. Lyman wants everything to go back to the way things were like the summer before Henry left. When Henry finally does arrive at home, however, Lyman describes him as being "very different" and "jumpy and mean"(367). Henry no longer seems to have any interest in the car or in Lyman any longer. In desperation, to retrieve his old brother, Lyman goes out one night when Henry had gone out and "did a number" on the red convertible(367). This desperate act of Lyman is in order to try to bring the brothers together. Lyman feels that since they were connected through the red convertible in the past that it would bring them together now. When Henry sees the car messed up he becomes upset and instead of bringing the brothers together Henry becomes fanatically obsessed with fixing the red convertible. This event in the story shows how the war has changed their relationship from close knit to distant. However, once Henry gets the car fixed up he asks Lyman to go for a drive once again showing how the car and their relationship are hand in hand. The red convertible continues to bring the brothers together even in the worst of times.

In the end, the brothers appear to have a dispute over the car because Henry again wants Lyman to have it. Henry tells Lyman to take good care of it. Henry then walks into the river and drowns. Lyman unsuccessfully attempts to rescue Henry. He lets the car go into the river to be with his brother.

From this point on, Henry did not even look at the car that he and Lyman owned together. Obviously, they did not travel anymore or went anywhere together as before. This bothered Lyman, and attempting to bring him back to his own self, Lyman destroys the car and waits for Henry to find it. When Henry finds it, he begins fixing it, and as months passed by, he begins to act a little different. He was not as jumpy and disturbed as he was when he returned from the war. He finishes with the car, leaving it almost as good as it was before. He invites Lyman to go on a ride as they used to do before. They arrived at the river and begin drinking beer and laughing together. All of a sudden, Henry says, “got to cool me off” and troughs himself in the river, and let the current take him. Before he was gone he said, “My boots are filling”. He probably meant that he was tired of living, waiting for his dreams and hopes to be fulfilled and being stuck in two different cultures. After Henry says this, he finally disappears, separating what was once a relationship between two brothers.

Looking at the plot of the story, one can see that the story deals with a psychological conflict. Before Henry had left for the Vietnam War he and Lyman had a close relationship and since coming back he changed significantly because of what he saw and experienced. Lyman explains, “Once I was in the room watching TV with Henry and I heard his teeth click at something. I looked over and he’d bitten through his lip. Blood was going down his chin” (Erdrich 129). This example shows how Henry is dealing with the post war stress and how he cannot get what he went through out of his head. As he sits and watches the replaying war videos, he is unable to get past that he can live again and go back to the way things were because psychologically he is still at war and fighting.

Lyman soon realized he was wrong. The war had torn Henry to the point that he would stare lifelessly at a television screen for hours on end. He had not said more than a few words to Lyman for some time. Angered, Lyman purposefully damages the red convertible to get the attention of his brother. The damaging of the car represents the anger felt by Lyman that the relationship with his brother had been destroyed by the war. By destroying the car, Lyman is metaphorically changing the condition of the red convertible to match that of their brotherly bond. “Now I don’t even know if I can get it to start again, let alone get it anywhere near its old condition.” (Erdrich 328) Henry states about the car, symbolizing his feelings towards their relationship.

Henry returns from the war damaged not unlike the car after Lyman tries to destroy it. The relation ship between the brothers will never return to its previous state just as the car will never be the same. The car now comes to signify the change in the brother’s relationship. When Henry drowns himself in the river, Lyman lets the car go with them. Henry knows life will never be the same and neither will his feelings about the car. The car will now only trigger the raw emotions of his brother’s transformation and his death, instead of the carefree life he once had with a close brother. The car comes to symbolize death and the death of the close relationship between the to brothers. When Lyman lets go of the car, he is also letting go of his innocence.

There was no actual evident mention of their American part of lifestyle until this point of their life, dealing with Henry after war. In the end, the reader can see that red convertible is a bigger representation of Henry and his individual changes after the Vietnam than anything else. It is his changes that affect his whole family and thus his strong relationship with his brother and thus why the car also counterparts their brotherly relationship. Further as the red convertible re-introduces itself throughout the story, it is the first and foremost object that shows the lifestyle of Henry and Lyman as Chippewa and American members of society.

