The Reflection Of Writing In The Sales Of Richard Rodriguez '

A tragedy in its own right must evoke emotion and a response from the audience through effective use of several elements evident in Shakespeare’s and Aristotle’s style of tragic writing. The plot progression of a tragedy should be rather specific under the idea which leads, ultimately, to the downfall of the protagonist. Despite the sorrowful story behind Richard Van Camp’s short story “Mermaids,” the exclusion of several core elements from both styles of writing prevent this piece from being classified a tragedy. “Mermaids” lacked the development of a tragic flaw in the main character, Torchy, and furthermore did not lead the character to their tragic demise, Van Camp also excluded the idea of isolating him over time and rather brought him closer to those around him to get over his inner conflict, which is unlike a tragedy.

“Chapter 37/ Sophocles/ Antigone." Literature: An Introduction to Fiction, Poetry, Drama, and Writing. Comp. Dana Gioia

Writing is a powerful tool for communication and connection. As an extension and expression of the mind, writing is as much about the mental processes of the author as it is about the final marks laid to paper. As we write, we hold in mind our own thoughts on the work, anticipate the reader’s thoughts, and think both in concrete and abstract ways in order to accomplish the task at hand. Whether an academic research paper, a novel, or text message to friends, writing seeks to engage, persuade, or impress concepts upon an audience. Like language and other art forms in general, the practice of writing is ever-evolving and is subject to cultural and contextual influence, expectations, and conventions. Each writer holds a theory

In order to gain a proper perspective on the concept of what a tragic hero is, we must synthesize information from the following play’s, “The Death Of A Salesman”, and “Oedipus The King”. Both plays takes the stance on the idea that validates the ultimate notion,  “tragic hero. From Willy’s hubris personality to his questionable and mysterious death, to Oedipus dynamic and complex choices and kingly personality that determines his fate. A tragic hero is a literary character who makes a judgement that leads to his/her downfall. In other words, even though both characters made incredible contributions and left a very noble legacy, their choices and decisions determined their ultimate fate. In today’s world tragic heroes are commonly present,

Most readers are aware of the many famous deaths or acts of death within the Shakespearean plays. And when the main characters die in Shakespeare’s plays, indeed, the readers would categorize the play as a tragedy. The problem with any tragedy definition is that most tragic plays do not define the tragedy conditions explained or outlined by Aristotle. According to Telford (1961), a tragedy is a literary

In Thomas Scarseth’s excerpt titled “A Teachable Good Book: Of Mice and Men”, he emphasizes that OMAM is a Tragedy, and that it is good literature to read and teach about. Through explaining events from the novel Of Mice and Men, Scarseth demonstrates to his readers the reasons why OMAM is a powerful Tragedy that is easy to learn from. In his excerpt, Scarseth states that a tragic ending is important in literature, that OMAM is great to learn from because it has a strong structure, and that although OMAM uses inappropriate language and demonstrates inappropriate events, it does not present these elements indecently. Overall, Scarseth is trying to prove that OMAM is a Tragedy that is good to learn from.

Literature utilizes the readers’ need to connect with a character. More often than not, with authors making their characters relatable in one sense or another that could be transferred into multiple stories. This idea of relatability is the core of the tragic hero, a trope used often in literature including in stories such as Sophocles’ Oedipus Rex, Chinua Achebe’s Things Fall Apart, Shakespeare's Othello, and August Wilson’s Fences. Each from different years, authors, and genres, yet each utilizing the tragic hero to further their individual themes through depicting the greatness of a godlike man and his fall to lowest points within humanity.

Tragedy is an element of literature. It is rooted in Greek mythology and ancient Greek society. Its definition is “A literary piece that consists of a courageous noble character who must confront powerful obstacles, either external or from within”, and “the protagonist usually has a tragic

In literature, a tragedy is defined as a drama where the main character in the end suffers extreme sorrow because of their mistakes or poor judgment. The characters that are fated to suffer the extreme sorrow, the tragedy, are (called) tragic characters. These tragic characters, however, must follow Aristotle’s principles which include:

In the article, "Why Writing Matters" by Dana Gioia, Gioia makes a contention asserting that the levels of intrigue youthful Americans have appeared in workmanship as of late have declined and that this pattern is an extreme issue with expansive outcomes. Methodologies Gioia utilizes to help his contention incorporate reference of convincing surveys, reports made by unmistakable associations that have issued contemplates, and a citation from a conspicuous creator. Gioia's general reason in composing this article has all the earmarks of being to draw consideration towards inadequacies in American interest in expressions of the human experience. His essential gathering of people would be the American open all in all with a huge concentrate on

Writing may be an enthralling experience for one and a clever way to decompress for another. In general, however, writing has different purposes for a variety of people. “Why I Write,” written in the late 20th century by Terry Tempest Williams, describes various reasons for writing narrated from a female’s perspective. The short essay begins in the middle of the night with a woman engulfed in her own thoughts. She abruptly goes forth by reciting the multiple reasons why she continues to write in her life. Through a variety of rhetorical devices such as repetition, imagery, analogies, and symbolism, Terry Tempest Williams produces an elegant piece of writing that offers the audience insight into the narrator’s life and forces the audience to have empathy for the narrator with the situation she is incurring.

Writing is often considered mundane and banal to some students. In fact, people have even written things down since the beginning of time. I dreaded writing until I had Mrs. Dunlap for 4th block English during my 8th grade year at Mount Juliet Middle. This is the story about how she made me the writer I am today with what I like to call ‘Write’speration.

Initially, the idea of tragedy is foreshadowed when the author states the reason why the

Tragedy in an attempt towards romanticism. Disillusionment that triumphs over sanctuary. Solidarity somehow always finds a way to culminate in a stagnant disposition that shackles free thought.

The tragedies Hamlet, Oedipus the King, and Death of a Salesman have strikingly different plots and characters; however, each play shares common elements in its resolution. The events in the plays’ closings derive from a tragic flaw possessed by the protagonist in each play. The downfall of each protagonist is caused by his inability to effectively cope with his tragic flaw. The various similarities in the closing of each play include elements of the plot, the reflection of other characters on the misfortune of the tragic hero, and expression of important themes through the dialogue of the characters.