“The Red Convertible” by Louise Erdrich, is a story of two Native American brothers whom share a

The car was in good shape before Henry went off and joined the Marines but Lyman wanted it in perfect condition for when his brother arrived at home. The red convertible to Lyman is everything that he wants his relationship with his brother to be once he returns. Lyman wants everything to go back to the way things were like the summer before Henry left. When Henry finally does arrive at home, however, Lyman describes him as being "very different" and "jumpy and mean"(367). Henry no longer seems to have any interest in the car or in Lyman any longer. In desperation, to retrieve his old brother, Lyman goes out one night when Henry had gone out and "did a number" on the red convertible(367). This desperate act of Lyman is in order to try to bring the brothers together. Lyman feels that since they were connected through the red convertible in the past that it would bring them together now. When Henry sees the car messed up he becomes upset and instead of bringing the brothers together Henry becomes fanatically obsessed with fixing the red convertible. This event in the story shows how the war has changed their relationship from close knit to distant. However, once Henry gets the car fixed up he asks Lyman to go for a drive once again showing how the car and their relationship are hand in hand. The red convertible continues to bring the brothers together even in the worst of times.

In the end, the brothers appear to have a dispute over the car because Henry again wants Lyman to have it. Henry tells Lyman to take good care of it. Henry then walks into the river and drowns. Lyman unsuccessfully attempts to rescue Henry. He lets the car go into the river to be with his brother.

From this point on, Henry did not even look at the car that he and Lyman owned together. Obviously, they did not travel anymore or went anywhere together as before. This bothered Lyman, and attempting to bring him back to his own self, Lyman destroys the car and waits for Henry to find it. When Henry finds it, he begins fixing it, and as months passed by, he begins to act a little different. He was not as jumpy and disturbed as he was when he returned from the war. He finishes with the car, leaving it almost as good as it was before. He invites Lyman to go on a ride as they used to do before. They arrived at the river and begin drinking beer and laughing together. All of a sudden, Henry says, “got to cool me off” and troughs himself in the river, and let the current take him. Before he was gone he said, “My boots are filling”. He probably meant that he was tired of living, waiting for his dreams and hopes to be fulfilled and being stuck in two different cultures. After Henry says this, he finally disappears, separating what was once a relationship between two brothers.

The relationship of brothers usually lasts forever, but in Louise Erdrich’s short story “The Red Convertible”, the relationship of the main characters Lyman and Henry takes a turn. Erdrich takes her audience through the experiences these brothers face and how they must come to terms that their relationship has changed. Knowing that it will most likely never be the same both Lyman and Henry try to fix their relationship until eventually one falls because of the experiences he faced in life. While Lyman may think the red convertible will save his and Henry’s relationship, Erdrich makes it clear that it will not through the characterization of the brothers, the plot of the story, and the symbolism she uses to tell her story.

Henry returns from the war damaged not unlike the car after Lyman tries to destroy it. The relation ship between the brothers will never return to its previous state just as the car will never be the same. The car now comes to signify the change in the brother’s relationship. When Henry drowns himself in the river, Lyman lets the car go with them. Henry knows life will never be the same and neither will his feelings about the car. The car will now only trigger the raw emotions of his brother’s transformation and his death, instead of the carefree life he once had with a close brother. The car comes to symbolize death and the death of the close relationship between the to brothers. When Lyman lets go of the car, he is also letting go of his innocence.

There was no actual evident mention of their American part of lifestyle until this point of their life, dealing with Henry after war. In the end, the reader can see that red convertible is a bigger representation of Henry and his individual changes after the Vietnam than anything else. It is his changes that affect his whole family and thus his strong relationship with his brother and thus why the car also counterparts their brotherly relationship. Further as the red convertible re-introduces itself throughout the story, it is the first and foremost object that shows the lifestyle of Henry and Lyman as Chippewa and American members of society.

Towards the middle of the story we see how Lyman damages the car and this is to regain his brothers interest in the car. He wants his brother back and by having Henry fix the car it would be as if he were fixing the bond between the two. Lyman describes how he “did a number on its underside. Whacked it up… and waited for Henry to find it”(891). He wanted to“bring the old Henry back” (891), and what better way to do this than to have Henry focus on the one thing both brothers enjoyed which was the convertible. He thought that the car would make Henry return back to his old

“The Indian presence precipitated the formation of an American identity” (Axtell 992). Ostracized by numerous citizens of the United States today, this quote epitomizes Axtell’s beliefs of the Indians contributing to our society. Unfortunately, Native Americans’ roles in history are often categorized as insignificant or trivial, when in actuality the Indians contributed greatly to Colonial America, in ways the ordinary person would have never deliberated. James Axtell discusses these ways, as well as what Colonial America may have looked like without the Indians’ presence. Throughout his article, his thesis stands clear by his persistence of alteration the Native Americans had on our nation. James Axtell’s bias delightfully enhances his thesis, he provides a copious amount of evidence establishing how Native Americans contributed critically to the Colonial culture, and he considers America as exceptional – largely due to the Native Americans.