The text, ‘The Things They Carried', is an excellent example which reveals how individuals are changed for the worse through their first hand experience of war. Following the lives of the men both during and after the war in a series of short stories, the impact of the war is accurately portrayed, and provides a rare insight into the guilt stricken minds of soldiers. ‘The Things They Carried' shows the impact of the war in its many forms: the suicide of an ex-soldier upon his return home; the lessening sanity of a medic as the constant death surrounds him; the trauma and guilt of all the soldiers after seeing their friends die, and feeling as if they could have saved them; and the deaths of the soldiers, the most negative impact a war

Henry Fosdick once said, “The tragedy of war is that it uses man’s best to do man’s worst.” In “The Red Convertible” by Louis Erdrich, there is a conflict amongst two brothers, Henry and Lyman as ones awareness towards reality is shifted upon the return of the Vietnam War. Henry’s experience fighting in the Vietnam War is the responsibility for the unexpected aftermath that affects their brotherhood. The event of Henry fighting in the war through fears, emotions and horrors that he encounters is the source of his “Post Traumatic Stress Syndrome [PTSD].” It has shaped his own perception of reality and his relationship with his brother Lyman and the strong bond that they had shared.

Both Erdrich’s, “The Red Convertible”, and O'Brien's, “The Things They Carried” reflect the effects of psychological trauma left by war; specifically, the Vietnam War. In Erdrich’s piece, she uses the red convertible as a metaphor for Henry. The fact that the two brothers purchased the convertible together is a serves to symbolize their bond. Yet, when Henry returns from his tenure as a soldier, his mental health has deteriorated into an apparently depressive state. I believe that Lyman’s act of wrecking the car represents how the war has devastated Henry’s emotional state. In Henry’s attempt to restore the car, he is indirectly trying to mend himself. Indeed we see that in his effort to do so, he exhibits signs indicative of his previous

In Karen’s ‘The Red Convertible,’ the story is narrated by Lyman Lamartine who is the younger brother of Henry Junior who had just got back from Vietnam after the war was over. The whole story is narrated in a flashback unlike Tim’s ‘The Things They Carried’ where the story moves back and forth in time. For example when the author describes the things that the soldiers carried in the very beginning of the story, he mentions Ted Lavender carrying six or seven ounces of premium dope until he was shot. Karen emphasizes more on the relationship between brothers and compares the state of mind in which they were before and after the war. The younger brother Lyman hadn’t changed much where as the elder brother Henry was completely a different person after he got back from Vietnam.

When reading literature we often attempt to use particular threads of thought or lenses of critique to gain entry into the implied historic or legendary nature of literature. To accurately process a tale in the light in which it is presented, we have to consider the text from multiple viewpoints. We must take into consideration intentional and affective fallacies and the socioeconomic circumstances of the presenter/author/narrator. We also have to consider how our personal experience creates bias by placing the elements of the story into the web of relationships that we use to interpret the external world. There also is the need to factor in other external pressures, from societal norms, cultural ideals, and psychological themes, and how

Native American and the role as the community is very bold in “Red Convertible” by Louis Erdrich and “Civilize Them with a Stick” by Mary Crow Dog. I realized that they had treated differently in American society. Moreover, the format of the sorties are different “Civilize Them with a Stick” by Mary Crow Dog’s is Autobiographical whereas, in “ Red Convertible” by Louis Erdrich is fiction. Autobiographical is more compelling because it based on actual event. Whereas, fictional stories are more about imaginary people along with an event. Mary Crow Dog. In her book, Mary explains her history of activism in the American Indian Movement containing numerous seminal demonstrations during the 1970s. Whereas. Erdrich's fictional story, surveying Native American

In this essay, I will discuss how Tim O’Brien’s works “The Things They Carried” and “If I Die in a Combat Zone” reveal the individual human stories that are lost in war. In “The Things They Carried” O’Brien reveals the war stories of Alpha Company and shows how human each soldier is. In “If I Die in a Combat Zone” O’Brien tells his story with clarity, little of the dreamlike quality of “Things They Carried” is in this earlier work, which uses more blunt language that doesn’t hold back. In “If I Die” O’Brien reveals his own personal journey through war and what he experienced. O’Brien’s works prove a point that men, humans fight wars, not ideas. Phil Klay’s novel “Redeployment” is another novel that attempts to humanize soldiers in war. “Redeployment” is an anthology series, each chapter attempts to let us in the head of a new character – set in Afghanistan or in the United States – that is struggling with the current troubles of war. With the help of Phil Klay’s novel I will show how O’Brien’s works illustrate and highlight each story that make a war.