The Reel Injun Analysis

For over 80 years, Americans have been entertained by Hollywood productions on the big screen. Movies and films have always been a favorite pass time of the country. As a result of the fact that so many Americans turn to the big screen for fun, there is a lot of influence potential carried with the films or the movies that Hollywood produced. With increased ability to disseminate information comes the responsibility of presenting images that are accurate and factual. The influence and perception that Hollywood created was not always positive. There were multiple groups that were marginalized in film through stereotypes. Native Americans were one of the groups that were negatively

I’m not the Indian you had in mind; a video that was written and directed by Thomas King challenges the stereotypical image that America has towards Native Americans. King is also the author of a short novel “A seat in the Garden”. This short story also challenges the established perspective that American society has towards the Native Americans. There are various stereotypes and perspectives that a majority of the public has toward a particular group. For example some of the common stereo types that are seen throughout the media are that all Asians are good at math, women are primarily sex objects, All Africans like fried chicken, and all Mexicans are gangsters. These stereo types are not completely true for an entire group, yet they

Stagecoach – a movie that is widely accepted as the most damaging movie for the Native identity – helped to illustrate this image to viewers at the time. As a result, many Americans believed Natives were all uncivilized and violent, leading to nationwide stereotyping and prejudice. The Indian was the enemy of America as a result. Stagecoach also shows Natives being hunted like animals, which sends the image of them being non-human and thus they should be treated as such. Stagecoach and movies like it mispresented Natives for decades and caused a loss-of-identity amongst the Native community because Natives were dressed the same throughout various films. It was not until the 1970s and 1980s where Natives were properly represented on

In the movie, Native Americans are often portrayed as spiritual, noble, and free this ideal image of Native Americans captured the world’s imagination at one point. It all began in late 1800s when Native Americans were among the first to shot silent by Thomas. One of the common attraction that made

Pocahontas is a Walt Disney Pictures animation released in 1995 following the Disney Princess franchise. The movie is about Pocahontas, a native American lady whose home is invaded by Englishmen who wishes to exploit the land’s resources and to “civilize” the people living there. However, one of the Englishmen, John Smith, fell in love with Pocahontas. This essay studies the stereotypes of native American and them being essentialized in the media as being savages, sexism and also over romanticization, as represented in the movie.

“Dear John Wayne” by Louise Erdrich is about the stereotype of the Native American, being a savage race on film and how the Native Americans watching the film react to those stereotypes.

Hollywood has helped create and perpetuate many different stereotypical images of the different races in the world. Those stereotypes still continue to affect the way we think about each other today and many of those stereotypes have been proven to be historically inaccurate. The movie Dances With Wolves, directed by actor Kevin Costner, does an excellent job in attempting to promote a greater acceptance, understanding, and sympathy towards Native American culture, instead of supporting the typical stereotype of Native Americans being nothing but brutal, blood thirsty savages.

The Native Indian history of violence and debasement changed their views and self-image as well. This change later affects how they adapt to American culture and education after being dissuaded from embracing their own for so long. The violence and indifference shown towards the Native Americans during the “Trail of Tears” contributed greatly to this change. In this dreadful journey, Natives of all kinds were forced off

Native Americans make up less than .9% of the United States population. With this trivial number, it is difficult to keep its culture and traditions alive as generations progress. In the short story “War Dances,” author Sherman Alexie morns the loss of Native American identity through a deprecating tone which illustrate a divide between generations.

For most of my life, the word “Native American” had immediately made me think of feathers, powwows, and a society uncorrupted by civilization. However, in watching the movie Smoke Signals, a movie that depicts the modern Native American culture, I learned many other things. For one, I learned that many of the customs that modern Native Americans have are very similar to my own. I also saw that the family life of the Native Americans in the film had many of the same problems that my family had undergone in the past years. This film was unlike any that I have ever seen; therefore, it reached me on a very personal level.

Until fairly recently the popular culture of American literature and film did not attempt to study the true representations of Indians in North America. Instead they chose to concentrate on the romanticized/savage version of Native people: which is an idealistic view of a Native with long, beautiful flowing hair riding on a horse obsessed with chanting and praying to the savageness of a rowdy, wild Native causing unnecessary mayhem to the white people. This portrayal of Native people in mass media had led to the stereotyping of Natives, which in turn had ricocheted into real life. Not only do non-natives succumb to these ideals, but Natives do as well.

In Dances with Wolves and The Searchers the viewer was able to see many of the Indians values and how they differ from the ones of the white men. In both films the Indians were vibrantly painted with symbols on their body and horses .They also wore feathered hats and beaded jewelry. The Indians were very spiritual in Dances with Wolves. They held many ceremonies with lots of dancing and music.

These harmful images of how the Indian Americans were depicted, were subliminally created by him in many of his previous films where they were repeatedly stereotyped under the maligned appearance of bloodthirsty savages and hardly ever illustrated by their alter ego the noble savages. These descriptions and especially the denigrated bloodthirsty savage illustrations of the Indians remain seen as purely animals into the eyes of non-native populations, which caused racial discrimination against them at that epoch. Therefore, John Ford tried to redeem himself by making the film The Searchers, where he tried to expose the nefarious causes of resentment and racism that at that time the general population had for the Indians. This way of apology is likely to be strong supported by the image of the film’s hero. The depiction of the hero stresses the despicable habits of the westerners such as the tendency of the prejudices towards others. As shown by the arrival of the John Wayne character to his brother’s house and how he looked at Martin who is half-blood Indian. Similarly, Dances with Wolves represented an explicit apology to the indigenous people. However, although it was made by a white person point of view, it emphasizes Indians’ points of view. This is implicitly represented as the hero who is a white soldier from the American Civil War transformed himself into a real Indian of the Lakota Sioux tribe. Although both films symbolize intentions of apology to the

Throughout world history, it is evident that Native Americans have struggled in society ever since the landing of Christopher Columbus in North America. Ever since the film industry began in the 1890s, Native Americans have been depicted in many negative ways by film makers. One particular way film makers degrade Native Americans by making their white characters convert into Indians or “go Native” and eventually they always become better than the original Indians in the film. This notion has been repeated in many films, three significant films were it is evident is in The Searchers, Little Big Man, and Dances with Wolves.

In the 1900s Native Americans were viewed differently from the other races that existed. Some saw them as savages and animals while others saw them as nothing, a waste of resources and land. They’re portrayed as uncivilized villains in the movies we watch now, but not all Natives were evil and vicious. Natives back then were human and still are today. Some are downright vile and the few that are left are understanding, pleasant, and peaceful. Although both The Searchers directed by John Ford and The Captive painted by Eanger Irving Couse conveys the nobility of the Native Americans, Director John Ford emphasizes Native American lifestyle whereas Artist Eanger Irving Couse views Native American humanity.