Henry Fosdick once said, “The tragedy of war is that it uses man’s best to do man’s worst.” In “The Red Convertible” by Louis Erdrich, there is a conflict amongst two brothers, Henry and Lyman as ones awareness towards reality is shifted upon the return of the Vietnam War. Henry’s experience fighting in the Vietnam War is the responsibility for the unexpected aftermath that affects their brotherhood. The event of Henry fighting in the war through fears, emotions and horrors that he encounters is the source of his “Post Traumatic Stress Syndrome [PTSD].” It has shaped his own perception of reality and his relationship with his brother Lyman and the strong bond that they had shared.

Both Erdrich’s, “The Red Convertible”, and O'Brien's, “The Things They Carried” reflect the effects of psychological trauma left by war; specifically, the Vietnam War. In Erdrich’s piece, she uses the red convertible as a metaphor for Henry. The fact that the two brothers purchased the convertible together is a serves to symbolize their bond. Yet, when Henry returns from his tenure as a soldier, his mental health has deteriorated into an apparently depressive state. I believe that Lyman’s act of wrecking the car represents how the war has devastated Henry’s emotional state. In Henry’s attempt to restore the car, he is indirectly trying to mend himself. Indeed we see that in his effort to do so, he exhibits signs indicative of his previous

In Karen’s ‘The Red Convertible,’ the story is narrated by Lyman Lamartine who is the younger brother of Henry Junior who had just got back from Vietnam after the war was over. The whole story is narrated in a flashback unlike Tim’s ‘The Things They Carried’ where the story moves back and forth in time. For example when the author describes the things that the soldiers carried in the very beginning of the story, he mentions Ted Lavender carrying six or seven ounces of premium dope until he was shot. Karen emphasizes more on the relationship between brothers and compares the state of mind in which they were before and after the war. The younger brother Lyman hadn’t changed much where as the elder brother Henry was completely a different person after he got back from Vietnam.

Set against the backdrop of the Californian Gold Rush of the 1850s, The Sisters Brothers by Patrick deWitt follows the lives of two brothers, Eli and Charlie Sisters. The Sisters Brothers tells the story of these infamous assassins who are on a journey to San Francisco to kill a man named Hermann Kermit Warm. Warm appears to be a subtle man, who is accused of stealing from their boss, a formidable figured named the Commodore. As the brothers continue on with their journey, they come across many people from all walks of life: a weeping man, gold-digging prospectors, a young-naïve boy, and a dentist. Although the brothers don’t realize it, these individuals help the brothers perceive the world in a completely different way. Not to mention, they change the way the novel is bestowed. The brothers eventually end up at their final destination in San Francisco from Oregon City, where they realize that their adventure has actually just begun. After several eye-opening incidents, the brothers begin to question their jobs, and the true meaning of their lives.

Other stories, perceived as unrealistic, often are posited so because they contain elements we do not see in the real world; metaphoric fantasy, symbolism, abstractness. These concepts are all based on our own filters of perception – we discern what is historically accurate and what is legend, or myth, based on our position in culture and the lenses which we view ourselves. In “The Red Convertible”, we can see these concepts at play – Lyman, narrating the story of the relationship with his brother Henry, tells a story that flows very effortlessly. Things that happen around him seem to brush off of him, as if they are no big deal.

Sunday after church, James tossed the car key to Henry and told him to drive Mother and me home. Henry’s eyes beamed. He’d been able to drive for a while, but Daddy had never let him use the car, and James had done all the driving since Daddy passed. Henry had complained often, but James would shake his head and tell him he wasn’t ready. I wondered what had suddenly changed.

No matter the era, location, or even times of the darkest personal conflict, the power of love tends to always prevail. The power behind the love of family in particular seems to be the greatest. Despite the differences in the relationships, the deep bond of brotherhood in “Sonny’s Blues” by James Baldwin shares some of the same levels of devotion that is present in “A Worn Path” by Eudora Welty which is about the arduous trek a grandmother endures for her grandson. Although the stories differ in certain areas, both “Sonny’s Blues” and “A Worn Path” emphasizes the dedication one has both emotionally and physically and the importance of family bonds when someone they love encounters challenging and life threatening times by the displays of devotion to help the ones they love.